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From: bradley_stoke@hushmail.com (Bradley Stoke)
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NNTP-Posting-Date: 14 Jan 2003 19:43:23 GMT
Subject: {ASSM} Alice Chapter Three (3/15) {Bradley Stoke} {MFF}
Date: Tue, 14 Jan 2003 19:10:03 -0500
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Title: {ASSM} Alice Chapter Three (3/15) {Bradley Stoke} {MFF}
Author: Bradley Stoke
Part: Chapter 3 of 15
Keywords: MFF
Short Summary: The Classical Theatre


Alice
=====

Synopsis of whole novel
======================

We all know the story of Alice as told by Lewis Carroll. Here is an 
erotic tale inspired by, and unashamedly borrowing from, this famous 
children's story. This story tells how Alice goes to Wonderground and 
what she found there. 


For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www


Previously
==========

Alice goes down the hole and stays with Mouse in Wonderground. 



Chapter Three
=============

The Classical Theatre
=====================


As promised, Mouse took Alice to the theatre to see a play called The 
Truth About Dinah, which was at the New Crucible theatre. Mouse 
took great care that Alice was dressed appropriately for the 
performance. Her long hair was brushed back and kept back by a 
ribbon. She lent Alice a dress which came to just an inch above the top 
of her inside leg, and scrubbed her vagina so sparkled and smelt nice. 
She carefully extracted a small hair she found growing there. She put 
little white ankle socks and nicely polished black shoes on her feet. 
Mouse took especial care, with Alice's assistance, to shave off any 
hair on her body, particularly between her legs. Alice spent a fairly 
uninspiring time tweaking out the hairs that were caught in  Mouse's 
prised open buttocks. 

Most of the audience at the New Crucible was women and most of 
those had short bobs like Mouse and proudly showed off their shaven 
vulvas. Theatre, whatever it might have meant to Alice, was a sexual 
experience according to Mouse. The centre piece of a good play was a 
well-performed fuck scene. There might be several fuck scenes in a 
play, but only the best actors were truly able to arouse an audience. 
Mouse had seen plays where a fuck scene in a sub-plot was better 
performed than the main one but that was rare. 

Modern drama (in which Mouse didn't include the avant-garde 
rubbish Dodie advocated) was always bound by certain agreed 
standards according to whether it was comedy or tragedy. In a comedy, 
there would be a series of fuck scenes in which the final scene 
involved the climaxing of most of the cast. This orgy scene would not 
be the principal fuck scene. This would happen earlier to allow the 
stars the opportunity to perk up for the last act. In a tragedy, then there 
were less fuck scenes and most of the cast were not involved (except 
as passive spectators), but each fuck scene required more from the 
actors to express the complex emotions involved. 

Unlike, Mouse sniffed disparagingly, the avant-garde, proper theatre 
was bound by certain quite sensible limits. No buggery in any 
circumstance. Where male homosexual sex was required, one of the 
couple would need be of the other sex dressed to appear as the same 
sex, so that it would only appear to be homosexual. In those cases, for 
instance, a woman might play, say, Edward III, and wear a dildo 
around her waist to exhibit her supposed role. Fucking, even from 
behind, had to be into the vagina. The Theatre Inspectorate were very 
strict on that. 

The Truth About Dinah was a tragedy concerning Dinah, played by 
the leading actress, Prudence Smith, who was hiding the dark secret of 
her love for another woman, Laurel, who was played by Pauline York, 
an actress of lesser significance. Her husband, Edward, was a 
disapproving religious man, played by Lionel Johnson, the leading 
actor.  

There were five acts. In the first act, Dinah and Laurel made love in 
the company of some friends. The friends tried to persuade the couple 
to leave each other and indulge in the more conventional sex they were 
having. The scene ended with Laurel agreeing to have rather noisy sex 
with one of the men. 

The second act featured no sex at all, except that it seemed necessary 
for Edward and Dinah to wear no clothes despite the coming and 
going of the servants. The third act featured very athletic sex between 
Dinah and Edward in which Dinah confessed her love to Laurel during 
an apparently unfeigned orgasm. The act ended with Edward storming 
out of the auditorium. Some of the girls in the aisle reached out to 
touch his still moist prick as he passed by and smear it on their vulvas. 

The fourth act featured a conversation between Dinah and Laurel, 
which, although unclothed, contained no sex. The act ended with 
Edward discovering them and killing Laurel in his anger. The final act 
showed Edward in jail about to be hanged for his offence. Dinah visits 
him and they cuddle, and she claims that her love for Laurel could 
never match that for a real man. The play ended with Dinah sucking 
off Edward just as the hangman is about to enter the prison cell. 

"Phew! Powerful stuff!" gasped Mouse after the play. "That was quite 
a strong performance from Prudence Smith, wasn't it? How she could 
do it three times in an evening, I don't know. And there's a matinee on 
Wednesday as well!" 

Mouse and Alice went into the bar after the performance, but Alice 
could only have fruit juice to drink because of her age. Mouse 
enthused about the play to Alice and several of her friends.  

"That was quite an orgasm in the third act," commented one. "I've not 
seen one like that for ages! It takes real skill to remember your lines 
when you're in that much ecstasy." 

"Surely, it was just acting," suggested one of the men in the group. 
"You can't have orgasms like that to order." 

"That's what you think!" laughed another friend, who was nonetheless 
being quite affectionate with him. "I've had better than that." 

"I got some of his sperm," announced one of the girls, small and timid 
with small round glasses. "When he went by that is. I put it all the way 
right up me. You never know: I might have his baby!" 

"I think it's chemistry," opined Mouse. "When you get Prudence 
Smith and Lionel Johnson together you expect it to work don't you! 
Every play I've seen either of them in has always been a success on 
that front." 

"Bit weak that Pauline York though," commented one of the men. "It's 
not as if she had much to do really." 

Mouse made no comment. Nor did any of the other girls. 





For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www

-- 
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
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