Flashplight

Copyright (c) 2002 by Jafar

Summary: mind control, incest, Mf

Ever take note of the fools people will make of themselves to get their pictures taken? What if we could exploit that?

See No Evil: Contains sexually explicit and politically incorrect material. If you shouldn't be reading this, or if it might offend you, simply stop now.

Legalese: All actors and actresses are over the age of consent. Proof of age is on file. Any similarity of any character, event or place to any actual person, event or place, is purely coincidental. This is all fantasy, and the actors are all professionals -- do not try any of this at home.

Archiving: You are welcome to discreetly repost or archive this, just do not change it, steal from it or claim credit for it.

Author's Ramblings: I am working on wrapping up a couple of my unfinished stories, but this tale bubbled up out of the murky magma that is my brain in one sitting, sort of as a stress relief (been traveling every weekend with my job the last few months).

Warning: morbid self-reflection ahead.

I was a really big fan of Dierdre's. Her stories consisted of a set of quickly sketched scenes where reality simply melted into the sexually-laden substrate underneath and it was almost like watching one of those animation flip-books, the plots moved so quickly.

Hopefully, I've kept her sense of just how sexual things are underneath the surface and how that can just erupt into our artificially staid everyday lives. I haven't kept her quick, light style, I'm afraid. My characters are an unruly bunch that each demand (and usually get) their ten minutes on stage. So far, this has worked well enough, though I reserve the right to change in the future.

This story is different from my other ones in that I did NOT follow all the story leads nearly as far as I usually do: just three major interactions -- bap, bap, bap -- with lots of potential paths still unfollowed. Not a Dierdre story, but a step in that direction. Let me know if you prefer this less exhaustive style of plotting. I can change how many story leads I follow up on (though I won't change Dierdre's approach of that delicious promise of what is on everyone's mind, just underneath the surface, if only they knew and admitted ...).

P.S. I know I break the framework: the story starts as an email, but you wind up getting more information than Robert got from the email. I cite precedence with Ellery Queen, where the occasional scene showed more than our detective observed.

Live well, Jafar

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