Charity: A Western.
The stranger came
in from the desert and death rode with him.
Young Billy Blakelock sat in the street of the small town of Charity,
population 105, licking a lollipop. He had spent all of yesterday working
in his father's blacksmith shop and the lollipop was his reward. Billy
studied its swirl of colours, and then licked it again. It was a good
lollipop.
He looked around at the town where he was born. Most of the buildings
were only a few years old but the desert had not been kind to Charity.
The desert storms had sandblasted the wood into splinters, and paint hung
in strips from the walls.
And then there was the sand. It got into everything, into people's houses
and shops, in their clothes, and even their food. To the desert sand,
the town was only a temporary obstacle. Eventually, Charity would disappear
beneath it. The townspeople knew this, but still persevered, sweeping
the sand from their homes, washing it from their clothes, and picking
it from their food.
Suddenly a shadow fell over the boy and he looked up in surprise. He watched
the stranger ride by, shoulders slumped forward, hat pulled down over
his eyes. Although he was covered in desert dust it was easy to tell his
clothes were dark, as was his horse. His spurs jingled lightly with every
step his steed took, but it was a sound that was far from merry. His guns,
slung low on his hips, brushed against his saddle, and the boy could see
his holsters were well oiled. If Billy's poppa was here he could tell
him what type of man wore guns like that. Billy felt apprehensive as he
watched the stranger ride by. He had never seen this man before, but he
knew instinctively he was a bad man. Billy decided to finish his lollipop
inside his father's shop.
The stranger rode along the main street, attracting covert glances as
he went. He rode up to the saloon and stopped. Passersby noticed that
the man made no noise, gave no indication to his horse to stop there.
His horse seemed to know his master's wishes without a signal of any kind.
The stranger swung one leg over the saddle and slipped noiselessly to
the ground. Without a backward glance he strode up the steps and entered
the dim saloon.
A woman in a green taffeta dress with a tousle of red hair stood there,
her elbow resting on the bar. She watched the stranger enter and moved
her hand to her breast. Her eyes went to his face, trying to see under
the brim of his hat, but all she could see was an unshaven jaw and sun
bleached hair clinging to the back of his neck. He wore a faded old poncho
pulled back over one shoulder to reveal his dust covered shirt and trousers.
Even under all that dust she could tell he was no trail bum. He walked
with confidence, striding across the wooden floor with long, measured
steps.
He made his way directly to the bar, passing a table where a group of
gamblers were involved in a game of cards. He brushed against one of the
players, causing him to drop the chips he was about to place in the kitty.
The chips bounced off the surface of the table and scattered across the
floor. The angry cowboy stood up quickly, knocking his chair back with
a thump. The red-haired woman knew what was coming and moved to the far
end of the room, never taking her eyes off the newcomer.
The stranger propped his boot on the foot rail at the bar. He slid his
hand across the bar then removed it, leaving a nickel behind. The bartender,
a black man with a rapidly greying beard, slid a glass of whiskey in front
of the stranger before making the nickel disappear.
Hey you! the cowboy yelled, staring at the stranger. He looked
mean as a rattler about to strike, and his hand went straight to his gun.
It was clear that the thought of gunning someone down was more tantalising
to him than gathering up some dropped gambling chips.
The stranger ignored him, choosing instead to fondle the cool glass of
cheap whiskey. His hat, still pulled down over his eyes, hid what he was
thinking.
I'm talking to you, stranger. You dropped my chips. The cowboy's
hand slowly caressed the handle of his Colt .45.
I think you better leave this one alone, Leroy, the bartender
said to the cowboy, his voice slow and measured. He had seen something
in this stranger, something about the way he walked. Crossing this man
would be a big mistake. He valued Leroy's business, he spent most of his
pay here, but Leroy couldn't do that occupying a plot in the Charity cemetery.
Keep your nose out of this, Zeus, Leroy snapped. This
here's between me and him. Now turn around and face me, stranger. Turn
around by God, or I'll shoot you where you stand.
The stranger slowly turned to face Leroy, his mouth drawn into a thin,
cruel smile.
Leroy had seen a few gunfights in his time, and one thing he learned early
on was that the man who walked away at the end was usually the man who
went into the fight with an edge. Lots of things can give a man an edge.
