This is all fantasy . For anyone who might need that spelled out more clearly, that means none of it ever happened, and none of it ever will. All names and descriptions are made up from names and descriptions that are common or seemed right for the story, and have no relationship to anyone who might have the same or a similar name or description, just like every other fiction story by every other author. All situations, dialog, and actions in the stories are entirely made up and have no relationship whatsoever to reality. Also, BR&T Magazine doesn't exist, never has, and never will, as if that wasn't obvious. The General Disclaimer is incorporated herein by reference.
This is a rough draft of the chronology of the entire BR&T Magazine universe. There is no guarantee that it will ever be finished. It might have inconsistencies, contradictions, omissions, and might need more proofreading. But it might help you 'connect the dots' between other stories, and fill in many of the gaps with information that has not (yet) been included in any other story. But you might not want to read it before reading all of my other stories since many details it contains might be considered 'spoilers' for other stories.
The following is intended to be in chronological order in the BR&T Magazine universe, not the order the stories were written. (In particular, I wrote "Desk 13" many years before I thought up BR&T Magazine, even wrote it years before the date that story fits in the BR&T timeline!)
BR&T Magazine: A Complete Chronology
A timeline of events and characters
ROUGH DRAFT
(with ongoing revisions)
(M+B+b+/g++ pedo bond rape tort terror plus anything cruel)
(spoilers?)
Perhaps the reader needs an explanation of what exactly BR&T Magazine is, before wondering where it came from. To start with, "BR&T" is pronounced exactly the same as "brat" and for all you know, it has the same meaning. Though, technically, it stands for "Bondage, Rape, and Torture" (or sometimes just Terror).
A typical issue of BR&T Magazine has on its cover one girl, or (rarely) a couple of girls or several girls connected in some way, such as being sisters, or all being in the same Brownie troop. She is almost always from three to ten years old (very rarely older or younger, nine out of ten being between five to ten years old), therefore at the absolute peak of beauty and sexiness for girls. She's naked and very well displayed. Plus she's generally bawling, and screaming unless she's gagged. Usually the reason is clear.
Within the magazine, there may be brief advertisements, always of direct relevance to the magazine's readers (no stupid drinks, cars, or insurance company ads, ever), followed by a brief (no sense being verbose when no one will take the time to read it anyway, right?) introduction of the girl or reminder of her past appearances in the magazine, perhaps with a small photo or two.
Then the featured girl is ... featured ... in a forty-page full-color spread. The word 'spread' is always appropriate. She is (or they are) naked, extremely well displayed, and if the reason she's bawling and screaming wasn't clear on the cover, it will certainly be abundantly clear by the time the reader has seen all forty pages. Sometimes the photos begin with her in a very different situation, perhaps even cheerful or playful, to set the scene or introduce her, but the readers needn't worry, since that never lasts very long.
At the end of the magazine, readers can find a four-page featurette to introduce some other girl, to arouse the reader's interest (among other things). She's also extremely well displayed, bawling, and either screaming or gagged. The reason isn't always shown, and is sometimes left to the reader's imagination as a tease.
Finally, there's a short advertisement of BR&T Magazine's related publications and products, especially their videos of the featured and featuretted girls, plus a survey to allow readers to provide feedback on which girl they'd most like to see extremely well displayed in future issues and videos, and what they'd most like to see done to her or another girl.
The back cover, often seen first, usually shows a different view of the same action that appears on the front cover.
Now... how in the world, and in what world, did this magazine come to be?
Two girls named Easter Lily and April May get used like rag dolls by their older brothers and an uncle. (Many years later, Easter is in a therapy group to discuss it, for all the good that could do.)
Jeff (last name not mentioned) is involved in tormenting Jenny (age 7) in "Rescuing Jenny" though he wasn't the one who started it. That was when he was probably 6 or 7 or 8, maybe a few years before "Sextoys" with his sisters. He tells his classmates what he does to her, whispering about her when she's looking, and perhaps those classmates are some of the boys mentioned below, perhaps not. One classmate is Andrew, who shows pictures of Jenny to the boys in his cub scout troop, and perhaps some of those cub scouts are mentioned below, though Andrew is never mentioned again, for good reason.
None of the other boys involved in tormenting Jenny are ever seen again.
