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From: "Sean Farragher" <seanfarragher@msn.com>
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Subject: {ASSM} TxM6 The Novel Chapter One
Date: Wed, 30 Aug 2000 04:10:02 -0400
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Plan to publish here the first
three chapters of my erotic and
psychological novel TxM6. It
might be called a first edition.
I would appreciate comments.
Different than material previously
published here. It is a complete
rewrite of what I called "Scream."
Sean Farragher
seanfarragher@msn.com
From TxM6 Taxi Murders Sextet Hyperfiction Novel
http://www.taximurders.com/ (updated August 13, 2000)
TxM6 is entirely a work of fiction for adults only.
Copyright (c) 2000 Sean Farragher
TxM6: Chapter One
Abduction of Laurie Fallon: Friday, April 10, 1992
Visualize Laurie Fallon's Scream
Laurie Fallon raised the intelligent alarm. Her whole being
bore down double sharp notes peeling glass with her shriek.
Just like the movies, the one-time film student Laurie
thought afterwards, remembering how Peter Lorre' s character
had murdered Myrna Loy in the never finished 1933 movie "Taxi
Murders Express."
The director Josef Von Sternberg had stopped production when
Myrna Loy stand-in stunt double was strangled on the movie
set. No one was ever charged with the crime although some
suspected Lorre.
It was another Hollywood murder that left scars for fifty
years.
2. ABDUCTION: "The Struggle for Righteousness"
Outside the Gables Bar set almost on the curb the music
inside blasted along River Road Edgewater, New Jersey almost
to the Hudson River edge. It was an old not too fancy but
popular bar that featured live rock music and Wednesday
through Saturday night female and once a month Friday night
male strippers. It was a pick up joint and a place for
lovers.
Six foot tall twenty-six year old Laurie Fallon dressed in a
too large dress not to mask her advanced pregnancy walked
slowly from the bar to her car swinging the keys. A one time
popular exotic dancer and barmaid at the Gables, she returned
often to chat with the affable owner Lilly and several of the
regulars. Laurie was sad that night. Having fought with her
man Henry who was now out of town, she didn't want to return
to their empty apartment. Not even the swagger of the male
strippers lifted her spirits.
As she stood on the curb she looked back at the Gables as if
she might return. Laurie hated being indecisive. Getting
ready to cross to the other side, she waited for a lone truck
to pass, and then stepped slowly between the parked cars to
cross.
Suddenly a strong young man wearing a black ski mask grabbed
her from behind by her neck and mouth.
Stalking her from the drab spaces between his van and the cab
of a truck, he had missed her mouth with his gag. When she
screamed, biting his fingers, he pulled back, almost
frightened. Using that moment Laurie caught his face with her
nails driving furrows from cheek to chest.
By her reaction Laurie captured the man's ski mask pulling it
quickly over his head while suffering his kicks and shrieking
curses. Falling down against the curb between the street and
the parked cars, she scraped her knees and elbows, and her
easy dress twisted by her legs rode up exposing auburn pubic
hair.
Pushing the wool mask between her legs, Laurie hid it there.
As the short but solid man beat and kicked her with his boot,
she refused to release it. Turning her back to the man,
twisting her body, leaning into the curb, protecting the
child she carried from the blows, Laurie drove his disguise
deeply against her bare sex.
As the earthquake continued inside, outside the man had
stopped wondering what he could do next now that the gag and
ether were discarded.
In that second pause, Laurie reached for his balls. Holding
them in her palm, she squeezed and in the next instant bent
over, he caught her mouth square with his boot. On impact
Laurie released him.
Kicking her endlessly in the back, grit under her nails, the
man's blood on her mouth, Laurie realized how much she wanted
to live to save her child. At that turn in the battle, she
submitted wondering why no one had helped her.
Quickly, taping arms, legs, and mouth he gathered the almost
unconscious woman into his dirty white van. Leaving quickly,
the man later identified as one of the infamous "Genesis
Killers," He did not notice that his ski mask had dropped
from between Laurie's legs to the street.
The next day, an elderly woman, witness to the kidnapping,
reported what she had seen to the police. If she had not been
a witness, no one would have reported Laurie missing.
3. Abel and Lilith
Half brother and sister, Maria Corvino seven years older than
Antonio had always dominated her younger brother. The
incestuous pair had slept with their mother Victoria in the
same bed from Antonio's infancy.