The sun in your opponent's eyes, a sudden noise from behind, even the
intimidation of a well-chosen word. Leroy always looked for an edge and
this time he thought he had found one.
The stranger's hat.
The brim was still pulled down over his eyes, blocking his vision. Leroy
had often found that a gunfighter's eyes would give away his movement.
A glimmer in the eye just before a man drew was enough of a warning for
Leroy, and he figured the stranger would be the same. But the stranger's
hat was pulled down so far he couldn't see Leroy's eyes, which gave Leroy
the edge he was looking for.
Reach for em, stranger, snarled Leroy, as he slapped leather.
His gun had just cleared his holster when two bullets crashed into his
chest, throwing him back over the table behind him. As he died in a scattering
of cards and poker chips he realised he couldn't see the stranger's eyes
either.
The stranger slowly slid his smoking guns back into their holsters and
turned back to the bar.
Zeus looked over the man's shoulder at the carnage he had caused, noticing
that at least two of the gunfight's eyewitnesses had already left. It
didn't take a genius to figure out where they were headed. Stranger,
he said, I think you better drink up and leave.
The stranger picked up the glass from the bar and knocked back the cheap
whiskey, then calmly placed it back down on the bar. Reckon I'll
stay here and wait for the sheriff. I don't want a posse riding after
me. His voice was low and deliberate. It was a voice you took seriously.
The woman in the green taffeta dress now spoke, Well, you won't
have to wait long, stranger. That sorry son of a bitch you just killed
was the sheriff. And those boys who lit outta here so fast were his deputies.
The stranger glanced at her, noticing she was a woman of uncommon beauty,
hair as red as fire and eyes of pure jade. The clothes she wore were colourful
and neat, not a thread out of place. She had an air of confidence about
her, a rarity in these desert towns where the constant heat and dryness
wore people down faster than the heels on a cheap pair of boots.
And who are you? he said to the woman.
My name is Ariel Goodson and this is Zeus, my partner and friend.
She placed a hand on the bartender's shoulder. We own this place,
or we will, once the mortgage is paid. Ariel placed her hands on
her hips, adopting a stern demeanour as she addressed the stranger.
This is our only livelihood and I would appreciate it if you moved
on. We don't want any trouble here.
The stranger glanced at Leroy's body lying behind him on the floor. Any
trouble you might have had, Ma'am, died with him.
The woman was about to open her mouth when the bartender interrupted her.
Ariel, he said, the warning in his voice obvious.
Now don't you hush me, Zeus. He has a right to know just how much
trouble he's caused. She turned to the stranger.
Those two men that ran outta here? They're headed out to the Double
D ranch to see Mr. McKenna. Take my word for it. He owns this town, lock,
stock and barrel. You killed one of his best men, stranger, and he won't
take kindly to that.
The stranger lifted up the brim of his hat, finally exposing his sun-ravaged
face. He looked at the pair with eyes as blue as new denim and as cold
as a December morn.
I can take care of myself, he drawled, as he pointed to his
empty glass.
Against fifty men? Take my advice stranger, get out of town while
you can, Ariel replied, ignoring his unspoken request for another
drink. She wanted the stranger to go, but something in her wanted him
to stay too. She shivered as the stranger turned his eyes towards her.
Later. He turned back to the bartender. Are there rooms
upstairs? I need to rest.
Sure, replied Zeus, they're all empty so take your pick.
Now hang on one damn second. Ariel was obviously unhappy with
the thought of this killer staying the night. You can't give him
a room, Zeus, he just killed the sheriff for God's sake.
He drew down on me, ma'am. The stranger refused to be ruffled
by Ariel's onslaught, which merely served to infuriate her more.
I don't care if he dropped his pants and wiggled his ass at you.
I want you outta here.
The stranger refused to move. Ariel came around to the front of the bar
and tried to shove him, but he was too quick for her and grabbed her by
the wrists.
Let me go, dammit. Ariel struggled in his grasp but his grip
was too strong. She swung a foot at him, trying to connect with his shin.
The stranger responded by holding her in a bear hug, then bent down and
kissed her roughly on the lips. She broke free and looked at him, a blush
rising on her cheeks.
How dare you. She was outraged at his behaviour, and yet something
deep inside her responded to his roughness. She went to shove him again,
and again he grabbed and kissed her. She melted inside but continued to
resist.
