Message-ID: <25436asstr$964260604@assm.asstr-mirror.org>
From: "seanfarragher" <seanfarragher@email.msn.com>
X-Original-Message-ID: <NEBBKECCNOEJHMGPDAFHMEIHCDAA.seanfarragher@email.msn.com>
MIME-Version: 1.0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
X-Priority: 3 (Normal)
X-MSMail-Priority: Normal
Importance: Normal
X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400
Subject: {ASSM} From TxM6 Essential Laurie Fallon Chronicles
Date: Sat, 22 Jul 2000 06:10:04 -0400
Path: assm.asstr-mirror.org!not-for-mail
Approved: <assm@asstr-mirror.org>
Newsgroups: alt.sex.stories.moderated,alt.sex.stories
Followup-To: alt.sex.stories.d
X-Archived-At: <URL:http://assm.asstr-mirror.org/Year2000/25436>
X-Moderator-Contact: ASSTR ASSM moderation <story-ckought69@hotmail.com>
X-Story-Submission: <ckought69@hotmail.com>
X-Moderator-ID: english, dennyw
From TxM6 Taxi Murders Sextet Hyperfiction Novel
http://www.taximurders.com/lcfallon
TxM6 is entirely a work of fiction for adults only.
Copyright (c) 2000 Sean Farragher0891xfirstHenlau278.htm
Journal and Record of Henry Whitman
April 10, 1994: Year After the Abduction and Captivity
of Laurie Fallon Began
I.
The chronicles of Laurie Fallon will never be completed.
Kidnapped by Lilith (Maria Corvino) and Abel (Antonio
Corvino) on April 10, 1992. Laurie was held in captivity
until February 14, 1993.
Some say she died on October 31, 1992 when Lilith took over
her body. Investigated, analyzed, DNA, forensic data, and
the remains of 27 establish the enormity of the crimes.
Nothing I can add about the events will further define the
crimes and the consequences for the victims and their
families. I loved Laurie Fallon. She is who she claims. She
knows only what I could have told her.
My journal records speak for those times and the year after.
How can one study the oceans of death or near death and write
exactly how it happened without one unpredictable wave
altering the recapitulation.
I have created this record after the fact and at the request
of the victim Laurie Fallon to preserve the intricate details
and to finish it so it will not be resumed.
Many of these stories and accounts may seem as if they were
near dreams that acted on the self-forging a rigorous mayhem
imposed not by reasoning but for the fucked up pleasure of it
all.
"Nothing we did made any sense," I once told my friend Aaron
about what had happened during Laurie's ordeal. No one knew
how to respond. How could they help us. "You and Angela loved
us, and couldn't help," I told him.
When I wrote shortly after Laurie was missing, "No one could
respond fully to the jungle of war that became another
"cultural nightmare," in my mind I had returned to combat in
Vietnam and the lapses in my memory of what had happened
twenty years earlier were evident and I exaggerated terrible
suffering and minimize the misery I had personally caused.
The American war in Vietnam and the death of Laurie became
part of a disassociated almost rambling specter that shifted
with my life. There is not one record but many of them, and
in that synthesis we reach nothing new. Is that the pay off?
Is that the irony we presumed to be death.
"What is my crime in all of this," I wrote Laurie while she
was held captive. After all I would survive. Can I take
pleasure in the art of survival. Can I believe in life
knowing Laurie has lived. Does survival silence the
suffering?
Pain and its delusions change us and no matter how much love
you share with the victim, you cannot put her or yourself
back together again.
I truly loved Laurie but wrote about suffering as I had
fought to survive in Vietnam. It was as if survival were a
duty. How else can you continue the nasty spectacles.
Once upon a time, I asked my best friend Aaron, also a
Veteran of combat in Vietnam, if he believed in the future.
The artist Aaron usually answered yes no matter what the
trouble. "Art can always recreate the miracle or the
suffering," he said.
I envied him. Given that and what might happen to Laurie, I
asked Aaron "how can I continue to believe in the future, now
that the police routinely proclaim that Laurie was indeed
almost dead." What does almost dead mean? They didn't
exactly say it, but they implied it by their questions and
attitude. Yes, I realize that is how the police survive
suffering.
Murdered by the brother and sister who had advertised that
they had taken Laurie for the sport of it, my Laurie grew
larger than one life and represented all the dead women
before her.
Most of the world and the police had reasonably assumed that
Laurie Fallon would not survive.
When the only love you have known is gone, you cannot
personally believe in the future.
If I tell you here that Laurie is alive and survived the
ordeal, would you read more knowing the outcome?
Yes, Laurie survived. She lives, but refuses to speak about
it. She says, my journals written during my captivity record
it. I am done, and she promises silence but has requested
that I finish the story for her using the materials
available. She says, "actually I have nothing more to say to
you Henry."
Do we tell stories, grow myths to only underline the end of
it and not the process. Suffering is mankind history has
marked this epigram in the outline of the history of murder,
war and the exploitation of those without power. How do we
restore power and mark down in the balance sheet that extent
and nature of the reckoning that must be set down.
"There is no wrong or right. It just is," Laurie told me in
those first days when she was free, and being without
morality, perhaps, is easier than knowing a moral code and
following it.
Of course that is not completely true. That said, what really
matters when you pretend to tell the whole story and leave
out the final truth. Laurie did not die but her death was
consummate. She did not live but her living had changed and
would never be restored. That is Abel and Lilith's crime,
beyond the terror of the obvious ones. They altered the paths
of life, and that cannot be restored.
More American Adventures in erotica and other works by Sean Farragher:
http://www.asstr-mirror.org/files/Authors/Sean_Farragher/
Sean Farragher
Poetry Site: http://www.farragher.com
TxM6 Sites:
http://www.taximurders.com
http://www.taximurders.com/enfer
http://www.taximurders.com/lcfallon
http://www.taximurders.com/paradisio (forthcoming)
--
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
+---------------------------------------------------------------------------+
| alt.sex.stories.moderated ----- send stories to: <ckought69@hotmail.com> |
| FAQ: <http://assm.asstr-mirror.org/faq.html> Moderator: <story-ckought69@hotmail.com> |
+---------------------------------------------------------------------------+
|Archive: <http://assm.asstr-mirror.org> Hosted by Alt.Sex.Stories Text Repository |
|<http://www.asstr-mirror.org>, an entity supported entirely by donations. |
+---------------------------------------------------------------------------+