In 1986, one year before Antonio left to study medicine in
England, Victoria married Maria and Antonio in a secret rite.
While Abel was gone, once a year, Maria and her mother
enticed men and one woman to their bed. After sex with mother
and daughter, the man or woman was murdered while he or she
slept. No one ever missed them. All the male victims were
empty souls without roots or address. The lone woman had been
a runaway teenager Maria had befriended. When the girl got
pregnant Maria murdered her jealous that after a self induced
abortion she could not have a child herself.
In 1989, Antonio returned from the UK without winning a
diploma. Victoria knew she was dying of cancer and had
summoned her son home. Once there, Antonio promised his
mother he would start a family with his sister. Maria had
recently had an operation to open up her one remaining tube.
Just ordinary folks Victoria made Maria promise to always
protect her brother. Victoria insisted that Antonio promise
to obey his sister.
With Antonio present, Maria murdered her mother while she
slept. They buried her in a crypt under the Palisades. After
her mother's death, Antonio and Maria took the names Abel and
Lilith.
In January 1990 Abel kidnap his first pregnant woman. He
brought her home to his sister as a bound captive. After the
woman gave birth, Lilith butchered the mother and set all but
one of the children free.
Eleven women had died before Laurie abducted by Abel in 1992
had turned the tables on Lilith, murdering the Genesis
killer, and setting Lilith's child by Abel free.
4. THE DIRTY WHITE VAN
Inside the van, bound and gagged, Laurie watched the neon
lights of the Gables exotic dance club shimmer in yellow and
blue slivers against the cloud of the river and New York
City's skyline just before Abel pulled out into the traffic.
A dazzled movie before her eyes, Laurie closed them to
drugged bliss when her body captured by rough tape refused to
concede.
Laurie remembered she had screamed silently under the tape
"No" as Abel shot her full of shit to make her ass collapse.
He didn't hear, "don't hurt my baby."
As ends are often not righteous, Laurie slept. Not dead, for
the next ten months Laurie suspended her life inside pieces
of her old dreams and neurotic fixations conjured to keep
sane.
The man, Antonio, self-named Abel, an almost doctor of some
malignant Faustian will, knew how to drug her. In June
Laurie's daughter Molly would be part of the spoils that he
and his sister Lilith schemed to free. Lilith believed that
once the mother was dead, the child was safe. She told Abel
that story when he was nineteen. When Abel was nine, she
sucked his cock. When he was twelve she fucked him while
their mother shouted out suggestions for positions having
taken her own turn.
Years later, fucking, rocking back and forth, Abel held his
dear half sister, seven year older, upon his unfit young
prick that reached into her sex. While he fucked, Abel
imagined their children gathered about him. Lilith, on a
different page, imagined the mothers tortured and mutilated
and the children invisible.
Within minutes after the attack, Abel drove the fan to "the
Factory," as he and Lilith called it. Married by their own
mother the genesis pair wallowed in their extravagant cave.
Lilith's great grandfather had erected it in 1929 with blue
stones he had carved from the Palisades. This was three years
before the George Washington Bridge opened to traffic.
The edifice, hide out, holding pen, had been further adapted
to protect another maniac relative paranoid delusions of a
nuclear blast derived from a 1960s Dr. Strange Love charm.
Abel's Uncle surrendered to the hysteria until being arrested
for the lewd fondling of children the Bradford family tree
had unfurled. The Uncle, one of Victoria's lovers had left it
to his favorite niece when he was murdered in prison.
Dug into the palisades, ventilated and provisioned, Able and
his sister took over the building after their mother's
murder.
No one could have possibly imagined the quiet house and blue
stones held life in contempt. No one could imagine that the
place of death was well within sight of a police station
barely a football field down the road.
Fifteen murders were committed there and no one suspected the
crypt behind the house set into the palisades held the hearts
and sexual parts of the victims pickled like old Lenin in the
Kremlin.
Inside the far end of the cave, deep inside the factory, Able
and Lilith spent their minds plotting the death of women and
freedom for the children using their masks and totems to
preserve their self centered "paradise."
As the great prince and queen of prurience, they filled
septic tanks with moldy green body parts that their pain and
anger had surveyed.