You fucking animal, she screamed and swung an open handed
slap at his face. He ducked beneath it and moved forward in a crouch,
grabbing her around the waist and lifting her up and over his shoulder.
He made his way towards the stairs.
No, wait, shouted Ariel. Zeus, stop him.
Zeus smiled. He could see the flush on her face and bosom, and he knew
it was not all outrage. He had been around for a good many years and seen
a good many things. Ariel didn't fool him in the slightest.
The stranger carried her upstairs and kicked open the door of the first
room he came too. He walked over to the bed and dropped Ariel onto it,
watching as her body first bounced and then settled into the covers.
You bastard, she said, but all the fury had left her voice.
Ariel could feel warmth growing in that special place. He lay down on
top of her and kissed her again, not roughly this time but long and passionately.
Ariel wrapped her arms around his neck and returned his kiss.
Lucas McKenna was a big man, 6 feet 4 inches of solid muscle. Over the
years he had bought up all of Charity by fair means or foul. He had torn
down and rebuilt with his own hands, shed his own blood and sweat and
the blood and sweat of everyone else. He was mean and he was hated. The
townspeople were terrified to cross him. That kind of power could be addictive,
and McKenna was hooked
Right now he was about to reap one of the benefits of that power. Abigail
Jones had just turned 16 and now she was kneeling before him, fumbling
with his fly. She was a gift to McKenna, torn from her sobbing mother,
an interest payment on the Jones family farm. Or, to be more precise,
her virginity was. And now it was time to collect.
He looked down at the inexperienced girl trying vainly to release him
from his pants. She had been at it for several minutes and had gotten
nowhere. He reached down, grabbed her by the hair, and shoved her back
onto the floor.
Stupid bitch. How hard can it be to open a man's pants?
He quickly unbuttoned his fly and shoved his trousers down his legs, exposing
his member to the air. He smiled when he saw the look of shock on the
girl's face.
Lucas McKenna was a big man indeed.
Ariel gasped as the stranger entered her. She might have protested about
the idea of sleeping with this man, but by the time he slid into her she
was as wet as a spring thaw. She reached up and ran her hands over his
muscular chest, tracing her fingers over every ridge and hollow. She felt
four small, round, scars. Old bullet wounds, no doubt.
The stranger pushed himself deeper, causing Ariel to bite her lower lip.
She could feel every inch as he plunged into her, and it felt like heaven.
He started to pump rhythmically, causing her to grunt with every thrust.
Ariel wrapped her arms around him, running her fingers up and down his
spine, scratching him as she came.
Afterwards she lay beside him, gazing at the ceiling and basking in the
warmth of the bed. She wondered who this man was, a man with no name that
she knew, a man who lived by the gun.
Who are you? I mean, what is your name?
Does it matter?
It does to me.
He didn't answer her, choosing instead to light up a cigarillo that he
pulled from his crumpled shirt.
Okay then, where do you come from?
The desert.
But you weren't born there. Where did you come from before that?
Silence greeted her question.
You don't say much, do you?
Silence again.
Well then, she said, rolling on top of him, at least
show me what you can do.
He showed her.
McKenna poured himself a drink and glanced at the huddled girl lying next
to him in the bed. She had been reluctant but McKenna was not about to
take any lip from a mere slip of a girl. After a quick, severe beating
she was more cooperative. He taught her what she needed to know to satisfy
him, and she learned quickly under his fist. When he finally took her
she bled.
A lot.
He was grateful she had at least stopped that infernal sobbing. McKenna
was about to roll her over for another lesson when Seth Green burst into
the bedroom.
Mr. McKenna
3; He stopped when he saw the shotgun McKenna
had pulled from under the bed and levelled at him.
Talk or die, he growled.
Mr. McKenna, it's Leroy.
What about him?
He's dead.
Ariel reached out in the darkness, looking for her lover, noticing that
night had fallen as they slept. She felt him sitting up in bed, his muscles
taut as steel cables.
What's wr
3; She felt his hand clamp over her mouth and
heard him quietly shush her. Something was badly wrong here. She heard
a faint sound from outside, the noise of a creaking floorboard. Ariel
glanced at the gap under the door and saw a shadow formed by the light
from the main room of the saloon. The shadow was moving. Suddenly she
felt the stranger push her out of the bed just as the door flew open.
