index


Message-ID: <48336asstr$1088583002@assm.asstr-mirror.org>
From: bradley_stoke@hushmail.com (Bradley Stoke)
Content-Transfer-Encoding: 8bit
NNTP-Posting-Date: Tue, 29 Jun 2004 19:11:50 +0000 (UTC)
Subject: {ASSM} Innocence Lost Ch. Twenty Four (24/36) {Bradley Stoke} (HF)
Lines: 360
Date: Wed, 30 Jun 2004 04:10:02 -0400
Path: assm.asstr-mirror.org!not-for-mail
Approved: <assm@asstr-mirror.org>
Newsgroups: alt.sex.stories.moderated,alt.sex.stories
Followup-To: alt.sex.stories.d

Title: {ASSM} Innocence Lost Ch. Twenty Four (24/36) {Bradley Stoke} (HF)
Author: Bradley Stoke
Part: Chapter 24 of 36
Keywords: HF 
Short Summary: Innocence progresses her career in fuck films.

Innocence Lost
==============

Resume of whole novel
=====================

Innocence is a girl quite simply lost in a world where she feels she 
doesn't belong. And no wonder! Innocence is no ordinary girl. Despite 
her beauty, she has a penis and a pair of testicles that marks her out 
from everyone else. Innocence is lost. This novel tells how Innocence 
finds herself through sex, love and videotape. 



For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www


Previously
==========

Innocence is persuaded by Dodie to make fuck films for a living. 



Chapter Twenty Four
===================


In Which Innocence prevails upon Dodie to perform and 
Griffin is reacquainted to the virtues of Innocence. 



Dodie enjoyed hearing about Innocence's new job. She 
loved listening to Innocence's accounts of the sex she had 
in the series of Quinze Cunts and Bizarre Bazaar films she 
appeared in, and where there was any particular activity 
she found especially erotic she would persuade Innocence 
to join in similar activity with her in their tiny bedsit. 
However, Dodie was quite reluctant to get involved in fuck 
films herself. "It's just not me," she assented, although 
she never gave any very good reasons as to why this should 
be so.

However, it was Dodie who suggested that they should star 
together in a series of Radical fuck films that were being 
made by someone she knew. "These films are different," she 
claimed. "They aren't just fuck films for people to wank to 
in the privacy of their own homes while watching them on 
video. These are more challenging, more radical films."

"How can that be?" wondered Innocence. "They're still films 
where the actors take their clothes off and fuck each other."

"It's not what they do. It's why they do it," Dodie insisted. 

However, the rates were only slightly less than Innocence had 
become accustomed to and Dodie was very insistent. 
Innocence agreed to star with Dodie, but she stated 
categorically that she had no intention of shaving any part 
of her body or of piercing it either.

The filming took place in a series of very dingy rooms in a 
derelict housing estate, on beds that were uncomfortable, 
floors that were bare and unswept, radiators that clanked 
noisily and gave off very little heat and where the walkways 
were covered in puddles and urine. There was, however, a 
story-line to the events that framed the lovemaking 
Innocence and Dodie were going to indulge in with the 
assistance of several other women who were mostly dressed 
pretty much like the clientele of the Hard Core Nights at 
the Fierzehn. This was quite a novelty to Innocence who was 
accustomed to the idea of fuck films as being nothing more 
than a series of implausible encounters and sexual passions 
in which ninety per cent of the action was concentrated 
around the groin.

The film company was known as Shit for the Workers, 
and most of the cast were both argumentative and painfully 
serious. Far more time was spent on discussing what was to 
be filmed than in actually doing it. Nothing could be done 
until there was consensus as to exactly what was to be 
filmed, what it was meant to symbolise and whether the 
fucking was ideologically correct. Any action - pissing, 
bondage, anal intercourse, even rape - was justified in 
the film as long as it could be seen as having a deeper 
significance. Innocence wasn't at all sure what the film's 
plot actually was and her lines seemed both tedious and 
irrelevant. 