5. Laurie Survives Abel
Held captive until February 14, 1993, Laurie had been
presumed dead as eleven others who had been lost from 1990-
1992 in Bergen County, New Jersey. She did not die. She
survived to be tried for the intentional killing of Lilith
who was suffocated after giving birth. Laurie could have
escaped the crime, if it were a crime, had she shown some
penance. She did not. She screamed at the press that she had
done a noble deed in murdering the woman. It gave her great
pleasure, yes, indeed sexual pleasure she emphasized to have
strangled her foe. "I loved watching death capture her eyes
holding the bag over her head. When her hands beat at the
gurney trying to unfasten the bindings, I stabbed them with
her own favorite knife.
6. Laurie Identified and her Lover Henry Goes Mad
Imagine Laurie Fallon dragged into a van by a lone
individual. The struggle lasted several minutes. That scream
was ugly and beneficial: someone could have heard it. There
might be a silent witness afraid to show he or she was a
coward for not helping Laurie fight off her attacker.
Consider that loud and terrified scream. What was the result
of that warning for actor and victim? What is the stimulus
that leads to reception by the ears or the sight of actor and
victim?
Who listens when our world is that dangerous and yes, simply
evil?
Some walk away from the crime scene and say nothing proving
that the fear lives. One thing seems certain: as we twist our
memories of good and evil we shake primeval blankets over a
wood fire reflecting and uncovering a beautiful nuclear sky.
There was a witness. She saved Laurie's life in her own way.
Cleaning woman named Rose, 64 told the police what she had
seen when Laurie was taken alive. "I pray the girl is OK,"
she told the cops.
Speaking San Juan Spanish the woman described the crime. "She
was perfect witness telling the whole story leaving out none
of the visual clues," the police said. One Italian cop told
the press later that she told the best eyewitness story he
had ever heard.
Consider this, if no one had come forward, it would have been
several days before Laurie would have been reported missing.
As she was pregnant, she did not work. Her lover Henry in
Boston would have been pissed that she did not answer the
phone, but he would not have come back early.
Investigating the report, the police questioned the Gable's
owner Lilly. She told the cops that one of her best dancers
fit the description. "Laurie was here last night, she said.
She was not working. She had retired, as Lilly put it, "when
she got pregnant." Not that would have stopped some of my
girls."
When the police arrived at Laurie's apartment, Henry,
Laurie's lover was not there. After questioning the
neighbors, one man told the cops that a guy named Henry had
been living there with the slut.
The Fort Lee cops knew Henry. He was a pain in the ass cab
driver that as union president had caused trouble for the
town last year.
Henry made it easy for the police to find him. On the
bulletin board, written on the back of a taxi receipt,
Henry's name circled. The cops called the Boston phone number
and brought Henry home to bedlam.
Learning that Laurie was missing, Henry flipped. Returning to
the delusions of combat in Vietnam, he refused to accept that
she was missing. Henry truly loved Laurie. He could not lose
her like the men he did not save as a combat medic. He began
the hunt for his perfect mate as he called her.
7. Rose describes Laurie being beaten
I work as a maid for a family who live in the condos right
across the street from the bar. As we were the only ones the
building is dark. My room faced the street and sometimes when
I cannot sleep late at night I watch the traffic. I don't
have much of a life anymore now that my husband is dead and
my daughter lives in Florida. My Pedro was a mean man but I
loved him. That night I watched that terrible man beat that
girl and throws her into a dirty white van, I cried for her
and myself.
"She fought back at first," Rose said, "and then he dragged
into a very battered van. She was a large woman, not fat, but
pregnant, and she just stopped fighting and I saw the devil
drag her into his van.
Rose described the scene as if it were a five-minute movie on
TV. She then apologized for not being able to read the
license plate. Rose told the cops that she knew what to do. I
love police stories. All those handsome men, she said.
"Eyesight not so good," Rose said at the end, but she did
notice that the van had no rear bumper.
Rose described Laurie: she had too long red hair that almost
came to her rear end the woman said. "I had hair like that
once, not red mind you," she added. "And not white like it is
now. My daughter says I shouldn't dye it. What do you fellows
think," she told the interpreter to ask the cops.
"Yes, the girl's hair looked real but who can tell."
When questioned several days later by a female police
detective, Rose added, "it's true the girl fought hard, but
he was shorter and had large shoulders and arms. At first
Rose said that devil beat her hard. Rose also added (and this
was new information) that I knew the girl from before. "It
took a day or two to remember how she had passed through my
life."
