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From: bradley_stoke@hotmail.com (Bradley Stoke)
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NNTP-Posting-Date: 23 Apr 2002 08:23:56 GMT
Subject: {ASSM} Emma - Chapter Two {Bradley Stoke}{Caution}
Date: Tue, 23 Apr 2002 08:10:02 -0400
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Emma
====

Resume of whole novel
=====================

Emma is no stranger to the world of pornography, working 
as she does for one of the premier sex television stations. Nor is 
she a stranger to the naked body, being a dedicated naturist. However, 
in almost every other way she is naive and innocent. This is the story 
of how she finds herself, and also about the lives of people around her. 
In this novel, soap opera meets sex fiction. 


For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www
           (mirror: http://bradley-stoke.fsn.net)

Previously
==========

Emma is promoted to a new position on Harlot TV.



Chapter Two
===========

Emma left for home nearly forgetting to put Charlotte's coat on. 
The new responsibility would transform her life, she was sure of 
it. At the very least, she wouldn't have to leave for work so very 
early in the morning from now on. It did mean that she would 
have to be just that little bit more careful about how few clothes 
she wore to work, just as she had to be coming home. 

Her home was a three bedroom flat she shared with two other 
girls. Her closest friend, Charlotte, was in the room adjacent to 
hers, with a connecting door which was usually left open. 
Charlotte wasn't a naturist but she wore no clothes round the 
home, apparently from respect for Emma. Indeed, Charlotte had 
quite good dress sense which was useful for Emma whenever 
she needed to borrow a dress or a coat to go shopping or to 
work. Charlotte also claimed to be a lesbian, which was strange 
because she never once brought a woman friend back home 
with her. She did, however, come home with male friends on a 
not too regular basis and judging by the very noisy reception 
she gave them, Emma felt no reason to doubt Charlotte's 
passion. Nevertheless, it was a little embarrassing how on the 
more regular occasions Charlotte got a little tipsy, she would 
declare her love for Emma. 

Charlotte worked for the Civil Service, but envied the glamour of 
Emma's job. She would put her head on Emma's lap to have 
her hair stroked and entice Emma to tell her once again about 
the famous guests on her programs and the more sexy 
television encounters. Emma had a mostly professional pride in 
this as in almost all cases the most successful interviews were 
those she had most meticulously planned. 

The other flat-mate was Harriett who was a presenter on a rival 
station to Harlot TV, called Semen South West, (which did not 
reflect any regional bias). SSW was a Three X station that had 
only recently obtained its third X, so Harriett had needed some 
re-training. It was no longer sufficient for her merely to 
stimulate penises: she now also had to bring them to 
ejaculation. It was more important for her to maintain her 
composure when she might have to make love with several 
people in a single half-hour program. The show she presented 
was called Swimming Pool Sex, which generally featured her 
in the various athletic positions she could adopt in a swimming 
pool. This meant that she had to be a very good swimmer as 
well as a sexual athlete. The extra X meant it was more 
important than ever to heave the penis out of the water at the 
moment of ejaculation so that all could be shown to the 
cameras. 

Harriett was obsessed by the art and technique of her trade. 
She often watched sex television to learn from other presenters 
and her conversations frequently drifted towards what she had 
done in a recent program or what she was practising for her 
next program. She undoubtedly practised: barely a night went 
by with Harriett not bringing home a man, often the night before 
they were due to perform together on television. 

Harriett had one professional worry which was that the extra X 
might oblige her to make love to a woman. It was not the 
professional aspect that bothered her, but her worries about 
doing something that as a heterosexual she wouldn't really 
enjoy. "Perhaps," she would ask Charlotte as sweetly as she 
could, "I could lose some of my fear if I practised with you." 
Curiously, for a lesbian with little compunction for sex with men, 
Charlotte appeared to have very little interest in accepting this 
offer. 

Emma would be seeing much more of her flatmates, now that 
her work would be mostly done at home. 

The first batch of videos Emma identified as worth exploring 
were known as Naturist Classics, produced by a small 
European production company. At present, they were not 
broadcast on any national television stations but were 
nonetheless selling quite respectably in video rentals. As a 
naturist, this rather intrigued Emma and she thought that her 
exploration should start somewhere where it might coincide with 
her own interests. 

