EVERY
WOMAN HAS A FANTASY (1984)
Ben is fascinated. He talks Teri into
smuggling a hidden tape recorder into the next meeting. Meanwhile, Teri's story
has gotten Ben so hot he's sporting an erection, and his more-than-willing
wife, responds by snuggling up and playing with him. As she slips under the
covers to go down on him, Ben settles back and savors the image of the blonde
in bondage, her pale slim body bound by the constricting ropes. The erotic
picture fires his lust and soon he's caressing Teri and climbing on her to rub
his stiff prick up her belly. Thoroughly aroused, he flips her over and as she
smiles, settling down on folded arms, he sets his erection along her rearvalley,
and begins moving his hips, sliding his prick up and down in the hot crevice
between the soft mounds of her rearcheeks. She savors the exciting feel of his
manhood, begging him to fuck her, and he obliges. Slipping it up her pussy from
behind he screws her, his pelvis smacking the bouncy mounds of her upturned ass
as they ride to glory.
At the next get-together of the girls,
Bonnie, a tall, elegant blonde (Erica Boyer) is telling her fantasy, one that
involves a young, well-built delivery boy, played by Blake Palmer. He will show
up one afternoon and she will be ready for him, wearing a black skirt, garter
belt and stockings, and a see-through blouse. She won't be wearing panties and
when she sits on the couch, she will invite the boy to take a strategically
placed seat directly across from her. The lad's eyes are drawn to the
attractive lady's, long black-stockinged legs as she slowly uncrosses them. She
brazenly opens her thighs, exposing her naked pussy to him, while she tells him
he is to stay seated there and do exactly what she says. She then orders him to
take out his cock and stroke it while she plays with herself. The lad opens his
jeans begins to yank on his erect prick while Bonnie slowly rubs herself off,
fingering her wet pussylips, toying with her throbbing sex, while the delivery
boy watches and jerks himself off to climax.
The tape of Bonnie's fantasy so excites Ben
that he has to have more. He has to see the women as they talk, and talks a
reluctant Teri into letting him hide in the closet when the next meeting is
held at their house. But the experience leaves him unsatisfied and he looks for
some other way to get involved. Teri reminds him the group is strictly
"ladies only" but there just might be a way, if Ben, the actor,
wouldn't mind playing a role...in drag. She will take him along as Ben's
sister, "Jennifer" from Seattle.
Initially uneasy, Ben soon forgets his
misgivings as he meets Jane, played by Shantell Day, a slim, pert blonde, with
a trim figure, neat features, and straight collar-length hair worn in a
youthful flip. Jane's fantasy is to have a lot of men -- all at once. It seems
her husband has a poker group over every Monday, and she dreams of serving the
men dressed in a very scanty costume. The slim blonde will be clad in nothing
but a silk apron, thigh high stockings, and high heels -- an outfit that will
leave her rearend completely exposed. Jane serves drinks and as she walks
around the table the men can do whatever they want to her, fingering a stray
nipple or fondling her bare ass as she waits patiently, standing beside the
table.
In time she is told to put the drinks down,
and ordered to get down on her hands and knees. Then, half naked as she is,
Jane is made to crawl under the table there to service each of the men. Usually
she's a dominating woman, in control, but she admits she finds it wildly
exciting to be made to crawl between their legs, take out their pricks and suck
each of them off in turn till she gets a faceful of cum. It makes her want
more!
At these exciting words, Ben slips into a
fantasy about screwing the slim-hipped blonde, taking her almost to the point
of climax before he pulls out to spurt his cream on her lithe chest and watch
while she writhes beneath him, rubbing the slick, sticky semen all over her small-mounded
breasts.
Now it's Teri's turn to tell her story, and
"Jennifer" eagerly encourages her to tell all. It seems she has
dreamed of answering one of those sex ads placed in the personals of certain
newspapers. Teri is an architect and sometimes when she's alone in her office,
if the mood strikes her, she'll lock the door and masturbate, thinking about
what might happen if she were to answer such an ad -- one asking for a woman
who will expose herself for a voyeur.
She would dial the number and the stranger,
known only as Gary, would answer. He wants to know what she's wearing; what
she's doing; if she's masturbating. She admits she is. Gary begins to give her
detailed instructions telling her exactly what he wants her to do. She is to
unbutton her blouse and uncover her breasts. Teri opens her blouse and reaches
in to ease her hefty breasts out of the confines of her bra so she can play
with her tightening nipples. The swollen tips harden under her touch as she
follows his orders to tease them, rolling them between her fingers and pulling
on them. Now he has her pull her skirt all the way up so she can touch her
thighs, and then...up between her legs. She slips her fingers down the front of
her thin lace panties; her eyes flutter closed and she dreamily massages her
pussy, all the while breathing heavily into the phone.
