That said, you should first learn the genre, and this link will take you to my advice on doing that.
From there, either you put it online and I eventually find it and link to it, or you send me either a link or a copy of the story and I link or archive. Contacting me before I find you is of course, the fastest way to get listed.
Not having super powers or global telepathy, I have been known to never find stories, and only learn of them months later when someone asked my why they were not listed...
All writers should seriously consider joining the mailing list, in order to stay current with the arguments and feuds of the day. As well as sometimes learn something useful.
I reserve final judgement on the category I place a story in. If the guidelines above seem to be in conflict with the judgement I make; ask me about it and I will correct, clarify, or whatever is needed.
See also the ASSTR Writer's Resources The best FAQs, in my opinion, are these:
If you need software for writing, I suggest starting with a look to Open Office:
it is free, which is much in the spirit of this community.
It is more feature rich than the MS competition. It also opens and saves all MS Office files, as well as those of other
major competitors. And it won't give your computer a virus or a worm or even an allergic sneeze.
Please list your story codes. It helps me and the readers find you. The internet is big...
It is strongly
recommended that all Naked In School stories be coded with at least
'NiS', 'naked', and 'exhib'.
Doing all three will make it a
lot easier for people to 'google', search asstr, or otherwise find the work.
Here is an example of making a subject line with story codes:
Alandra Naked in School - Monday (NiS, teen, exhib, voy, naked, ff, mf)
Most of us have had that dream - be it wishful or nightmare - of finding ourselves nude in public, and often in school. It seems an almost universal human theme to imagine returning to our natural state, though for most of us it is an issue about embarrassment. I suspect that if Karen hadn't written her story, somebody else eventually would have. Not the same story for sure, but something like it. By being first she managed to set the format and give us the details, but the idea is in all of us.
So what shapes this genre? There seem to be some basic common patterns:
My main purpose of writing about Susan was to portray not only the depth of feeling at the death of a close friend, but also the resilience of a teenager at facing life and moving on. In a way it was about my life, at a similar age, I lost a best friend to a sudden illness and not much later, I lost another close acquaintance to suicide so I did have those feelings to write about. In a way, Susan was a catharsis.
I donít think I could have written the story the way I did if I hadnít had the main character a female - it would have been too close. Writing from a different viewpoint allowed me to isolate my own experiences and use them creatively instead of simply remembering and re-experiencing them. One thing we all have to keep in mind when weíre writing is that the experiences a character goes through changes them, just as our experiences change us, we have to show that in our stories if we are to create a believable story.
Susan was also a story about changing from a child into a young adult and I found that I had to cram a development that would have taken a real person months or years into a week. A child is very egotistical and thinks the world is centred around them, whereas a teenager suddenly realises that there are others in the world just as important as they are. NIS is based in one of the most challenging times in the development of a person's character, using a basic fear of nudity, along with the possibility of ridicule and humiliation by others and turning that into a method of character development seems to me to be the whole point of this genre.
The only things I can say in the way of advise to others is to write about things you know and about feelings and actions that your character would feel and do in the world you create.
I write for my own pleasure, no one else's. If people like what I've done, then great. If not, well then that's their problem...not mine. So with that being said the first piece of advice I could offer is write for yourself, not for someone else. If you aren't happy with your own story, what's the point of writing then?
My first story took a whopping 8 months to write...part of that due to me loosing access to the hard drive where the files were stored...the other part due to various time constraints, personal life, etc.. In all actuality had the HD issue not happened...the story probably would have been completed in 4 months. Not quick at all, but then again I didn't plan ahead very well. So the next piece of advice I could offer is plan ahead. While publishing each chapter when completed might seem a novel idea, it becomes a royal pain in the arse if something happens and you're delayed on the next one. For shorter stories it's probably a better idea to publish a completed work, IMHO. It keeps the 'fans' or 'visitors' to your site much happier. I can't begin to count the number of "When's the next chaper/day coming?" e-mails I received while writing NIS: Mike & Megan.
With the new changes to the NIS Collection page we now have stories classified into three main groups: 'The Core Stories', 'Following Line' and 'First Deviation'. Most new stories being written are falling into the last group. The first thing you probably should do is figure out which group you're going to write for, most likely one of the last two. When I get time I might try and create a 'Second Deviation'...sounds like fun!
I chose to change a few minor details in my stories. A big change was you rarely find mention of groping in the halls or reasonable requests. The other is the toned down sexuality of the story. I personally think that having the characters boink someone or something every other hour gets just a bit annoying. Again, that's a personal opinion and not in any way the best choice or the worst. The vast majority of comments I received on the first story dealt with that issue and all but two (2) were positives. I guess reading different stories with a common plot and common variables can get pretty boring after a while...so don't be afraid to throw a few 'curve balls' in there. I can promise you the future stories I write will have quite a few.
.B mentioned something about how he found it hard to figure out how he would have reacted to situations and feelings based on that time in his life. That is definitely a problem that any NIS writer is going to have to consider, not to mention take quite a bit of time to iron out. A big thing I see there is the fact that teenage life in the past differs widely by decade, sometimes even by a few years. What might have been odd or 'out of scope' for someone in their teens during the 60's became perfectly normal in the 90's. Then again what might have been ok in the 60's would be ridiculous in the 90's.
I'm fairly young (mid twenties and before you ask; yes...there is at least one other NIS author younger than me that I know of). I sometimes find it hard to relate to how I would have handled those situations...and that's with only a mere 8 to 10 years having passed. For someone older it's definitely going to be a challenge.