Somehow, Easter has a son, Mark, who is an important character below, and April has a daughter, Jennifer. Thus, Jennifer is Mark's much younger cousin.
Jeff (same one), Mark Zimmerman, Curt Winters, and Robert Blackrock torment Jeff's sisters (Ariana and Kathy), Mark's cousin (Jennifer), Curt's cousin (Alicia), Curt's neighbor (Eva), Robert's classmate (Wendy), a new girl in town whose father works at the grocery store (Alice Foster), Robert's really cute cousin (Robin), plus other girls wherever they can find them. (Note: Jenny is not Jennifer.)
Ariana's first terrible experience with just Jeff was years before they involve Kathy. Ariana remembers those as flashbacks while Kathy cries. Eva, Trisha, and Twins Club could be before or after The Overpass, and before or after each other.
Mark and Curt also know Jack Trice and Pete Willis on the bus (Wendy Younger and Katie Turner).
Robert Blackrock is joined by boys who live on his street: Ken (no last name given) is a photography whiz and overall technical expert, Jeremy (no last name given) lives in a nice secluded house with a large back yard for privacy, and Steve Glasscock is "cool, hanging out with older guys a lot" so they invite him to join them in their activities with Karen. Through luck and a plan (mostly Bob's), they get control of two girls, Karen and Tina ("Fairies Cry"), which could be before or after or overlap any of Jeff's activities above. Bob (i.e. Robert Blackrock) lives just across the street from Karen, who lives right beside Tina (a fence between has a convenient loose board).
Ricky and Randy, two brothers whose father runs a company employing at least one loving but unlucky father, know Bob and Jeremy enough to get invited to their parties (where "the entertainment is Karen again"), and they also go to parties on their own, such as "Sheila's Slumber Party" (Sheila and Lisa).
All of the preceding events happen when the boys are in the 9 to 15 age range. The boys get together sometime during all of these things, and decide to form a club based on their mutual interests. They decide to call their club the "Pretty Dolly Rape and Torture Club" (a dumb name, because hey, they're kids). There are at least seven boys in the club (Jeff, Mark, Curt, Robert (Bob), Ken, Jeremy, and Steve), and could be well over a dozen including Jack, Pete, Ricky, Randy, and a lot of unnamed boys like Wendy's classmates or boys on her bus. They decide the PDRTC has three simple bylaws:
Jeff is elected President For Life. They don't have a Vice President at first, just a President of Vice which goes to whoever had the best idea most recently. It's almost always Curt or Robert (ways to get girls), Mark, Jeremy, or Robert (where to take them), Steve or Robert (how to keep them from talking), or Ken or Robert (what to do to them). Eventually, they decide to make Robert Blackrock the Vice President For Life, and just appreciate everyone's contributions to everyone's fun.
Many years later, they're all adults, but they still have the PDRTC and the mutual interests it's based on, and still have the same bylaws, and still have fun adventures with many girls, many places, and many activities.
Jeff has gone into acting, he says; actually, he stocks shelves at a grocery in another town, but at least he acts like he's in acting, so that counts for something. Steve has gone into law enforcement. Ricky and Randy have gone into politics. Curt is now a teacher at the school they were all students at as kids. Robert is a reasonably successful businessman, but he's looking for ways to diversify. Jeremy inherits the house with the secluded back yard. He also inherits his father's somewhat unprofitable lumber mill, and struggles to find a way to make it worthwhile. The club's technology has improved (thanks mostly to Ken), including some clever camera and computer work in Jeremy's house (thanks solely to Ken). Mark, an exception to the others' successes, is still a grumbling farmhand on his father's farm.
The transition happens because "Police Evacuated Our Farmhouse" (Susanne, Cathy, Melissa; the whole PDRTC). Jeff is the President of the club at the beginning, but Robert is the President at the end. With Robert as President, they finally change the name, and start a new venture as "BR&T Magazine" for the first time. Their first, second, and third featured girls were the inspiration for starting the magazine at all, since they were easily available.
Mark Zimmerman inherited his father's farm and immediately replaced all the farmhands with various like-minded friends of his who actually work for BR&T Magazine. Now they have a secure place to hold fun festivities, even a nice place for an outdoor stage at a site that can accomodate a huge audience. (It doesn't get built right away, though.)
