LUCIFER'S DISCIPLES Part 5
By Pueros
pueros@hotmail.com

copyright 2006 by Pueros, all rights reserved

This story is intended for ADULTS ONLY

This is the fifth part of a story about a boy who becomes
entrapped in the evil rituals of a wicked satanic cult.


Part 5 - Initiate

(Barn of a remote farm, Midwestern USA, 1 year ago)

Stephen shuffled through the opened black curtains into the
satanic arena for the first time with as much dignity as he
could muster considering his maintained chained bondage. He
did so not just to the accompaniment of the continued
musical melody of the 'Morning' movement of Grieg's 'Peer
Gynt'. He also did so to a vociferous cacophony of
enthusiastic cheering from the 300 or so robed members of
the demonic cult, who were present to witness his initiation
as their latest special young slaveboy.

All of the robed members appeared extremely delighted with
the exceptionally resplendent beauty of their latest special
young slaveboy. All were also thrilled at the sight of the
significant bulge at the front of Stephen's sole skimpy
cover, namely his sparse tight white lycra briefs, and what
the protuberance clearly represented. The manner in which
the clinging garment outlined the full contours of the
child's deliciously curvaceous bottom was an additional
pleasant bonus.

Stephen shuffled, as previously taught, past the stone
altar, symbolically on the left side, to the centre of the
floor pentagram of the satanic arena, where, for his formal
initiation to begin, he turned round to face the black stone
block, above which the sinister inverted real crucifix was
suspended. The boy arrived in this position just before
Grieg's music concluded for now.

Ibsen's play of 'Peer Gynt', scored by Grieg, was about an
eponymous youth who was full of faults and was in fact
decidedly unlikeable and megalomaniac, in that he wanted to
become Emperor of the World. However, for the satanic cult,
such unpleasant personal attributes were attractive.
Consequently, the music was considered appropriate for a
ceremony in which a formerly angelic boy confirms his
corruption and descent to being a slave of the lord of hell,
the prince of darkness, the great Lucifer, and his earthly
acolytes.

Stephen subsequently simply stood still for about a minute,
whilst the cheering ebbed and eventually died. The rather
eerie and low initial tones of Richard Strauss' 'Also Sprach
Zarathustra' then sounded around the satanic arena, whilst
all spectators stood up. This piece, which is perhaps better
known as the title music to Stanley Kubrick's film of '2001:
A Space Odyssey', represented, with deliberate irony, the
satanic cult's anthem.

The irony partly stemmed from Richard Strauss' declaration
about 'Also Sprach Zarathustra' that "I meant to convey by
means of music an idea of the development of the human race
from its origin, through the various phases of its
development, religious and scientific…." The satanic cult
was, of course, suggesting that ultimate progression for
mankind was to belief in the true faith, namely that of the
lord of hell, the prince of darkness, the great Lucifer.

The 'Zarathustra' in the title of Strauss' music referred to
the alternative name for Zoroaster, who was the founder of
the world's oldest extant monotheistic religion. In
Zoroastrianism, Ormazd, lord of goodness and light and
creator of the human race, is ceaselessly at war with the
devilish Ahriman and the evil spirits of darkness.

The satanic cult believed that, with the members' help,
Ahriman, who to them was synonymous with Lucifer, was about
to win the conflict. The use of Strauss' music was therefore
additionally seen as mocking not only Ormazd but also all
other benevolent gods, who were destined for imminent defeat
in the war between good and evil.

On the conclusion of the brief 'Also Sprach Zarathustra',
there was another pause of about a minute, whilst the
spectators sat back down and before the music returned to
another movement by Grieg from his 'Peer Gynt'. On this
occasion, the piece was entitled 'In the Hall of the
Mountain King', which leads to a loud crescendo towards the
end.

This crescendo was of significance to all of those present,
especially Stephen. The boy appreciated from his training
that he was supposed to signal, before this piece of
Strauss' 'Peer Gynt' finished, his willingness to perform
and endure the remaining rituals. He was to do so by
kneeling to kiss the silvery mouth of the demonic Baphomet
inscribed on the black floor of fake marble immediately in
front of him. He had been taught to do so simultaneous to
the end musical climax. However, if he failed to perform
such homage in the prescribed manner, he knew that the
ceremony would not be cancelled.