The practise of Naturist Classics was to take a piece of well- 
known literature or drama and present it in the nude. This 
meant naked Wuthering Heights, naked David Copperfield 
and naked Passage To India. As Emma soon found out these 
were virtually unchanged from the original text, apart from that 
the cast wore no clothes, however apparently inappropriate this 
might seem even to Emma. The appeal of these videos at first 
eluded Emma, and she could see no objection to screening 
these films on day-time national television. In the case of Lady 
Chatterly's Lover, Nana and Tom Jones she wasn't too 
surprised that the sex scenes were considerably more explicit, 
more prominent in the plot and more frequent than in the 
original novels, so perhaps that was why they were destined for 
specialist tastes. However, Emma couldn't really recall that 
there had been sex scenes in the originals of Jane Eyre, Moby 
Dick and Anna Karenin, but she accepted the licence for them 
to be in the naturist versions. 

 From a technical perspective, the films were very curiously 
filmed, but it took Emma a while to determine why. "It's all in 
medium to long shot," explained Harriett, who had a 
professional interest in how much was required to be shown in 
a shot. Indeed, unlike most television drama, the scenes were 
set up so that as much of the main characters torso and 
genitalia would be on screen in any frame. Furthermore, it soon 
became clear that however innocent the content of the scene 
the characters always seemed to be sexually aroused. Mouths 
pouted unnaturally, the vulva and nipples were unusually bright 
and either the men were always half-aroused or had been 
stimulated to be so. In any case, their penises never resembled 
the shrivelled little things that Emma more often associated with 
naturist men, but more like Harlot TV male presenters as they 
were readying themselves. 

More investigation revealed more of the appeal of Naturist 
Classics. Although less than a half of its listing consisted of 
children's classics, more than 80% of its sales were of these 
videos. It seemed unlikely to Emma that there were that many 
naturist children, so she took an especial interest in these films. 

Like the adult canon, the children's classics featured all their 
cast of mostly children in the nude. Again, the content was 
ostensibly quite innocent, if a bit bizarre. A naturist Swallows 
and Amazons featured the two gangs of children running 
around naked, with rather young and well-developed parents 
who often seemed more fond of their children than seemed 
normal, but not obscenely so. A naturist Famous Five again 
featured naked children, who if anything were younger than 
those in Enid Blyton's books. A naturist Alice in Wonderland 
featured a naked six year old girl who seemed overawed by the 
nearly tumescent penises and swelling nipples of the not very 
well disguised actors playing the menagerie of fantastic 
characters. 

Emma came to the conclusion that, sadly, the role of Naturist 
Classics was ostensibly to provide titillating images of naked 
children in absurd situations for those who liked that sort of 
thing. The lack of overt sex, at least with children, and the plots 
which conformed to a certain extent to their source material, 
didn't detract at all from the titillation this was no doubt meant to 
provide. Emma could see a role for Naturist Classics on Harlot 
TV, and certainly the content fell well within the bounds of what 
was permitted for a Four X station. The question would be its 
scheduling. Mid-afternoon, she decided. The titillatory value 
was best served by keeping up the pretence that it was 
educational entertainment, but it was necessary to keep an eye 
on the content to ensure it never got emboldened to the extent 
of actually showing child sex, which was totally illegal. 

A more difficult question which Emma fortunately didn't need to 
worry about with Naturist Classics was where to draw the line 
on what constitutes child sex. The affection that a lot of the 
children seemed unabashed about expressing to each other, 
especially in The Railway Children, which hinted obliquely at 
incest, kept sufficiently clear of the genitals or the anus not to 
be considered sex, but would that have been so true if adults 
were equally as affectionate with the children? 

"Would you perform in a film like this?" Emma asked Harriett 
who was languidly watching Oliver Twist. The scene showed 
the children in Fagin's den holding each other tight against the 
cold, including some little girls, while a naked Artful Dodger was 
striding up and down with a half-tumescent sub-teen penis. 

"Why not," Harriett yawned. "At least if you get something wrong 
on a film, it can be re-recorded. When you slip up on live 
television, then everyone can see!"