In one scene, she was expected to fuck a series of women 
each of whom had a letter painted on their forehead in the 
Greek alphabet: twenty-four in all. She had to fuck each of 
them from alpha to omega via omicron and iota (or whatever 
else they represented) and, while being fucked, each girl 
was obliged to recite a radical quotation. Fortunately, 
Innocence wasn't expected to fuck continuously. She didn't 
have anything like the stamina of Null and, in any case, 
there weren't really as many as twenty-four actresses 
actually involved in the film. Dodie played a number of 
different Greek characters, but since only parts of her - 
like her cunt or mouth - would actually be shown, it was 
impossible to tell that it was the same person being 
fucked on different occasions.

Another scene involved Innocence pissing on Dodie while 
another girl pissed on her and Dodie pissed on someone 
else. Innocence became aware that this apparently endless 
stream of people pissing on different people was meant to 
be symbolic, judging from the fact that the only person in 
the series who pissed and wasn't pissed on was the only 
man in the series and he was particularly fat and ugly.

Another scene, near the beginning of the film, involved 
Innocence apparently depriving Dodie of her virginity. For 
this scene, Dodie was made to seem rather younger than 
she was - but she wouldn't sacrifice her pubic hair. The 
cunt that was intercut to look like a young Dodie's was 
of another girl who was probably not very much older than 
the supposed youngster she was playing. The radical aspect 
of this was apparently the tawdry, unappealing state of 
the room in which the filming took place: wallpaper 
peeling off the wall, horrible patches of damp soaking 
through the plaster and a bare mattress with a quite 
dangerous spring protruding through.

The other cast were not especially attractive, although one 
or two of them had faces and figures that could have been 
quite beautiful if they'd allowed themselves some hair and 
make-up. Innocence much preferred those sequences involving 
Dodie because she felt much more comfortable inside a 
familiar cunt. Sometimes the others felt just a little too 
tight and in one case almost too loose - nearly as much so 
as Une's cunt.

The filming took much longer than most of the films 
Innocence had starred in (indeed she made several films 
for her other company on the days Shit for Workers 
dedicated to discussion seminars and discovery sessions). 
It didn't seem that the final film was actually very much 
better than those she'd made for Quinze Cunts. The film 
used was black and white, some of the camera angles were 
wilfully obscure, the editing seemed quite random and 
distracting and the sex was really no different. There 
was also an annoying sequence running through the film 
where the director, a fat woman in her late thirties 
with a lisp and a slight stutter, wandered naked 
through a rubbish heap, or along a suburban housing estate, 
or outside an abattoir, passing comment on such matters as 
women's rights, homosexual separatism, the dictatorship of 
the proletariat, racism and hypocrisy. Whether Innocence 
would have found this interesting in another context was 
difficult to tell as the editing was rather random and 
she often lost the point of the dialogue as it had been 
inserted somewhere else in the film (perhaps while she 
was placing a cucumber deep inside her anus or sticking 
her erect penis into a rusty exhaust pipe).

The biggest debate of all was what to entitle the film, 
which thankfully Innocence was excused from. She didn't 
care if it was called The Coitus Manifesto, The Female 
Bollocks or Fuck is a Feminist Issue. She was just happy 
to get paid at the end of it. Dodie, however, was 
unreservedly enthusiastic. "Isn't it good to know that what 
you're doing is art and will outlast all the fuck films you're 
usually in."

Innocence wasn't at all sure that this last assertion was at 
all likely. The film at nearly four hours was far too long 
and self-indulgent she thought. The opening credits went 
on for nearly half an hour, interspersed with so many 
themes that she had no idea what was meant to be 
achieved. Women running around with dildos inserted up 
their arses. Men fucking dead chickens. Cars driven slowly 
round in circles with numbers like 15 or 9 written on top. 
The sudden ending, which left her both frustrated and 
relieved at the same time, was a poor joke she only wished 
had happened considerably sooner. But it was Dodie's first 
and probably only fuck film and so, for her sake, Innocence 
made no complaint and encouraged her as much as possible 
with the film-making.