After starting up the magazine, they always need fresh stars to feature in it, and more importantly, to play with for their own fun. They routinely go on searching expeditions to find them, such as the one related in Kidnapped Schoolgirls.
After returning with a load of twenty new captive BR&T girls to play with as inspiration, beginning with an issue in May 1986 starring Candy Goodland, they add a new slogan on the cover (as if it wasn't already clear what the magazine was about from the name alone):
(No, they didn't really register anything, figuring it was already taken!)
Around this time, the BR&T crew establish a gathering of many friends and associates, meeting on the third wednesday of every month at the State Arboretum, which they call the Swat Meet. Word spreads, even to people in Blackwind's universe (with changes so they'll fit in mine).
A couple decades later, they have office space in back of a hardware store from which they publish BR&T Magazine and videos for tens of thousands of customers. To be more specific: Robert Blackrock runs "Plumbing and Heating" which is a hardware store (mostly mail-order, see their ad in First Communion), the office for the magazine, and a warehouse for their supplies (see Sealed Envelopes).
Inevitably, Steve Glasscock is now Sheriff Glasscock (as Sealed Envelopes reveals).
Their technical wizard, Ken, has set up an elaborate system of cameras, video recorders, and microphones all around the BR&T Stage.
Curt Winters is now Principal Winters of Bunnytail Elementary School, and numerous friends are teachers... or are still teachers.
Jeremy's lumber mill is still losing money, on paper, but he no longer cares how much it loses, on paper. With Robert's management, and Curt's invaluable assistance, and Ken's expertise, it has been fantastically useful in other ways. Some employees wonder why they get paid such lavish salaries; some might even figure it out, but none of them complain.
One of the students at Bunnytail is Kayannah ("Kaiah" for short, thus pronounced "KAY-uh"), whose father (guard at the lumber mill) tries out an unusual punishment to get her to behave in school, with such success that he uses it often for her and her little sisters, Terra and Oceanna (three syllables, not four: "oh-SAH-nuh"). BR&T takes full advantage of Kaiah's frequent punishment, making her a very popular free-range BR&T girl for many years, beginning with her First Video. Her sisters share the same fate, becoming free-range BR&T girls when they're even younger than Kaiah was, naturally starting with their own 'first' videos every bit as intense and every bit as popular as Kaiah's.
Over the years, the Swat Meet provides a great venue for finding new talent, marketing their products, and just having fun in general. Even the bank manager regularly attends with (most of) his family.
On a completely different continent, boys will be boys... and men will be men... just as they have for centuries. On a trip with her parents, Sara Jessica Carson gets left behind, and has a very unusual two weeks at an ancient Incan temple. No one at BR&T has ever heard of that temple, yet.
During the visit to the temple, Jim Carson (Sara's father) discovers how much more fun he can have when he finally gets the chance. He meets and thoroughly enjoys meeting six-year-old Tina Lilianna Jones and all of the other girls who are at the temple that day. Most importantly, he discovers how much fun it is to let other men have fun with Sara. Too bad nothing like that could ever happen back home, he thinks. On the bus on the way back, he meets and thoroughly enjoys seven other girls including two gorgeous blonds, Alana Mae and Leah Lily Andrews, and a three-year-old doll named Samantha, all of whom he'd seen earlier in the temple.
A year later, a new student, Sara Jessica Carson (same one), starts in 4th grade at Bunnytail Elementary School after her father takes a job as manager at the lumber mill. (Just by coincidence, Sara becomes Kaiah's classmate.) The boys at Bunnytail Elementary uphold school tradition, including a different Robert in Sara's 4th grade class, plus five boys in 5th grade (or in detention, depending on where you look at any given moment). Indeed, Principal Winters has no shortage of willing young assistants whenever and wherever he needs them.
The same week as Sara Carson's arrival at Bunnytail, little Nicole has her seventh birthday party, planned to the last detail by her devoted mother. Among other surprises in the decorations and party games, little Nicole discovers that only boys were invited. Later that same week, little Nicole and Sara meet at the all-school assembly in a way that neither of them wanted.
Also the same week, the drama teacher at Bunnytail has his students practice a play, Rain of Swats, adapted from a book with a similar name. He eventually chooses Sara's class to perform it on school program night.