Albania had taken a very strange turn in its pornographic 
industry. From a period when it would let virtually anything go, 
Albanian hard core porn now prohibited the sexual act. 
However, excretion hadn't been proscribed and although there 
wasn't much of a demand for coprophilia, urination was now 
used as an acceptable metaphor for sex. Consequently, 
Albanian pornography was now known as Piss TV, because 
that is precisely what there was a lot of. 

Although Emma couldn't imagine the appeal herself, she sat 
herself in front of a pile of videos from Albania with Charlotte for 
a second opinion. Charlotte didn't enjoy pornography at the 
best of times, but she felt lonely and needed some attention 
which Emma indulgently provided. Indeed, Charlotte scarcely 
watched the videos at all. She simply rested her head on 
Emma's naked lap and purred into her warm crotch. When she 
got restive she'd take a hair from Emma's crotch in her teeth 
and stretch it out until Emma had to stop her. 

Emma couldn't speak a word of Albanian and the videos were 
neither subtitled nor dubbed. They had fairly conventional 
story-lines, neither better nor worse than those which 
dominated national pornography. They were essentially 
variations on the theme of sexually attracted individuals coming 
together and consummating their passion on often the most 
arbitrary of excuses and with sufficient aspects of kinkiness to 
maintain some level of interest. However, the crucial difference 
was that, whereas in most pornographic films the sexual 
encounters would involve some kind of stimulation of the 
genitals and penetration of an orifice, in Albanian films one or 
the other would start peeing all over the partner or partners. 
There were scenes of women pissing on men's faces, clothes, 
genitals and hair, and men doing much the same to women. 

Sexual perversions by use of this metaphor were actually more 
commonly shown of children pissing on each other, parents 
pissing on children, animals being pissed on and so on. In only 
a minority of films was the urine licked or ingested by one of the 
protagonists, but this was clearly a growing trend as 
demonstrated in the more recent films. 

"Uhh! How awful!" groaned Charlotte in one scene as one man 
pissed straight into the mouths of two apparently enthusiastic 
women who then proceeded to lick the urine off each other. 

"I'm sure it's not real piss," said Emma reassuringly. This wasn't 
her real opinion, as she knew too well from working at Harlot 
TV, the viewers wanted to be sure that what they were seeing 
had at one time actually happened. She wasn't sure what 
market there could be for Piss Television on Harlot TV, but 
perhaps repackaged as a "Golden Showers" feature with some 
studio participation it could become the basis for something of 
interest to viewers. "Is there anything about these films you 
like?" Emma solicited of Charlotte. 

"I like the language," Charlotte giggled. 

"But besides that. I mean could you imagine wanting to watch 
someone piss on TV?" 

"I can't. But ask Harriett. I'm sure her guests are always pissing 
in her swimming pool." 

Harriett didn't much like the films either. "There's no physical 
element. They just stand apart and piss on each other. And it's 
unhygienic." 

So, Emma thought, a health warning would need to be 
included, and it might be difficult getting the ingestion and 
licking episodes past the censors for hygienic reasons alone. 
However, her instinct told her that if people in Albania were 
happy to see films about people pissing on each other, they 
probably would be at home. Her concept of "Golden Showers" 
was developing. 

"Perhaps we could get guests to show how far they can piss. 
Have sort of pissing games - you know for accuracy and 
volume. Have a comp re who would always have urine stains 
on her dress. Show people pissing in public places. And show 
snippets of these films in the program." 

"Well, I wouldn't want to watch it," asserted Charlotte. 

"And I wouldn't dream of appearing on it," said Harriett. "The 
only reason you're interested in this, Emma, is that there's no 
sex in pissing and you don't like sex." 

"Yes, sweetness," laughed Charlotte. "You could do the show 
and still be a virgin!" 

Emma blushed. "I'm sure - you know - well ..." 

Charlotte smothered Emma's face with affectionate kisses. "Oh, 
you're such a sweetie! I love you! I really love you! Please 
please let me make love to you." 

"No!" said Emma firmly, pleased to be in a position of power 
again.



For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www
           (mirror: http://bradley-stoke.fsn.net)

-- 
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
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