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From: mmtwassel@aol.com (mat twassel)
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Subject: {ASSM} Lorrin Murray and Mat Twassel: Calendar Feb 1 - Feb 15
Date: Sat, 16 Feb 2002 16:10:15 -0500
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Calendar Feb 1 - Feb 15
by Lorrin Murray and Mat Twassel
===============================
Feb 1
Up and Down, In and Out
Her eyes are greener for the red lining them. They soften
and water as she watches. She can see his back, wide at
the top, tapering down smoothly but with muscle to his
slim waist. She watches him move up and down, up and
down, hears each sigh and groan as if she were under him.
As if it were her smooth tan skin, her ribs just barely
showing, her flat, almost concave tummy, her breasts
round and soft.
Feb 2
Aerial Nude
The view is almost aerial, but more of a 45-degree angle.
We are looking down into the pool. Underwater, her body
is one sinuous line of curved nakedness. Were we to go
downstairs, into the basement, into the pool room, whose
ceiling is glass -- the glass bottom of the pool -- the
image would not be distorted. Her eyes would be open,
staring down at us, her silky blond hair would spread out
in a flat triangle. We'd see her nipples tightened from
the water, hard and brown. We'd see her stomach, smooth
and flat, with two almost invisible lines running down
accenting her toned obliques. Her legs would be smooth
slim stretches of peachy flesh. And if she were to see
us, she might give us a naughty grin, and bubbles of air
would slip out her mouth, and she might even reach one
delicate hand down to her groin and wink impishly at us.
But our view is aerial, so all we can see are distorted
angles of peachish skin.
Feb 3
Skier, Yosemite National Park
Inexorable Recklessness
Head down, poles angled at 45-degrees, he takes the curve
of a corner in the air. From our side we can see the way
wind has carved the snow. The soft swirls. The crevice.
The slopes and shadows smooth as a woman's bottom. Only a
moment now until his skis kiss the surface, skip and
shoot. Only an hour until, back at the lodge, his tongue
travels carefully towards her asshole.
Feb 4
The University of Moonlight
The light covers can't hide how beautiful she is, asleep
in her little dorm room, in her little bed, a smile of
perfect contentment upon her face. She must be dreaming.
It must be a happy dream. Her lips part ever so slightly.
Her hands are pressed together between her legs, but not
in a sexual way. Not yet.
Feb 5
Michigan Blacktop
Down the center of the highway he runs, front heal about
to hit, shoulders and back bare, skin glistening with
sweat. From his stride, though it's difficult to tell at
this angle, I'd say he's really moving. Pace better than
a seven, maybe, better than a six. Sun shimmers at the
tops of his shoulders. His hair bristles in the breeze.
His shorts flap -- creases the color of iron. The big
muscles of his buttock bunch beneath the cloth.
Abundantly empty, the highway tunnels ahead. From the
dense shadows of tall pines to his left, a raccoon peers.
To his right slim fish slip beneath the silvery ripples
of the roadside pond. Light catches a pair of woman's
panties caught in the reeds. White panties speckled with
mud, droplets of dew glistening at the center -- but the
runner doesn't seem to notice.
Feb 6
The Hottie from 410s
She's wearing an old pair of khakis and a t-shirt. She's
on the phone with a cute guy from down the hall. "So," he
says, "my friend, Mike Jones, was talking and he heard
some guy say he went to lunch with the hottie from the
410s. That's you." Her eyes widen and she smiles. She
slips one hand into the front of her loose khakis, under
the waist band of her undies. Her skin is smooth on the
way down and slightly prickly on the way up. She traces
the soft cleft, up and down, still smiling.
Feb 7
Boogie Woogie Bugle Boy from Company B
Gray hair, a few tendrils curling over his ears, but the
middle-aged man seated at the piano bench is in pretty
good shape. The muscular tension in his raised arm is
readily apparent. On the girl's bare bottom a red blotch
like Africa shows how hard he's hitting. In her crack we
can see the puff of her sex lips, the slit between. A
couple more continents and her cunt will be fully open,
ripe and ready for fucking.
Feb 8
The Golden Age of Jazz
She is holding a platter arranged with fresh baby carrots
in the center. Surrounding them are bite-sized segments
of succulent cauliflower and in the outer ring plump
crescents of juicy orange. He is standing behind her
holding her breast in his hand, his finger and thumb
encircling a nipple. Her face is turned to the side and
tilted up. Her lips are parted to receive his kiss.
Feb 9
Missy at the Mailbox
The girl walks down the front steps in her short boxers
and a t-shirt. She is not wearing a bra, and when the
wind gusts, her dark nipples show and the ponytail of
cornsilk hair atop her head spills. By the time she gets
to the mailbox, Missy, her next door neighbor, has seen
her and walks over. They smile at each other and then
Missy puts a hand on the girl's hip and moves in close.