For most of the time she was working with Shit for 
Workers her mind was focused on finding a flat. She 
eventually found one which was a compromise between Dodie's 
wish to be in the town centre and Innocence's desire for a 
relatively quiet night's sleep. It was with some sadness, 
however, that Innocence moved out of her tiny bedsit. It 
was, after all, the only place she'd ever lived in by 
herself and much as she loved Dodie she also missed the 
freedom and solitude she'd enjoyed there.

Innocence felt rather sorry for Gryphon when she observed 
her relationship with Chastity in Labia. She knew her 
sister was exploiting her and that, despite her proud 
musculature, the teacher was very vulnerable. She never 
expected to see Gryphon again after she left the college, 
and was even more surprised to see her picture on the 
cover of a video for Sex and Physical Exercise, Keep 
Pumping, on the shelf of the wall of the offices of 
Sexual Fitness Ltd, the company where she was being 
interviewed to appear in one of their many sex education 
tapes. Innocence had been exposed to enough of these 
videos to know what these films generally involved.

Gryphon's performance was no different in Keep 
Pumping and its sequel Keep On Pumping. They were mostly 
solo performances with others merely following the 
instructions Gryphon gave them. Her experience as a 
teacher came through in the authoritativeness of her 
voice and the tone in which she gave her instructions. 
"Yes, deeper! That's right! As far inside as you can 
get!" she cried as her tutees thrust curiously shaped 
dildos deep inside their vaginas or anuses. She would 
first of all show techniques for lubricating her vagina 
with a finger or a vibrator and then showed how to 
maximise the pleasure it gave her and the length of time 
an exercise could last. "After thirty minutes of 
continual thrusting your vagina is now loose and moist 
enough to give hours of satisfaction to the most 
demanding of lovers," she would say on the voice-over 
while the more impassioned film of her masturbating 
was on show.

Innocence was pleased to discover she was to be 
auditioned for a sex fitness video with Gryphon. She 
knew the teacher well enough for there to be no surprises 
and she had had sufficient experience on their one previous 
lovemaking to know that it would make a very successful 
production. She guessed from her memories of Gryphon's 
intense pleasure on that occasion that the teacher wouldn't 
have to feign any of her passion.

"We just need someone like you who is physically attractive 
to our star and has a fully operational penis," explained 
the director, who was a slim woman in a track suit and with 
long hair tied back in a pony-tail. "We've tried to film 
Gryphon with men, but these attempts have never been 
successful and we've never been able to market them. They 
would not enhance the reputation of Sexual Fitness at all. 
Some of our competitors may be satisfied with film of 
Gryphon looking bored or distressed while being buggered, 
but we would hope to market an altogether better product. 
We want to project a positive image of sexual intercourse. 
We've seen some of the work you've done for Bizarre Bazaar 
and Quinze Cunts, and we think you may have just the enthusiasm 
for sex with women that would fit with Gryphon's own 
similar tastes."

Gryphon couldn't have been more enthusiastic when she was 
introduced to Innocence as a potential film companion. 
"When can we start filming?" was Gryphon's main question 
after they met. "I'd love to have some decent sex for a change."

The filming was quite strenuous for Innocence. Gryphon's 
success in the Sex Fitness video market was quite significant. 
Many customers were attracted to her muscular frame and the 
femininity she carried with it. Innocence discovered that 
Gryphon's venture into this market was one the teacher felt 
able to do without leaving her pedagogical career (to which 
she felt a great affection) and one that provided her with 
the money to afford the custom of the prostitutes to which 
she had become addicted. Gryphon did her filming a long way 
from Labia as she didn't wish to lose her position in the 
college. She also seemed somewhat ill at ease making love 
to Chastity's sister. 

Gryphon found it difficult to believe that the Innocence had 
separated from Chastity. 

"Chastity was so fond of you!" she remarked. 

Innocence was unwilling to discuss her sister even to one of 
her former lovers. She avoided asking too many questions about 
her sister's life in Labia, beyond discovering that she'd 
also left college. 