Stephen had already irreversibly pledged himself to a year
of service as a slave for the satanic cult, one week
previously during his first audience with the Grand Master.
Consequently, if he failed now to confirm his complete
compliance in respect of the remaining rites of his formal
initiation ceremony by not performing homage, he would be
forcibly inducted, with those aspects of ritual requiring
his co-operation, such as erotic dancing, being abandoned.
However, no one really expected such a scenario to
materialise, as such a situation would represent an
unprecedented failure of the boy's preconditioning, which
had not occurred at this early stage with any of his nine
predecessors.

Such positive expectation proved to be entirely justified.
The brainwashed Stephen had no intention of losing this
opportunity to confirm his desire to serve of the lord of
hell, the prince of darkness, the great Lucifer, and his
earthly acolytes, despite the consequent shame and suffering
to be endured.

The day had finally arrived on which Stephen had for a long
time firmly believed that he would begin to fulfil his
rightful destiny. In doing so, the boy resolutely intended
to act with such brave compliance and efficiency that he
would not only honour the great Lucifer and his earthly
acolytes but also make them proud.

Pride was, after all, one of the seven deadly sins, which
Stephen would now additionally serve. The others, of course,
were, in alphabetical order, avarice, envy, gluttony, lust,
sloth and wrath.

Stephen appreciated from his training that his beautiful
body would already be conjuring up amidst his initiation the
envy, avarice, gluttony and lust of most spectators. These
developments would in turn invoke the wrath of the many
watching jealous sadists towards him and their resultant
wish to see him hurt. This situation would subsequently
transform into sloth because the ceremonial rites would
eventually allow their sexual desires to be sated and
thereby create subsequent post-orgasmic weariness.

As expected, Stephen signalled his full compliance with
ritual when the musical crescendo began to resound around
the satanic arena and he carefully knelt and bent forward to
kiss in homage the silvery mouth of Baphomet. He was
rewarded for his symbol of co-operation by a resurgence of
loud cheering from the spectators and the appearance behind
him of the Major Domo, who, after the boy had regained his
feet, began quickly to release him from his chains.

In thanks for his release from his chains, Stephen again
performed homage. However, on this occasion, the boy could
do so more speedily because his movements were no longer
restricted by his bondage.

Stephen subsequently once more regained his feet, just in
time to perform his first public erotic dance. Having stood
again, the necessary relevant initial track of adapted pop
music started to blurt out of the hidden loudspeakers.

The track, like others to follow, was based on commercial
pop but with suitable devilish word adaptations. The piece
had been recorded by competent singers and musicians
gathered from the members and volunteer slaves of the
satanic cult. The original, sung by REM, was entitled,
rather appropriately given Stephen's radical alteration in
faith, 'Losing My Religion'.

Despite the peculiar public setting and his sexual and other
excitement, Stephen performed his first erotic dance with
commendable adeptness and energy, seemingly without nerves.
The boy's proficiency was stimulated by the fact that he
believed that he was, in his humble way, at last serving and
honouring the lord of hell, the prince of darkness, the
great Lucifer, and his earthly acolytes.

Stephen followed his training when performing, timely nicely
the four occasions on which he was to turn 45º so that he
spent roughly equal periods facing the three sections of
terraced seating as he danced before returning to his
original position, looking at the altar. Such actions
ensured that the many enthusiastic spectators could watch
the boy's erotic gyrations from all sides.

As Stephen performed with remarkable aplomb his first public
erotic dance to the altered lyrics of REM's 'Losing My
Religion' and renewed cheering in front of the 300 or so
fascinated spectators, the bulge at the front of his skimpy
tight white briefs expanded. This development was clearly
observed by the delighted watchers because they could view
the boy not only live but also in much bigger proportions on
gigantic video screens in the corners of that wall of the
huge barn not encumbered by terraced seating, with these
visual amenities additionally replicated outside.

Stephen's obvious arousal was rewarded by an increase in the
cheering greeting his skilfully erotic gyrations.

(FBI Criminal Investigative Division, FBI Headquarters, J.
Edgar Hoover Building, Pennsylvania Avenue, Washington DC,
USA, same time)

"The case has been handed over to us by the police in
California," the senior FBI agent advised a more junior
colleague, "because a female witness saw a black truck
unusually parked at the rear of the church where and when
the 13 year-old boy was last seen. The vehicle had
Midwestern plates, although unfortunately she can't remember
the number or exact State."