Thunder roared and lightning flashed in that small room. Ariel screamed
as she heard the wet sound of hot lead punching into soft flesh, then
more thunder, more lightning, and the sound of glass shattering.
And then silence.
Ariel was tangled in the sheets from the bed, a cocoon of cotton fabric,
and she wanted more than anything to stay hidden in there until the hell
that was outside it left. She felt a strong hand on her shoulder and yelped
in fear.
Come on. It was his voice. Her heart leapt and she scrambled
out of the sheets, grabbing for him.
What happened? she asked.
No time. Grab your clothes, we're leaving.
She saw he was naked and for a second remembered how his body felt on
top of her, inside her. She shook her head, clearing her thoughts, and
picked up her dress. Ariel tried to slip it on but he grabbed her arm
and dragged her out of the room past a body slumped across the shattered
windowsill. Once outside, she saw a splatter of blood on the wall across
from the doorway with another body slumped beneath it. She was about to
protest when she heard his guns roar again. Instinctively she clamped
her hands over her ears and watched as someone slowly fell backwards down
the stairs, somersaulting like a child's discarded rag doll. Then that
strong hand was pulling her down the stairs after it.
They reached the ground floor and she looked around for Zeus. Zeus, who
had taken her in when she had needed a roof over her head. Zeus, who had
given her a room upstairs and food in her belly, and never once asked
for money, had never asked for anything but friendship. Zeus, who had
offered her an equal partnership in the saloon when she inherited money
from a deceased relative back east. Zeus, who was now lying behind the
bar, blood streaming from an ugly head wound. She ran to him to see if
he was still alive. As she rolled him over he groaned and her heart leapt
again. Without a word she ripped a strip of fabric from the green dress
she carried and used it to bind his wound. Zeus looked up at her gratefully,
then down at her naked breasts.
Well I guess I know what you were doing up there now, he said
with a lopsided grin.
Sure looks like that blow to the head didn't knock any sense into
you, she replied with her own smile. She was overjoyed that her
friend was still alive and able to joke.
When you two finish gabbing, the stranger growled, I'd
like to get out of here before we're trapped with no place to go.
Ariel looked over and was secretly disappointed to see he had managed
to put his pants and boots on. He was just pulling on his shirt and still
clutching his hat. When had he found time to grab all his clothing? All
she managed to grab was her dress. She slipped it over her head and smoothed
it down over her breasts and hips.
Let's go, she said to Zeus.
One second. Zeus reached under the bar and pulled out an old
Winchester rifle. He cocked it, loading a bullet into the breach. Right
behind you.
The trio rushed outside and into the maw of hell.
Lucas McKenna had listened to Seth Green ramble on about the gunfight
in the saloon, about the stranger who had blown Leroy clean out of his
boots. McKenna was proud of his town and the last thing he wanted was
some trail bum coming out of the desert and shooting his sheriff. He told
Seth to take two ranch hands into town and deal with the trouble. After
Seth left, McKenna got to thinking about something the frightened man
had said about the stranger. The way he described him was familiar. An
old memory rose in his mind, a memory about a dead man. McKenna made a
decision there and then, a decision that had him standing outside the
saloon with 50 armed men as the trio burst out through the batwing doors.
The stranger took one look at what lay around him and instantly knew it
was over. He could probably unload both guns, taking down 12 of them,
Zeus might be able to get a half dozen more, but there were far too many
for them to take on and win. He watched as the reason he came to town
separated from the crowd and walked towards him.
Hello Lucas, said the stranger through gritted teeth.
McKenna stared at him for a second, trying to remember who this was, and
then his eyes widened as it struck him.
You!
Are you ready to die, Lucas? The stranger levelled his gun
at the rancher but McKenna refused to back down.
I have 50 guns trained on you right now. Do you really want to pull
that trigger?
The stranger just glared at him, his finger tightening on the trigger.
Okay, let me put it this way. Do you want the girl to die?
He nodded toward Ariel. Lucas smiled as he saw uncertainty cross the stranger's
face.
Drop your guns. McKenna turned towards the bartender. You
too, Zeus.
Reluctantly the two men dropped their weapons into the dust.
That's much better. It's been a long time, hasn't it?