"Did not know her name mind you," Rose said. "She used to buy
at the deli near where I lived last year. I moved and had
really not seen her for a long time. She was skinny then, and
I did not recognize her, which is why I did not tell you this
before. I am sorry about that, but I was sorry for her too --
- but could do nothing. What could an old woman do two
stories up? I knew the creep was not someone she had known
because he wore a mask. The woman pulled it off his head when
they fought, she said. One thing more, Rose added. Maybe this
would help she whispered to the female police detective. When
the girl pulled his ski mask off, Satan's face was lit by a
lone streetlight. He was too handsome to be a rapist, she
added Must be organized crime, like those Mafia thugs who
sell numbers and dope in the projects, she said. Girl will be
OK, right?
"I'd know that man anywhere. Mind you I don't want to
identify anyone. I do not like to get involved. My daughter
told me I was a fool for saying what I did. My daughter is
going to kill me you know. Maybe I am telling you because the
creep was a very mean man like my late husband. He was Irish
and Spanish. I met my husband in Miami. Terrible town. He'd
smash anything if it got in his way. "
"When the girl ripped the mask off his face, he kicked her as
she fell holding the mask clutching it to her. When he
stopped kicking her, he smashed the front window of the van
with his fist. I thought he was drunk. Just like my Pedro."
The mask found soon after the woman reported the crime linked
Abel with Laurie's abduction - not that the police had any
idea who the Man called Abel could have been.
The van, found a week after Laurie was taken, had been
abandoned by Abel at a supermarket parking lot in Jersey
City. Reported stolen the morning after the kidnapping. "We
knew it was the right one," the Detective said. "It had no
rear bumper and two smashed front windows. Guard at parking
lot thought some one had broken into the car, so he called
the police. Otherwise, he would have had it towed later that
day. Part of his job was to mark the tires of the cars that
stayed too long. If the car had been towed evidence inside
would have been tainted."
Van belonged to a man who lived near Binghamton in Virgil, NY
several hours away. He was eighty-six and in a rest home.
Binghamton New York Police reported that no one used the van
but the man (he recently had lost his driver's license, and
had been put in the home by the County because he could not
take care of himself. The man had no younger relatives, the
Police Lieutenant reported to the "Genesis Murders" task
force.
The police and FBI investigating the other Genesis kidnapping
and murders had their first physical evidence: a black wool
ski mask and two vacuum cleaner bags of stray garbage and
fast food wrappers.
After eleven women were taken and their bodies strewn across
the Bergen County landscape, the police could now prove that
the man called Abel and the woman called Lilith were not
serpents or the devil incarnate, as some believed.
8. Laurie's Scream Became Hypertext #1
Laurie's scream an instinctive recall of terror, outrage and
violation became hyperlink #1 in the evolving mystery over
the next nine months of torture the pair.
Letters written home from Vietnam by the father of Abel (CMH
winner James Albert Cain IV) would further identified the
pair. Abel had intentionally scattered these letters with the
remains of the victims.
Abel made sure the police knew who was responsible. He mailed
copies of the letters with photographs of the dead women to
the local press and police from mailboxes all over eastern
Pennsylvania, New York City, New York State and New Jersey.
Henry knew that Laurie would survive all of this. He was the
only one who fervently believed. Her friends Angela and Aaron
gave up. Her own mother gave an interview to the press that
implied Laurie was dead.
Imagine waking when a squeaking door means that you were not
alone and soon would be taken with out a cry. Laurie's rage
grew into that absence of resistance and finally like most
long-term victims she protected her abuser.
Why me Laurie could have asked, but she didn't.
After it was over, she told the press. "For years, I was the
prey of fake men and insane mothers. Nothing special here,
she said of herself. My new daughter lives outside the
carnage. I saw to that. Henry will treat her as father. I
made certain. What else could I have fucken done?
After Notes:
When Laurie relived it unblessed as memory, she marveled at
the strength she had shown. Later when Laurie slew Able, she
returned to that first skirmish.
Holding a press conference at her manslaughter trial for the
murder of Lilith, Abel's sister and accomplice, Laurie said,
"I was unlike any hero. I have my own fame."
More American Adventures in erotica and other works by Sean Farragher:
http://www.asstr-mirror.org/files/Authors/Sean_Farragher/
Sean Farragher
Poetry Site: http://www.farragher.com (updated 8/13/2000)
TxM6 Sites:
http://www.taximurders.com
http://www.taximurders.com/enfer
http://www.taximurders.com/lcfallon
--
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
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