The video the two were to make was provisionally called 
Keep Rumpy Pumping. It was intended to broaden 
Gryphon's appeal from the wank film market into the more 
demanding and lucrative fuck film market that Innocence 
was now doing quite well in. Sexual Fitness hoped that 
their fastidious star could be weaned onto more 
conventional fuck films with their cast of athletic male 
stars, but they knew that at least one good quality fuck film 
was needed for their customers to stomach more indifferent 
produce.

Innocence had to spend several hours each day in the gym 
provided by Sexual Fitness, lifting weights and running on 
treadmills, often with the guidance of Gryphon who gazed 
long and lovingly as Innocence's stomach muscles became 
firmer, the muscles of her arms became more delineated 
and the sweat gushed down her naked body and through the 
pubic hairs around her darling penis. Sometimes Twelve or 
Dodie would join in and to Gryphon's chagrin would 
accompany Innocence to the fuck room where they would 
make more physical love on the futons laid out there. 
Gryphon felt excluded from Innocence's extra-filmic 
activities, and this wasn't so much because Innocence 
wasn't attracted to her but rather because she wanted 
to divorce herself from anyone who reminded her too 
intensely of her relationship with her sister.

The fuck film had a conventional format for the Sex and 
Physical Fitness market. The voice-over provided by Gryphon 
was recorded afterwards and was meant to highlight particular 
educational points that the fucking supposedly illustrated, 
but were really just afterthoughts provided to give 
respectability to a series of shots where Innocence fucked 
Gryphon's receptive body athletically, frequently and 
passionately. In the mouth, in the arse, in the cunt, hanging 
from wires, in several quite awkward positions, standing up, 
sitting down and framed by a scenery of bell-bars, climbing 
frames, trampolines, mattresses and total nudity. The shots 
Gryphon particularly enjoyed reviewing and speaking over were 
those where Innocence relieved herself of copious 
quantities of semen over Gryphon's face, breasts, buttocks 
and cunt. She loved watching the semen arch in a sinuous 
curve of viscous drops to stain the mattresses or gymnasium 
equipment. She particularly treasured the shot of her with 
semen trickling out of her mouth as Innocence masterfully 
produced yet more to spread over her hair and her shoulders. 

Gryphon loved the warm taste of sperm. Or at least 
Innocence's. In the video there was several minutes of 
come shots to accompany a digression on the protein and 
carbohydrate values of semen and how a regular diet was 
an invaluable addition to the fitness regime of anyone who 
wished to attain the heights of physical and sexual fitness. 
Innocence, however, felt rather drained after these sessions, 
and not just from the release of sperm. Gryphon was a 
demanding, very physical lover. Innocence couldn't maintain 
the degree of sexual and physical exertion demanded of her 
from such a partner. 

So, despite the persuasive arguments from Sexual Fitness 
and Gryphon's own somewhat tearful demands, Innocence 
declined to contribute her services to the follow-up fuck 
fitness film, More Rumpy Pumping, even though this 
would include scenes in which Gryphon would make love to 
young girls as young as she could legally get away with 
and in which Innocence would not be the only object of 
Gryphon's sexual passion. Innocence wasn't inclined to 
become too closely identified with the Sexual and Physical 
Fitness Video market. It didn't offer much career progression 
and, besides, she'd had quite enough of all the work-outs in 
the gymnasium. The burning feeling she got from her muscles 
for days afterwards was just not worth it.




For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www

-- 
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
+---------------------------------------------------------------------------+
| alt.sex.stories.moderated ------ send stories to: <ckought69@hotmail.com>|
| FAQ: <http://assm.asstr-mirror.org/faq.html> Moderators: <story-ckought69@hotmail.com> |
+---------------------------------------------------------------------------+
|ASSM Archive at <http://assm.asstr-mirror.org>   Hosted by <http://www.asstr-mirror.org> |
|Discuss this story and others in alt.sex.stories.d; look for subject {ASSD}|
+---------------------------------------------------------------------------+


  index