Too long. The stranger's voice was full of menace but McKenna
was not the slightest bit intimidated. He knew he held all the cards.
You're supposed to be dead. I put four bullets in you myself. I
saw your body tied to your horse and sent off into the desert. No one
else would live through that. What makes you so different?
The stranger glared at McKenna. The hate he felt for this man was palpable.
Ariel watched the standoff between both men, a meeting of iron wills.
But she needed to know something more and it looked like McKenna had the
information she so desperately wanted.
Do you know him? she asked McKenna.
Sure do, said McKenna, turning to her. He's my son.
He turned back to his men. Take the girl inside, I need a little
entertainment. Do what you like to him, he pointed over his shoulder
at the stranger. Just don't kill him.
What about the bartender? came a voice from the crowd.
McKenna looked at Zeus. He never liked black men, especially ones who
thought they were good enough to own property in a town like Charity.
Nail him to his precious saloon.
The stranger looked around at his opponents. They were armed with pick
handles, some slowly slapping them into the palms of their hands. No one
had pulled out a gun and the stranger took this as his edge. Now all he
had to do was arm himself. One of the mob walked towards him. This one
didn't bother with anything as clumsy as a lump of wood. Instead he brandished
a large hunting knife.
I reckon I'm gonna carve me some pig. He deftly tossed the
knife from hand to hand, trying to catch the stranger off guard.
You're going to look pretty silly with that knife sticking out of
your ass.
The cowboy stopped for a second, momentarily intimidated by the stranger's
words, then lunged at him.
The stranger easily slipped out of the way and grabbed the man by his
knife hand, snapping the wrist with uncanny ease. The cowboy howled as
he clutched his broken hand and fell to his knees. The stranger swiped
at the next attacker, cutting him deeply across the face, then spun into
the crowd before slamming the knife into the chest of a third attacker.
He grabbed the pick handle of the man as he fell and smashed it into the
stomach of another man.
It was a heroic effort but he was outnumbered. He dealt with another two
men before the blows started raining down on his head and shoulders. He
stumbled to his knees and grabbed a knife from a nearby boot, but before
he could use it an axe handle struck his hand, breaking two of his fingers.
He tried to stand but the effort was beyond him. He fell under the battering
and felt no more.
McKenna dragged Ariel up the stairs towards one of the rooms. She could
hear the shouts and pounding noises from outside. Ariel wondered how badly
her lover, the stranger, was being beaten. She shocked herself by thinking
that no matter what they did, she didn't want them damaging his beautiful
face. She soon had other things to worry about. McKenna kicked open a
door and for the second time that day Ariel found herself flung onto a
bed. Only this time it wasn't a romantic scene. This time she was going
to be raped.
McKenna reached down, grabbed her dress, and with one deft movement tore
it from her body, exposing her nakedness beneath.
Nice tits for a slut, he said as he began to undress. I
always wanted to fuck you, Ariel, but I reckoned you would never give
it up willingly. I knew I'd have to take it from you. And if there is
one thing I like taking, it's sex." He finished undressing and turned
towards her, showing her what he had in store. If he was hoping for shock
he was disappointed. All he saw in her eyes was defiance.
Ariel looked at McKenna and saw his size down there. His cock was so big
and heavy that it couldn't stand up on its own, he had to hold it. She
knew he was going to hurt her with it, but she didn't care. No matter
what he did to her it couldn't possibly be as bad as what her lover was
going through. And there was no way he could touch the part inside her
that the stranger had touched. She braced herself as McKenna climbed on
top of her, trying to stop him from entering her but he was used to women
resisting him. He placed his hands between her thighs and pulled them
apart. Then with one quick thrust he was inside her.
Ariel screamed.
McKenna walked out of the saloon two hours later. He had taken his time
with Ariel, savouring every little bit of his conquest. He lit up a cigar
and walked down to the street, looking around at the men surrounding him.
He noticed a half dozen bodies lying in a pile across the street.
Sanchez, he called. Sanchez was his second in command, an
ex-comanchero that McKenna had rescued from a posse. He was a loyal employee
and quite possibly more brutal than McKenna himself. The Mexican half-breed
walked up to stand in front of him.
Yes sir, Senor McKenna?
My son better not be one of those bodies, he barked as he
motioned to the pile in the street.
