LUCIFER'S DISCIPLES Part 4
By Pueros
pueros@hotmail.com

copyright 2006 by Pueros, all rights reserved

This story is intended for ADULTS ONLY

This is the fourth part of a story about a boy who becomes
entrapped in the evil rituals of a wicked satanic cult.


Part 4 - Waiter

(Barn of a remote farm, Midwestern USA, 1 year ago)

The Major Domo led Stephen into the huge windowless barn,
which had been converted into the demonic cult's satanic
arena, through a special broad doorway, reserved for actual
ceremonial participants. A trio of similar entrances for the
many spectators was provided in the centre of the other
three sides of the square wooden building.

These four doorways initially led into relatively narrow and
low extensions to the much wider and taller barn. These
annexes essentially acted only as entrance corridors before
the main building was reached.

The insides of the barn, including the extensions, were
painted completely black and were illuminated only by wall
torches, which looked medieval but were actually modern,
fuelled by gas and provided decent but eerie lighting. A
special anti-inflammatory coating on the wooden surfaces to
which these devices were fixed prevented the building
burning down.

Steep terraced bench seating, capable of accommodating up to
500 people, was provided on the three sides of the barn
possessing the spectator doorways. The lowest anterior row
was fronted by an aisle, which was accessible via tunnel
passages leading from the three public entrances and was
separated from the large square flat enclosure beyond by a
low wooden barrier. Other levels were reached by means of
steep stairs at the four corners.

The walls behind the side seating were decorated with big
versions of the satanic cult's silvery 'udjat' emblem,
whilst that to the rear of the central benches displayed a
similarly large pentagram. Meanwhile opposite, where there
was no terracing, the symbol of the inverted crucifix of
even greater proportions was exhibited above a central door
covered by black curtains.

The large empty square flat area enclosed by the terraced
seating was covered by fake black marble. Onto this shiny
flooring, another big silvery pentagram symbol, of the kind
now very well known to Stephen, had been embossed.

Meanwhile, towards the part of the barn where there was no
terracing, a sinister altar stood in a central location.
This was essentially a rectangular block of black stone
about 2 metres long and 1 both wide and tall, with the
longest edges parallel to the side seating.

The shortest edges displayed the emblem of the inverted
crucifix and the longest the 'udjat' symbol. On the flat
upper surface was another pentagram, with this one distorted
so that the topmost two points extended to the relevant
corners closest to the curtained doorway, whilst the lowest
reached the middle of the opposite side.

What made the altar particularly sinister were the many
bondage rings of strong silvery metal firmly embedded along
all edges of the upper surface, as well as along the base.
These adornments essentially meant that a person of any size
could be chained in a variety of ways to the stone block.

Equally sinister and suspended just above the altar, by
means of an ingenious pulley system, was a large real
inverted crucifix of black wood, with the silvery pentagram
emblem displayed in the middle. More bondage rings of strong
silvery metal were firmly embedded near the ends of each
crosspiece, alongside udjat symbols. Close inspection of the
shiny ebony surface revealed ingrained bloodstains.

The ingenious pulley system enabled the crucifix to be moved
down the full length of the enclosure. The cross could also
be inverted to become akin to the Christian version and be
raised and lowered, including flat onto the floor if
necessary.

The black curtains of the doorway just beyond the altar were
themselves adorned on both sides with the emblem of the
inverted crucifix. Stephen was now looking at two of these
symbols.

Stephen was currently standing in his chains and skimpy
tight white lycra briefs, which nicely highlighted the
contours of his groin and bottom, in the corridor extension
that represented the entrance into the satanic arena for the
ceremonial participants. As the boy had slowly advanced down
the relatively short annex, with the Major Domo now behind
him, he had already passed the silvery pentagram and udjat
emblems, which were painted onto the black walls and were
illuminated by the flaming wall torches.

