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"The Metamorphosis of Lara Kane" by Lara Kane (sexual emergence) 9, 8, 8
http://www.dejanews.com/getdoc.xp?AN=337717895


"The Metamorphosis of Lara Kane" by Lara Kane (lkane@rocketmail.com).
Guest review by BillyG.

Anais Nin, Henry Miller's extraordinary lover, once employed the writing
device that described a woman, trapped by physical circumstance, who falls
under the compelling erotic spell of being groped in public. Nin's character
was pressed to immobility by a gathered mob who'd assembled to witness a
public hanging. Tensions and emotions already high, she was initially
shocked, then aroused and finally brought to orgasm by an unknown hand. Part
of the eroticism's intensity is rooted in her helplessness. There was nothing
she could do about it. She was trapped. A victim. A victim of the faceless
man exploring her body and more, trapped by that body whose very response was
unbidden and, on the surface at least, not wanted. Led to our suppressed
sexual soul, even against our will, has the substance of deep desire, the more
intense that it's "forced" on us.

So too in "The Metamorphosis of Lara Kane." This first person account by the
author first paints the picture of an asexual, even ridged woman, who is
sexually groped on a crowded bus. While she is able to extricate herself, she
is so shaken by the experience, she needs to return to her home in the safety
of a taxi. But she doesn't escape her body's demands in this futile retreat.
She's blind-sided by her desires and falls to its demands.

We're left with the impression that this is the first step in a longer journey
of sexual metamorphosis. The core of eroticism is there. The execution needs
more feeling, more vulnerability.

Ratings for "The Metamorphosis of Lara Kane"
Athena (technical quality): 9
Venus (plot & character): 8 (needs more character development)
BillyG (appeal to reviewer):8 (a bit scattered, didn't exploit the
potential steaminess it might have)