No sir, he is over there, said Sanchez, pointing to the blacksmith's
shop.
McKenna walked to where his son was hanging, bare-chested, by his hands
from the main support beam of the blacksmith's roof. His body was a mass
of bruises and cuts, and his right hand had several oddly bent fingers.
You shoulda stayed dead, he hissed. Why couldn't you
just die like anyone else? What makes you so special?
The stranger lifted his head and spat in his father's face. That was his
only response, no words, no explanations, no ranting or raving. McKenna
was quietly proud of the steel his son had developed. Shame he'd have
to die. But he couldn't have just anyone riding into town and making a
mess. It was his town, dammit, and an example had to be made. He wiped
the bloody spit from his face and walked back towards the saloon. Sanchez
walked beside him.
Senor McKenna, what happened between you and your son? Why did you
try to kill him?
I didn't try to kill him, I did kill him. He's just too stupid to
lay down.
But why, Senor McKenna?
Over a woman.
And you both loved this woman?
In a way. It was his mother. She
3;died. And he blamed me. So
he came after me with a gun. He was young, too young to use it right.
But I knew I couldn't let him live so I killed him and sent his body out
into the desert.
When did this happen?
Ten years ago today. Ain't that ironic, amigo?
Sanchez looked nervously over his shoulder at the stranger hanging from
the beam.
Today? This is the tenth year of his death?
Yeah, sure is. McKenna looked at his senior ranch hand, and
saw his apprehension. He's not a ghost Sanchez. Ghosts don't bleed.
I hope you are right, Senor McKenna, mumbled Sanchez, not
entirely convinced this was a real man.
McKenna laughed at Sanchez' superstition. He finally reached the saloon
to find the barman, Zeus, crucified on an upturned hitching rail. He looked
at the large nails hammered through the black man's wrists.
Oh, that's got to hurt, he chuckled, and drew deeply on his
cigar. Out of the corner of his eye he saw Ariel appear at the saloon
doors. She had wrapped a bedsheet around her body and was leaning against
the doorjamb for support. She looked over at McKenna with hate in her
eyes, and then she saw the bartender.
Oh no, not Zeus. Ariel rushed to his side, momentarily forgetting
the bedsheet, which fell to the ground. She placed her hands on him and
was rewarded with a groan from her dear friend.
Oh, thank God you're still alive, she whispered to Zeus, then
turned to the man who had caused so much pain in one night. He looked
at her naked body with the same brutal lust she had seen earlier. She
clutched the bedsheet around her again.
Get him down from there, you bastard. Her eyes burned with
a fire that matched the colour of her hair.
Such a defiant young lass," McKenna responded. "I'll tell
you what. If your newfound friend, he nodded down the street to
the stranger, can beat me in a gunfight, then you can all go free.
But if he doesn't
3;well
3;we are going to have ourselves a little
celebration barbeque. He looked past her to the saloon. An
old tinderbox like this would burn easily, don't you think, Ariel?
He turned back to his men and waved at the figure down the street.
Cut him down. The men raced to do his bidding. One of the
Mexicans produced a large cane-cutting knife and severed the rope with
one swipe. The stranger fell to the ground in a tangle of limbs. Two men
grabbed him under his arms and dragged him up the street, the toes of
his boots carving narrow furrows in the dirt. They stood him in front
of McKenna and tried to hold him up, but it was difficult because he was
unconscious. Someone produced a bucket of water and they poured it over
him, snapping him back to the land of the living.
Well, son, looks like you finally get the chance to throw down against
your father. Someone get his guns. The stranger's guns magically
appeared from the crowd of men and in no time they were buckled around
his hips.
Let me see those things, said McKenna, reaching into one of
the holsters to drag out one of the Colts.
That's a mighty fine piece you have there. What's the trigger pull
like? He pulled the trigger and shot the stranger through the back
of his left hand. The stranger's eyes rolled back in their sockets but
he didn't utter a word.
Gee, I'm sorry about that, son. Damn thing just went off. Well,
this is what happens when you fool around with guns. He turned to
face his men. I hope we've all learned a valuable lesson here. Never
fool around with a loaded weapon. His men nodded in sage agreement,
playing along with him. McKenna leaned down and whispered in the stranger's
ear.