The BR&T Stage on Mark's farm has become a popular attraction with many locals, including a local truck driver whose astounding luck and quick thinking makes BR&T very indebted to him for a long time (The Ballad of Brownie Troop 432).
The 'only survivor' of the accident that wiped out her Brownie troop, Little Nicole is in 1st grade (see Mommy Nicole's First Letters and Mommy Nicole's Letters and Sealed Envelopes and Little Nicole in the Van).
The other eight Brownies in little Nicole's troop were in kindergarten, 1st, and 2nd grades at Bunnytail Elementary. Many other things happened to them there, even before they disappeared, and many things happened to them afterward.
Sara Jessica gets selected to replace one of the missing Brownies (Anya) as a cheerleader at Bunnytail, and as a result of little Nicole's mother making all the cheerleader uniforms, the two girls begin writing letters. They finally meet for the first time (since the assembly, anyway) after their parents arrange for them to go to Rape Therapy together every tuesday after school.
Back at Bunnytail, the drama teacher gives every boy in both 5th-grade classes an assignment to write a play, which they'll be graded on. Each play stars two girls that the drama teacher assigns to be in that play, with other performers from a local drama club (i.e. BR&T Magazine) and other boys from Bunnytail.
After a few weeks of 'therapy' with little Nicole, Sara begins solo sessions every thursday afternoon. A neighbor boy puts on what she's supposed to wear and takes it off of her afterward.
Meanwhile, little Nicole begins spending thursday afternoons at the BR&T Stage on Mark's farm, in company with other girls the BR&T crew decide they want that day. Sara and little Nicole continue writing letters about it.
Boys who followed her home from 'rape therapy' thursday come back on monday to ask Sara to come out and play. Her father forces her to go with them. Everyone knows they're going to rape her, but Sara still doesn't know her father knows, and thinks he would save her if only he knew. They rape her in an alley, and come back and get her again on friday, and rape her in the alley again, after humiliating her further.
The boy who was 'hired' to get Sara ready for 'rape therapy' uses her house key to let himself and his friends in to rape Sara on her own bed.
Sara's father finishes work on a gift he made for her: a new four-poster bed. Employees of the lumber mill and friends of Jeremy, the owner of the mill, help him (he thinks because he's supervisor of the mill) install it in her bedroom. Ken, the technician and camera expert for BR&T, finishes the work and gives him a new remote control for his television, without explaining it. The boy with the house key, and numerous of his friends, are the lucky ones to be first to rape Sara on the new bed, but the alley boys show up later that day and get to come in and 'cheer her up' when Sara pretends to be sick. Her father discovers that the remote control lets him see (and replay at will) any of eight views of her in recordings that go back to the very beginning of the bed being installed.
He doesn't discover right away that guys all over the world can also watch the action in real time or replay the recordings, just like he can, and that he, as a 'provider' of some of it, now has access to see many other girls - such as Kaiah and her little sisters, the Brownies of Troop 432 (before and after they went missing), and captive BR&T girls of all sorts - in real time, or recordings going back years. He doesn't discover right away that BR&T has recordings, available to anyone in the world who wants to see them, of every girl at Bunnytail, including sessions in the nurse's office, events in their classrooms, art class, drama class (not just performances, but every practice also), music class, and gym class, close-ups of every girl who ever gets hallway detention, the girls show room, and every girl on the stage getting extra punishment at the all-school assemblies every friday. He doesn't discover right away that he (like anyone else) can also access any of the videos of any of the girls at the Swat Meets.
Never content to depend on their stable of free-range or captive BR&T Girls, since, as they say, kids grow up too fast, BR&T Magazine goes on frequent scouting expeditions and fishing expeditions using various methods (such as First Communion and Flower Girls?).
Even divorce-court judges in nearby states (Night Riders and BR&T Logic Puzzle: Five on Stage) enjoy the magazine and lend a hand when they can. Elisa and Ivana are about the same ages as Brittany, Caitlin, and Julie (First Communion). They also get letters from readers sharing things they think BR&T might find interesting (First Communion again).