There's alot of talk about character's acting 'their age'. Well, there's a problem I see there in that when I was 16 I had more friends who were 20 to 30 than who were my own age. Those friends were my own age generally were considered 'mature for their age', as was myself. Then again I also know quite a few people in their twenties and thirties who are less mature than some teens or dare I say it, 8 year olds.
The point here is every human being is unique, so your characters should also be unique. While some characters might be very childish, other may appear to be very adult like. Some might have some very prominent childish tendencies while also exhibiting some very adult tendencies. I'd personally say most teens today fit that description the best...kinda a middle ground so to speak. To me a story which focuses too much on one or the other is boring as it's almost a bit unbelievable. Then again a story which is too believable might be a tad on the boring side, so a nice medium might be the best option.
And last but not least...get a team of people together to help you with the stories. I made the mistake with my first one of not doing this and I regret it. If my past English/Lit teachers saw it...they'd beat me silly. I can already hear them say, "How did that happen? You were always a good writer with good grammar and spelling skills...". Well, when you spend so much time writing a story you get sucked right into it and kinda look over very obvious errors...quite easily overlook them...so easy in fact it's downright scary...even after giving yourself a break for a while, you're still going to over look things. Get yourself at least two other people to proofread your stories. Two would be the BARE MINIMUM I'd recommend. As they say, the more the merrier!
I think we need to remember that this is NAKED In school. Too many stories have left the characters clothed too often, or not spent enough time in school. Some authors rush through the school part of the chapter, and then give us pages and pages of romance BS.
The school and the naked are getting lost. In addition, it is erotica, and the sexual tension needs to be there in a strong way, even if the actual sex is not.
As for derivations, the 'Core' stories is not a style, but merely 'an era.' That is where I've put the original stories that told us what NiS is.
On acting your age, even a teen who socializes with adults is not an adult...
The NiS program is generally thought of as taking place in an alternate present or possible future. A series of medical breakthroughs have resulted in 1) the conquering of AIDS and all STDs, and 2) the development of highly effective birth control. These two factors have resulted in a rebirth of the "Free Love" ideal, and sexual standards have been relaxed across the board. Further details vary from story to story, but the key point is that NiS stories take place in a world very similar to, but NOT IDENTICAL to, ours. Some things are different: the lack of STDs, the birth control. Can other things be different as well?
Yes. They sure can.
And that's where things start to get interesting.
In your story, how often do people go around naked under NORMAL circumstances? My stories take place on the initial crest of the Naked In General phenomenon, where it's still relatively rare for people to go nude; Caultron's "Adam & Vivian" is on the opposite end of the spectrum, where, if anything, it's weird for people to have clothes on. Each one has its own interesting situations and possibilities. In my stories (and feel free to steal this idea), a counterculture rebel group might go naked as a form of "self- expression"--you got the Goths, the stoners, the skaters, and now the naked people. In Caultron's, it'd be the exact opposite: you got the goths stoners skaters... the CLOTHED people. ("God, what's up with THEM?" "I think they're, like, making a STATEMENT or something." "Chyeah. Well. That is, like, SO totally Stone Age." You see my point.)
In your story, what medical and scientific advances are there? Again, Caultron and I sit on opposite ends of the spectrum: mine is limited to the basic anti-virals and contraceptives, whereas in his story, people can actually reprogram their appearance using genetic modifications. (I wanted maglev hovercars, but circumstances conspired against me.) There's also a story out there where the male lead drives in to school in a hovercraft, but I can't remember which one it is, and another (or possibly the same one) in which the male lead uses a Star-Trek-style viewscreen / videophone to talk to his father in the military. All of these things change the scope and potential of your story. Cheap worldwide transportation could lead to a proliferation of foreign exchange students ("Naked in School in France") or even totally multicultural establishments. Cheap videophone communication would alter the face of long-distance relationships and phonesex / cybersex, among other things. You could go REALLY future-forward and have Naked In School On Mars or something. The sky's the limit; I'm just making sure everybody KNOWS there's a sky.
Finally, there are the practical concerns. If your characters are going to go around naked outside of school on a very frequent basis, how are they going to keep track of their wallet, keys, etc? What new industries have opened up in lieu of the fashion industry? What is Calvin Klein doing now that he's out of work? How do women deal with periods? Have tampons simply become socially acceptable sights? Are there new drugs that simply shut down periods entirely (as the pill sometimes does today)? How have restaurant regulations changed?--it's not public-decency laws that mandate "No shorts no shoes no service," but rather public SANITATION laws. In fact, just about ANY public location where people sit down is subject to these changing regulations. How normal and acceptable is sexual expression? Do people have sex in public? Are there rules governing "Public Displays of Affection"? Does the term even still EXIST? The cheap AIDS cure: has it been spread to Africa? I sure hope so, since even TODAY 1 person in 5 has AIDS in Africa. But how will that change the economic and political structure of the world? Today, America is on its way out, being replaced by India and China, which between them contain about 2 billion of the world's 6 billion people; labor is cheap there (which is why all our jobs are going there), and they're starting to have spending power. Both of these countries have begun to rise because the standard of living there has made enormous strides in the past few decades. If Africa undergoes the same revolution, what will happen there, and to the planet around it? That's a question /I/ hope to address in one of my stories; but that still leaves about fifteen or twenty others for somebody else.
Ask yourself questions, as many of them as you can think of. Some of the answers may be useless to you... But some of them may galvanize your story, adding new angles and new characters that you had never dreamed of. There is no such thing as an overdeveloped story. Don't hesitate to play around, is the point. What you find will probably make you--and the readers--grin. And isn't that the whole point of writing?