The trigger pull on these pieces is pretty heavy. I hope you will
be able to fire them, what with your broken fingers and all.
He stepped back, and then seemed to change his mind about something. He
pulled out the gun from the stranger's left holster and dropped it in
the dust.
There, that's a bit better, no point in carrying around all that
extra weight. But I think we can do better. He pulled out the remaining
gun and emptied all but one bullet.
A master gun fighter like yourself needs only one bullet to get
the job done. The rest is just extra baggage. He slid the piece
into the holster and patted the stranger on the head.
Goodbye, boy. He turned to his ranch hand. Sanchez,
take him down there, he said pointing. Sanchez signalled one of
his men and together they dragged the stranger down the street, turned
him to face McKenna, then moved to the side out of harm's way.
McKenna walked out to the middle of the street.
Where are my guns? A small form detached from the crowd, carrying
the guns in her arms. It was 16-year-old Abigail Jones.
Ah there they are. It's about time you came in useful. After I clean
up this mess let's you and me head on back to the Double D where we can
continue your studies. He took the guns and strapped them on, then
took them out one by one and opened the chambers to check that they were
loaded. Satisfied, he re-holstered them and turned to face his son.
Now, how should we start this? Oh I know, let's get a pretty lady
to drop something. When it hits the ground, we draw. Now where can we
find a pretty lady? He turned slowly towards Ariel, who was still
standing beside Zeus.
How about it, my dear? he said with a large grin on his face.
Want to volunteer? He didn't expect an answer, but he got
one anyway.
Go to hell. Tears welled in her eyes and she clenched her
fists with rage.
McKenna turned to a young man standing near Ariel and Zeus. Tommy?
Yes, Boss?
Kill the bartender. He watched as Tommy drew his gun and aimed
at Zeus.
No, wait. All right, yelled Ariel. I'll do it. Just
leave him alone. She walked towards the centre of the street, stopping
short of getting in the line of fire.
I don't have anything to drop, she said coldly.
The bedsheet will do. McKenna was enjoying himself immensely.
You bastard.
Oh just shut up and do it, McKenna had lost his patience with
her. I've got things to do.
Ariel looked at him then turned to look at her lover. Her heart sank when
she saw him. He could barely stand. Try as she might, she could see no
hope for him at all, he was going to die. But he would not be alone. She
would soon be with him. She would make sure of that. Maybe in death they
would be together.
And then he looked at her.
His cold blue eyes burned into her very soul and suddenly she knew everything
would be okay. She unclenched her fists and let the bedsheet fall. It
sank to the ground leaving her naked before everyone, and at that moment
the final chapter began.
The stranger stood tall and waited.
McKenna slapped leather and fired, the recoil pulling his arm up, the
smoke from the discharge blocking his vision. He aimed true, squarely
at the chest of his opponent.
And that's that. He turned to his men but didn't expect the
look he saw on their faces. It was one of shock. He spun back to where
his son should be lying in the dirt.
The stranger was still standing.
McKenna shook his head and aimed again. I must be getting old,
he thought to himself. He fired again, and again the stranger remained
standing.
What the
3; Again he fired, again with no result.
The stranger started to advance.
McKenna fired bullet after bullet at his son, each time aiming true, and
each time missing the mark. He kept firing until the hammer fell on an
empty chamber. With a yell of frustration he threw the useless gun at
his adversary, striking him on the shoulder. The stranger staggered, but
continued to advance.
Fantasma el vegarse, whispered Sanchez fearfully.
Ningun fantasma! He's not a fucking ghost! screamed McKenna
and drew his second gun. He fired again and missed again. He was yelling
at the form before him now, counter-punching his words with every shot.
Why
3;
Bang!
Can't
3;
Bang!
You
3;
Bang!
Just
3;
Bang!
Fucking
3;
Bang!
Die!
Click!
It was the loudest sound of all. The sound of the hammer falling on a
spent bullet. A sound that echoed off the buildings of the town around
him.
His town.
McKenna looked down at his empty gun, then back at his son who now stood
before him. McKenna's mouth hung open in shock. He wasn't, couldn't be
a ghost. It just wasn't possible.
The stranger reached forward, grabbed McKenna by the back of the head
and pulled his face down over the muzzle of his own weapon.