The BR&T men aren't the only ones in town who have something going, though they usually know who else does and what they're doing. The boys in the neighborhood play with Alicia White and her little sisters, Julia and Serena, whenever they want, however they want, and sometimes their play enables others (like Mr. Carson) to have some fun of their own. Also, there's a quaint but busy tea shop at the corner of Q Avenue and Little Street, naturally called Little Q Teas. The profitable shop sells very little tea, making its very large profit selling other very little things, such as Candy, the owner's daughter, and other girls.
The same day Sara's father is in the woods having fun with Alicia, Sara goes on a school 'botany study field trip' she was chosen for. A short schoolbus takes her and a dozen lucky Bunnytail boys to the State Arboretum. Sara finds out that she is the object of study when she gets stripped naked on the way there, tied like the other girls at the Swat Meet, and spends the day under a lavender card, recorded by cameras for the entertainment of anyone who wants to watch. That audience includes, of course, her father. He hadn't known what her 'field trip' was, exactly, but by this time, Sara's father knows how to find the videos of the Swat Meets. He loves what he gets to watch while waiting for her to return from the so-called field trip. When she finally gets home around midnight, she tells him she had a lot of fun on the field trip and can't wait to go on another one, then goes to bed trying not to cry too loudly.
The next year, in a distant state, a powerful March windstorm destroys Cindy Graymont's bedroom and also puts a copy of BR&T Magazine into the hands of two neighbor boys, Austin and Dallas. Inspired by the magazine, they use the resulting opportunity to force Cindy to do everything they want.
Austin and Dallas write such an enticing letter to BR&T Magazine that they're willing to make the trip to meet her. They and all of their readers are very glad they did.
Meanwhile, one of the most popular (and therefore most frequently featured) of the free-range BR&T girls, who has been used and abused for several years, gets featured again on a device invented by Jimbo, in one of its most brutal issues (many BR&T readers might not have wanted quite that much intensity, so that issue is only for those who did).
Later the same year that Austin and Dallas introduced BR&T to Cindy, two of their friends, Darren and Rusty, find the right inducements to get control of Cindy's friend, Marie. The boys play with her in her bedroom, at their farm, at school, or anywhere else they want to take her. They introduce her to BR&T with the same enthusiasm that Austin and Dallas did with Cindy.
BR&T is so pleased with Cindy Graymont that they begin construction of a second BR&T Stage on the abandoned farm used for her introduction. (BR&T got it for a song. No, just a stack of past issues of the magazine and a lifetime pass to all events that happen there.) Although they could have chosen Marie, Cindy is the first performer on the bill, and remains a popular star for a long long time. Marie and other local girls appear on that stage often, and sometimes the BR&T men bring the most popular captive BR&T girls to that stage as well.
One of the letters that BR&T Magazine gets is from reader Roger North, about his classmate, Courtney (Finding Out What Boys Want). They're very interested in her, of course, as well as other girls in her class, and any little sisters they might have, so Roger sets it up for BR&T to come get her and do what BR&T does best. She's in for a really bad time, now that she's about to find out what boys (and men) really want when they get the chance to take it.
A similar fate awaits Kelly, after her own completely different mistake puts her at the mercy of her neighbor. He and his friends have, of course, seen BR&T Magazine, and look forward to seeing Kelly get what she deserves.
Almost a year after Cindy Graymont's introduction, the summer after Marie's, Marie's little cousin, Laurie, comes to visit. The second BR&T Stage hands, and the crowd that attends, thoroughly enjoy the new performer.
There's also a ranch in Montana (Desk 13), that Cindy's mother knows about (Meadows, Book 2), but that's so far from Bunnytail and the BR&T guys that the only contact is that they send BR&T letters, pictures, and videos, after BR&T sends them cameras and video recorders.
In the fall of 1998, after finally graduating from Bunnytail Elementary School, classmates Sara and Kaiah start seventh-grade at the local public high school (grades 7 to 12). There are about 500 students in each grade, but usually only around ten girls who survived and graduated from Bunnytail each year. All the high-school boys know three things that define Bunnytail girls: they're beautiful, they do what they're told, and they never tell anyone. Sara, Kaiah, and the other Bunnytail girls have six more years of daily rape ahead of them, now that they're old enough for 1320 high-school boys to be interested in them. (The 180 former Bunnytail boys in high school naturally prefer the current Bunnytail girls, in kindergarten to sixth grade.)
That ties together almost every story that isn't under "Assorted Stories" and even some that are!
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