As Stephen awaited his ceremonial entrance into the satanic
arena for his formal initiation as the demonic cult's annual
special young slaveboy, he could hear the clamour on the
other side of the black curtains, caused by chatter and
laughter amongst the many excited spectators. The members
present were, of course, all attired in their robes, whilst
those still requiring sustenance of some sort were served
drinks and snacks by volunteer slaves dressed just in their
sparse thongs.

Despite the fact that the din suggested otherwise, the
satanic arena was not full to capacity, as the place would
be for Stephen's last appearance here, scheduled for almost
a year's time. The date for the latter occasion had already
been set but the special slaveboy's initiation ceremony was
a movable feast, being dependent upon the progress of his
preconditioning.

The exclusively male members had only been given a week's
notice of Stephen's first ceremonial appearance, compared to
a year for his last. Consequently, as many were busy people,
who lived all over not only the USA but also the world, not
all could attend despite a universal desire to do so.
Nevertheless, such interest had still generated about 300
spectators, who so spread themselves out amongst the
terraced seating that the benches looked as if they were
accommodating a full house.

The noise of the crowd made the music blurting loudly from
hidden loudspeakers barely discernible to Stephen's ears.
However, the well-educated boy thought that he recognised
Beethoven's 6th Symphony amidst the clamour, which might be
considered inappropriate for a satanic event if the setting
had not been rural America and the classical piece had not
been nicknamed the 'Pastoral'.

As Stephen continued to await his formal entrance into the
satanic arena behind the black curtains, he suddenly felt,
as he again contemplated imminent events, an excited
tingling sensation affect his groin, which subsequently
spread to other parts of his lovely body. The boy
immediately recognised the cause as rather perverse sexual
excitement at what he was about to do and endure, which was
evident from the more pronounced outline of his hardening
cock within his skimpy tight white lycra briefs. However, he
was not concerned about this development but was instead
delighted.

Stephen had been indoctrinated to rejoice in sexual
excitement and perversity. Performing or being subjected to
amoral sinful acts were methods of worshipping his ultimate
divine master, the lord of hell, the prince of darkness, the
great Lucifer, as was enduring shame and suffering. The boy
was therefore actually looking forward to displaying his
depravity publicly to the members of the satanic cult into
whose service he was imminently to be formally initiated, as
a sign of his true devotion to and his suitability for their
cause.

Stephen eventually excitedly awaited his formal initiation
before the black curtains for about ten minutes with
gradually increasing suppressed impatience and continued
sexual arousal. However, the deliberate delay, which
represented another aspect of his mental preconditioning by
further stimulating his eagerness for the imminent ceremony,
eventually ended.

The first indication that Stephen's impatient wait would now
soon be over came when Beethoven's 'Pastoral' Symphony
concluded and was replaced by music from Grieg's 'Peer
Gynt', comprising the movement entitled 'Morning'. The
chatter and laughter emanating from the spectators within
the satanic arena simultaneously immediately ceased.

Stephen appreciated from his training that, when a certain
early musical crescendo was reached in this new classical
movement, the black curtains before him would mechanically
separate to signal that he was to walk into the satanic
arena. The boy was subsequently to advance, as best as he
could considering his maintained chained bondage, past the
stone altar, symbolically on the left side, to the centre of
the floor pentagram, where he would turn round to face the
stone block for his formal initiation to begin.

Stephen had never previously visited the satanic arena,
which was to be a place of great importance to him over the
year ahead. However, the boy believed that he already knew
the amenity intimately from his training, during which he
had been shown many long videos of what occurred there.

The now very clear outline of Stephen's penile arousal
within his skimpy tight white lycra briefs visibly quivered
when the relevant early crescendo in the 'Morning' movement
of Grieg's 'Peer Gynt' duly arrived. The intensely excited
boy also almost orgasmed on the spot when the black curtains
in front of him simultaneously separated to reveal the
crowded satanic arena to him for the first time.

(To be continued)