Goodbye, father, he whispered through clenched teeth.
He pulled the trigger and extinguished the life of Lucas McKenna.
The stranger pushed the corpse away, and sank to his knees. Ariel, naked
and shaking in the noonday sun, raced to him, catching him as he collapsed.
She pulled his head to her breast and held him, gently rocking his inert
form.
Sanchez, who now found himself in charge of forty confused and nervous
men, decided that some things were better off left alone. He walked quickly
to his horse, saddled up, and rode as fast as he could back to the Double
D, his men close behind him. In less than a day the ranch would be looted
and burned, the men scattered to all points of the compass.
Some of the townsfolk who had been watching from the shadows came forward
and cut Zeus down from his makeshift crucifix. The women produced cotton
bandages and poultices and tended to his wounds.
Ariel rocked the man lying in her arms, not knowing if he still lived,
not wanting to find out. She cried quiet tears for a man whose name she
didn't know. A small figure moved before her and Ariel looked up to see
Abigail Jones, the young girl who had given McKenna his guns. The girl
stretched out her arms to the older woman and opened her hands, allowing
twelve bullets to fall to the dust of the reborn town.
3; Twelve bullets that should have been in McKenna's guns, instead
of the twelve blanks that she had replaced them with.
3; Twelve blanks that were secretly made in Joseph Blakelock's blacksmith
shop while the townspeople looked on.
3; Twelve blanks that were given to Eli Jones, Abigail's father, just
after young Billy Blakelock told his poppa about the stranger who rode
into town.
3; Twelve blanks that a father gave his only daughter after she returned
battered and bleeding from the bed of Lucas McKenna.
A crowd gathered around the couple huddled in the dirt of a desert town,
a town that had finally freed itself from a tyrant. Someone threw a shawl
over naked Ariel.
Over the next two weeks, Ariel tended the wounds of the stranger, nursing
him back to health. Outside, the town came to life, no longer under the
heel of the brutal McKenna. A new sheriff was voted in and peace finally
came to Charity. But there was still one thing left for the town to do.
And that one thing was lying in Ariel's bed. On the evening of the fifteenth
day the new sheriff, Joseph Blakelock, father of Billy, came to see Ariel.
How is he? he asked
He'll live, she replied.
Look I hate to do this Ariel, I know how much he means to you and
all but
3;
He's leaving tomorrow. Will that make you and this spineless town
happy? He saved your worthless lives and now you want him gone.
She looked the new sheriff up and down. What's the matter, Joe?
You look a little tired. Having trouble sleeping at night?
Now come on Ariel, that's hardly fair. Charity is a new town now,
we don't have room for a hired killer.
You had plenty of room for him when you wanted your dirty work done,
she hissed. And now you want to boot him out. Such courage!
Joe slowly shook his head. There was no point in arguing with Ariel Goodman,
most of the town knew that. The townsfolk had been hoping and waiting
someone would come along to free them. Those blanks had been carefully
hidden in the blacksmith shop for a long time. The stranger happened by
at just the right time, and they took advantage of it. Any remorse they
might feel for him was overcome by their new sense of freedom and a need
to start fresh.
One thing I want you to know, Joe. He's twice the man that you or
any other poor son of a bitch in this shit hole is. Get out, Joe, get
the hell out of my place.
Joseph started to leave but turned back for one last word. Tomorrow,
Ariel. If he is still here after sundown tomorrow
3;
You'll what, Joe? Throw down against him? Or will it be a bullet
in the back while he's walking down the street? You people make me sick.
She slammed the door in his face, and turned to the bed where her lover
was watching her.
Ariel knew she loved this man, more than her own life. But she also knew
he was leaving tomorrow and she was not going with him. His life was one
of danger, travelling from town to town and never settling down. There
was nothing she could do to change him, and she didn't think she would
want him if he did change. He had his life and she had hers, in this town,
running the saloon with Zeus. She slid her dress from her shoulders and
stood before him, naked in body and soul. She had given herself completely
to this man, hiding nothing from him. He held his hand out to her and
she went to him.
They made love until the early hours, and, in the morning when she turned
to face him in her bed, he was gone.
End.
The Author wishes to thank Clint Eastwood, Sergio Leone, Ernest Tidyman
and Dean Reisner for making his childhood just that little more interesting.
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