"The boy's parents are convinced that their child was
abducted," the senior agent continued, "because he neither
was not the type to run away nor did he have any motive to
do so. If the black truck was used for the kidnapping, the
number-plates suggest that an inter-State crime might have
been committed, which is, of course, our jurisdiction."

(Barn of a remote farm, Midwestern USA, same time)

Stephen began his second energetic erotic dance. On this
occasion, the altered pop track, considered highly
appropriate given the boy's current circumstances, was that
of Tasmin Archer's 'Lords of the New Church'.

The suitability of the music, of course, emanated from the
fact that Stephen was dancing for the lords of the new
church into whose satanic service he was being formally
initiated.

(FBI Criminal Investigative Division, FBI Headquarters, J.
Edgar Hoover Building, Pennsylvania Avenue, Washington DC,
USA, same time)

"Are you sure, Sir," the junior FBI agent asked, "that an
abduction has really taken place or that the black truck has
any connection? The local cops might just be using the
number-plate issue as an excuse to wash their hands of a
difficult case by passing it onto us."

"It's possible that your right," the senior FBI agent
answered, "but something that I've just discovered from our
computer records indicates that their belief about the
possibility of inter-State crime might be correct." "Oh,
what's that, Sir?" his junior colleague next enquired.

"Apparently," the senior FBI agent replied, "a black truck
with Midwestern plates was noticed parked near to the scene
of another couple of disappearances of 13 year-old boys in
other states in recent years!"

(Barn of a remote farm, Midwestern USA, same time)

Stephen had by now energetically and skilfully entertained
the 300 or so enthusiastic spectators through three tracks
of suitably adapted pop music, after each of which he had
again reverently paid homage to Baphomet. The boy was now
once more standing, awaiting the commencement of his fourth
dance, whilst breathing heavily and with a light sheen of
sweat covering his gorgeous lithe body.

This sweaty sheen reflected the flames of the many wall
torches illuminating the satanic arena, causing the still
sweet-smelling boy's body to sparkle, as if he were really
already a demonic spirit. However, most of the spectators
were not concentrating on this phenomenon but were instead
more fascinated by the maintained bulge at the front of the
child's skimpy tight white briefs.

One of the reasons for this spectator preoccupation was
realisation that, with the commencement of Stephen's fourth
performance, what this bulge represented would finally be
fully revealed to their intrigued eyes. They appreciated,
from issued programme notes and previous attendance at
similar ceremonies, that the boy would shed his sole cover
at the beginning of his next erotic dance in order to gyrate
naked before them.

In fact, by the time that the melody of the fourth music
track began, Stephen had already compliantly moved his hands
to the relevant sides of his skimpy tight white briefs. He
had done so to be ready to pull at the velcro holding his
sole sparse attire in place and subsequently rip his garment
off himself. However, the boy teasingly waited until the
lyrics and not just the music started, by when loud repeated
ribald shouts of "Strip!" were already being impatiently
uttered by many of the lascivious robed adults surrounding
him on three sides.

These impatient shouts changed to renewed joyous cheering
when, in response to the beginning of the lyrics and not to
the spectator demands, Stephen did finally, with one quick
neat movement, rip off his briefs and discreetly throw the
garment away. The extent of the 13 year-old's previous
arousal was subsequently made evident when, as he again
danced energetically, a fulsome boyish erection flopped
around with equal enthusiasm.

Stephen danced erotically in the nude for the current track
and another two pieces of adapted pop music until finally
this part of his initiation ceremony concluded with further
homage to Baphomet and the return of some classical rhythms.
The appropriateness of the orchestral suite played, namely
Handel's 'Water Music', was also now to be quickly
demonstrated.

To the accompaniment of Handel's 'Water Music', Stephen
walked as taught to a tall tapped standpipe with showerhead
protruding from the floor at the opposite end of the arena
enclosure from the demonic altar, close to the terraced
seating at that side. He was followed by the Major Domo, who
was the only person sharing the boy's presence in this
central area and had been standing at a discreet distance
whilst the young initiate had danced.

Stephen compliantly stood with his hands at his sides under
the showerhead, immediately below which the floor was
slightly concave with a small grilled drain in the middle of
the depression, whilst the Major Domo turned the tap.
Specially perfumed and refrigerated sweet smelling and
freezing water subsequently flowed over the naked boy's
body, efficiently driving his sweat away but also causing
his form to shiver in acute chill. However, the cold
interestingly did not return his cock to flaccidity but
rather the opposite occurred, as his erection perversely
quivered and remained hard whilst he was subjected to this
purification ritual.