The girl can feel Missy's breath on her cheek. "You are
getting better and better looking every day," Missy says.
The girl smiles and blushes and looks down. Missy lowers
her head, forces the girl to look into her eyes. Dark
smoldering eyes. Missy's hand moves softly inward, just
an inch or two on the girl's hip. Below the top of her
boxers, the girl clenches. Shudders. Missy smiles. Bright
white teeth. "You must come over and play sometime,"
Missy says.
Feb 10
The Music Room--Beth: 4:30
The mildly ungainly ugliness of the man's knuckles, the
hint of knobbiness, the stray circlets of dark hair and
the brutal ruddiness make a nice contrast to the peachy
smooth glide and glisten of the girl's cunt. The first
two fingers are in her, the last two curled back, the
blunt thumb is on the edge of her asshole, pulling the
skin a little, about to push in.
Feb 11
The Princess Dreams of Her Wedding
Golden light rains down upon the bed of animal skins
where the princess dreams of her wedding. One hand pushes
a thrash of golden curls across her forehead. Her other
hand closes over the fine thatch above her groin. Her
legs have slipped apart, showing us the slim furrow of
slippery pink. At the long plank tables on either side,
the king and queen and all the noble men and women and
all the rude ruddy peasants of the province have begun to
feast. Cauldrons of creamy soups, steaming pies of curry
and baby lamb, rare fruits plump and ripe, limbs of
succulent beasts cooked to perfection. The guests gulp
heady wine from silver goblets, wipe grease from their
lips, and drink again. Stacks of dowry rise everywhere
else, gems and jewels, furs, clocks, cattle, peacocks,
unicorns, stuffed critters with ebony antlers, sabers,
spears, armor, white stallions, plush carpets, musicians,
all rising up to the castle's ceiling.
The princess sighs and opens her arms to her prince.
He'll pierce her smoothly with a single thrust,
ensconcing his sleek cock in her snug quiver. How fine
and full she'll feel clasping him that way. Her little
belly lifts in anticipation. Her lips part. Her sex
blooms rose red. Oh, if only the Pope didn't want his
wedding poke--a prick like Porky Pig rooting and
blubbering in her delicate cunt. That won't do. The
prince pushes him off. The Pope swings his sword. Mounds
of dowry come crashing down.
Feb 12
Ensconced in Wisconsin
Outside the tall glass windows which make up an entire
wall of the second floor library, leaves dark and bare
dance in the wind. Inside, with each thrust, he pushes
deeper into her smooth slick warmth. With each thrust she
shudders and moans, feeling the fullness of his prick,
the fullness of his pulse. With each withdrawal she
sighs, begging him to return, to stay, to fill her back
up. Thrusts and stays, removes and sighs, thrusts again,
again, again -- one thrusting, staying couple of paired
endurance thrusting and moaning together until a final
shout-sigh of perfection.
Feb 13
Shades of Gray--The Empire
Earliest dawn. Pools of gray sheep stand on the gentle
slopes of the soft gray hillside. Above the crest a gauze
of gray light lifts. Stretching through the valley below,
like a model railroad, the Empire races towards New York,
a slim streak of lascivious pink licking the tops of
Pullman cars as they ride the curve.
If we look closely at the middle window of Pullman car
#1507 we can see a pair of faces peering out. Vivien
Leigh and just behind her, Cary Grant. Their faces at
first seem to be filled with horror, as if these
travelers are seeing something outside their window too
dreadful to describe. But don't worry: it's nothing
outside. Just the grip of orgasm at the finish of their
pre-dawn fuck.
Feb 14
Shades of Gray--At the Movies
Their faces glow with the silver-gray of movie light.
Holding hands with the boy to her left, the girl is
staring straight ahead, watching the screen, her eyes
wide, her lips parted. The boy to her left is also facing
forward, but his eyes have shifted to spy upon the girl's
face. Perhaps something in the squeeze of her hand has
alerted him. Her other hand is in the lap of the boy to
her right, under his unbuttoned levis. His eyes are
closed, or squinted, looking down at the spot of pale
light which touches her slim wrist as her fingers work
the fattened bulge.
Feb 15
Peppery
Something ever so slightly peppery about the scent of his
skin, the taste of his sweat. But even after his shower,
even when he's freshly clean, he smells this way. She's
standing behind him now, naked herself, her nose and lips
brushing his shoulder. He's facing away from her, a white
bath towel wrapped around his waist. Her arms have
reached around him, her hands caress his chest. When he
turns, the towel will come undone, they'll kiss, and it
will all start again.
Later she will take the towel to the laundry basket, but
before dropping it in, she'll bring it to her nose, close
her eyes, take in the scent. Mm, peppery. She can't help
it; it makes her want to fuck.
===============================
Calendar Feb 1 - Feb 15
by Lorrin Murray and Mat Twassel
Comments? Write to LorrinMurray@aol.com
or mmtwassel@aol.com
--
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
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