It doesn't take her long after hanging up
from that incredible phone call to realize she has to meet Gary in person. And
so she calls him right back and arranges a meeting in a hotel room. There,
wearing a trenchcoat and smoking cigarettes, she paces the floor, anxiously
awaiting his arrival.
Gary (Robert Byrne) comes in, well dressed,
polite and low key, he helps her take her coat off, then he takes a seat and
asks her to undress for him, standing before a mirror. She is to remove each
piece slowly, sensuously: blouse and skirt, panties, stockings and high heels.
She finds the act of seductively undressing to be an incredible turn-on for
her.
She has just removed the last article of clothing
when there's a knock on the door and the startled woman grabs her discarded
skirt, holding it up protectively in front of her. But she needn't be
concerned, Gary assures her; it's only his wife, who had planned to join them.
He introduces his wife, Lorraine, played by Martine Nation, a pale thin girl
with a mass of light brown curls that falls to her shoulders. She has a present
for Teri, and shyly hands the naked girl a package. It is a silk camisole, and
Gary urges her to try it on. By now Teri's initial reticence is wearing off,
and as she slips on the undergarment, she asks if she can see what Lorraine is
wearing under her clothes. Lorraine obliges by removing her dress, stepping out
of it to stand before them in her white underwear and thigh-high stockings.
Gary still fully clothed and seated, smiles and tells the two women to kiss
each other.
They touch and embrace, exploring hands
sliding over the silky underthings that cover feminine contours. Lorraine
lightly slaps Teri's meaty ass. Then they're peeling off the sexy lingerie and
kissing each others body. Teri, stark naked, stands facing the seated man,
while Lorraine steps up behind her and reaches around to cup Teri's fulsome
tits, squeezing and fondling them while Gary watches. Soon all three are naked
and entwined on the bed. Both women go down on the man, sharing his cock as
they suck him off, then Gary and Lorraine work Teri over mercilessly, driving
her to a frenzy of multiple orgasms.
This reminds bubbly Cheryl of a fantasy she
has -- one that doesn't involve being tied up! It seems they regularly go to
the opera and she notices the handsome blond man (Francois Dumas) next to her
always attends alone. It is at the final production of the season and the
stylishly dressed crowd settles in as the light grow dim. In time Cheryl
becomes aware that her neighbor's hand is touching her leg. As she sits with
legs crossed, the roaming hand slips up the back of her nyloned thigh to sample
the smooth flesh above the stockingtop. Excited tingles ripple through the
elegantly dressed blonde as the inquisitive fingers work their way between her
thighs to the place high up between her legs where they probe the gusset of her
panties. The intimate touch soon has the blonde hot and bothered, gasping and
struggling to maintain her composure. Suddenly, the music ends, the lights come
on, and the man beside her departs, leaving the flustered blonde to compose
herself as best she can while the audience bursts into applause.
The wine has been flowing freely all afternoon,
and the girls are slightly tipsy. Teri wants to go, but "Jennifer"
wants to stay awhile, reminding her that she hasn't told her story yet.
Jennifer now admits, that where sex is concerned, she prefers women. She would
like to act out her fantasies and wonders if the others would care to join in?
Teri demurs, but the randy ladies are feeling
frisky, and they have no qualms over shedding a few clothes. Jane, reduced to
her slip, approaches the reluctant brunette and starts opening her dress.
Teri's weak resistance crumbles as her breasts are bared and the slender blonde
begins to make love to her in a warm lesbian scene that soon has the two women
kissing, caressing and exploring each others bodies. Meanwhile, the other two
have turned their attentions to Jennifer and, of course, immediately discovered
her "secret". Ben confesses and is forgiven, in fact so graciously
forgiven that he ends up in a three-way on the couch while his wife is engaged
in girl/girl love in front of him on the living room floor.
As the film comes to a close, Ben and Teri
are back home in their bed, talking over the day's events. Soon Teri begins a
new story, and Ben, who can't resist a good tale, is once again hot to trot.
Comments
: Good solid
acting, believable dialogue, the sparkling appeal of the superb cast, and the
genuine heat of the sex scenes, all combine to make this a "must
have" for collectors. Where adult films are concerned,
EVERY
WOMAN HAS A FANTASY
ranks right up there among the very best.