Meanwhile, the nearest spectators on the nearby terraced
seating, who included the Grand Master in his central
position of honour, were delighted at their closer
perspective of the live naked Stephen enduring chilling
discomfort. The rest of the adults present either had to
content themselves with a more distant view or the larger
sight of the nude boy on the video screens.

Despite his discomfort, Stephen compliantly remained under
the standpipe, whilst on four occasions at 60-second
intervals obeying instructions from the Major Domo to turn
through 45° so that all sides of his naked body could be
thoroughly showered. When the tap was eventually turned off
after 5 minutes, and as residual water began to seep away
efficiently down the grilled drain, the dripping wet and
shivering boy resumed his previous position at the centre of
the floor pentagram, paid homage again and began once more
to dance.

Stephen was pleased to do so. His resumed energetic dancing
represented not only the completion of the chilling
purification ritual but also the chance to restore dryness
and warmth to his freezing body. In fact, the naked boy's
skilled and spirited gyrations proved to be highly effective
in quickly dispelling the damp and cold.

By the end of another three erotic nude dances in the
aftermath of the purification ritual, Stephen's naked body
was again dry and warm but, as planned, not so much that
perspiration had yet reformed. The Grand Master did not like
to have sex with sweaty boys.

After Stephen had again performed homage on the conclusion
of his latest erotic nude dance but had subsequently
remained kneeling with head bowed, as taught for this
particular moment, the Grand Master stood up from his
central seat on the front row of the middle terraced
benching. The purple-robed man then opened a gate in the
perimeter barrier to enter the enclosure whilst Beethoven's
'Emperor Concerto' began to blurt loudly from the hidden
loudspeakers. The music was supposed to reflect the man's
earthly authority, as far as the lord of hell, the prince of
darkness, the great Lucifer, was concerned.

To the accompaniment of this music, the Grand Master
subsequently advanced across the enclosure. The man
eventually passed Stephen and turned to stand before the
naked kneeling boy.

The Grand Master had, in accordance with customary
ceremonial, not had Stephen strip naked before him during
their last meeting a week previously, namely at his first
audience with the boy. The man had dutifully obeyed ritual
by resisting temptation in favour of having the privilege of
viewing the child for the first time in the nude now, in
line with tradition during his formal initiation and along
with those other members of the cult who could be present.

The Grand Master, having previously during the ceremony only
seen the exceptionally beautiful Stephen naked for the first
time at greater distances, was naturally very happy to be
currently standing immediately in front of the kneeling boy,
gaining a much closer view of his young sublime nude form.
From his new proximity, the man was especially pleased to
note that the neophyte slave was maintaining his fulsome
erection, which matched in throbbing hardness although not
size that of the adult's own penis, which was presently
hidden under his flowing purple robe.

The sight of the gorgeous naked Stephen so close to him
momentarily caused the Grand Master's throat to dry, as well
as increase the noticeable ballooning in the groin area of
his purple robe. However, the man somehow quickly regained
his composure to play his own initial ritualistic part in
the initiation ceremony of the new special young slaveboy by
making his first formal announcement.

"On behalf of the lord of hell, the prince of darkness, the
great Lucifer, I have already accepted and welcomed you,
neophyte," the Grand Master loudly announced, "into service
as his and my slave." The man subsequently paused briefly
but not to allow this statement to sink into the minds of
the listeners. His throat had instead again dried at the
sight of Stephen's erection, which, in reaction to his
words, had begun to rise vertically to point towards the
boy's cute navel, whilst the uncut cockhead had also started
to drool some clear precum.

The Grand Master was subsequently only able to restore his
voice by sacrificing his sight of Stephen's stimulating
erection through turning his eyes away. The man then managed
to add "On behalf of the lord of hell, the prince of
darkness, the great Lucifer, I have also now summoned
members of our true faith to observe your formal initiation,
neophyte. In front of these witnesses, the ceremony will now
continue with the initial adornment of your body with the
appropriate slave regalia."

The Major Domo, producing a broad black leather slave collar
with imbedded silvery bondage rings from the pouch attached
to his trouser belt, immediately approached the Grand Master
from the discreet position where he had been standing
nearby. In response to an affirmative nod from the cult
leader, he subsequently attached this adornment to Stephen's
neck, locking the item in place with a small but strong
padlock.

The Major Domo's hand later returned to the pouch on his
trouser belt four more times to retrieve matching black
leather wrist and ankle cuffs with imbedded silvery bondage
rings. He then knelt to padlock these adornments too to the
limbs of the completely compliant Stephen, whose virtually
vertical cockhead began to drool even more precum in
response to the feel of all of these adornments being
attached.

The production of this precum became even more copious when
the Major Domo next produced a flanged opened cockring from
his pouch, carefully fitted the silvery adornment around the
base of Stephen's genitals and gently snapped the ends
together underneath the nicely rotund scrotum, adjacent to
the perineum. This new adornment, previously carefully
measured to fit perfectly, now tightly circled the boy's
smooth sexual organs but not in a manner that would stop the
flow of blood.

The cockring would instead help to concentrate the blood
supply to Stephen's genitals so that future erections would
be easier to achieve, be even more prolonged and be
susceptible to quicker orgasm of greater intensity. The
adornment possessed the additional visual advantage of
making the boy's sexual organs protrude more from his body,
thereby nicely highlighting their delights.

The ingenious design of the flange coupling additionally
ensured that the attachment of the cockring was irreversible
other than by dangerously cutting it off with a metal saw.
The small circumference prohibited attempting to slide the
genital adornment off if testicular damage was to be
avoided.

Having observed the Major Domo adorn Stephen with his slave
regalia and whilst somehow averting the return of dryness in
his throat as a result of the sight of the naked boy in his
exotic gear, the Grand Master next made another
announcement. "The completion of the initial adornment of
your body with the appropriate slave regalia, on behalf of
the lord of hell, the prince of darkness, the great Lucifer,
transforms you, boy," he advised, "from neophyte to
initiate."

"Consequently, the ceremony will now continue in front of
these witnesses," the Grand Master continued, "with the act
of consummation that indicates the commencement of your
formal service for me!" After making this announcement, the
man, who was rather happy about what he was about to do
publicly, turned his back on the still kneeling Stephen and
went to stand symbolically at the left side of the altar.
The Major Domo subsequently assumed the cult leader's
position in front of the boy and removed a long leather lead
from the pouch attached to his trouser belt.

The Major Domo attached this demeaning lead to the silvery
ring embedded into the front of Stephen's black leather
slave collar and, after then instructing him to stand and
being obeyed, led him to the near shorter edge of the altar.
Fortunately for what remained of the naked boy's dignity, he
was able to keep up with the man to avoid being
humiliatingly tugged along.

On achieving their mutual destination, the Major Domo next
compulsorily forced the lower part of Stephen's bare front
to close against the near shorter vertical edge of the
altar, forcing the boy's rampant cock to press upwards
against the cool surface. The man, still holding the lead,
subsequently walked to the opposite side of the slab of
black stone, about a metre above which was the bottom of the
sinister suspended inverted real crucifix

After reaching the other side of the altar, the Major Domo
began to rein in the lead, which did now tug Stephen's neck
forwards. In reaction, the boy did not resist but instead
allowed his upper front torso to bend until his head, chest
and belly rested on the cool upper surface of the slab of
black stone, whilst his vertical erection still pressed
against the side.

On attaining this debasing position, bent over the altar, a
tingling shiver immediately ran through Stephen's naked
body. However, this sensation resulted from a mix of the
chill from the cool black stone slab and the boy's increased
excitement rather than fear.

Having caused Stephen to bend over in the required degrading
manner, with his head immediately under the sinister
suspended inverted real crucifix above, the Major Domo next
tautly attached his end of the carefully measured lead to a
bondage ring at the base of his edge of the altar. He
subsequently moved to the other sides to chain the boy's
wrist and ankle cuffs to the black stone slab.

The Major Domo achieved his aim by pulling Stephen's arms
fully forwards and manacling his wrist cuffs to rings
embedded in the two longer edges of the altar's upper
surface. The man followed this action up by shackling the
boy's ankles wide apart to similar bondage points at the
extremities of the base of the side where the child was bent
over the stone surface.

The resultant firmly secured demeaning bent posture ensured
that Stephen's pink virginal sphincter was handily fully
exposed for what was about to happen. What this event was
imminently to be was now evidenced by loud eager chanting
emanating from the spectators.

As the Major Domo moved aside to return to his former
discreet standing position to allow the Grand Master to
assume his place immediately behind Stephen, keen vociferous
repeated cries began to resound around the satanic arena of
"Fuck him!"

(To be continued)