THE PUNISHMENT OF ANNE (The Image) (1975)

Producer: Eve Clayton
Director: Radley Metzger
Running Time: 89; uncut = 94.


At an elegant cocktail party in a stylish Paris apartment, Jean (Carl Parker), a handsome writer, is struck by a vision of loveliness, a quietly-composed blonde beauty in a stunning white sheath. He learns this is Anne (Rebecca Brooke), a young model, who "belongs" to an old friend of his, a woman named Claire (Marilyn Roberts). Claire is a commanding woman, tall and angular, with short blond hair; the enigmatic relationship she shares with the blonde girl is evident from the knowing looks they exchange. Jean is intrigued, and when Claire invites him to join the two women for a drink as they leave the party, he readily accepts. Seated at a table in a cabaret with the girl sandwiched them, Claire shows her silent friend off, like the proud owner of a prized racehorse, inviting Jean to admire the girl's pretty features, her mouth and lips and teeth, and offering to let him touch her if he likes.

The next day, finds the three of them in the Bagatelle Gardens where they have gone to see the roses. Claire encourages Anne to feel a large voluptuous blossom, and to steal it when nobody's looking. The girl's hesitation is enough to bring Claire's warning that she will be punished. Hastily, she snatches up the rose, and the three stroll off. But the purloined rose must be hidden, Claire announces. Finding a secluded grove, Claire tells Anne she must hide the rose on her person. She makes the girl stand before them and lift up her white pleated dress, high enough to reveal her lightly-furred vulva, framed appealingly between the elastic suspenders of a garter belt and the embroidered topbands of a pair of sheer white stockings that band her delectable thighs. The rose can easily be hidden, Claire decides, by being tucked under the garter belt; the blossom allowed to fall between her thighs, so the girl will be constantly aware of its presence as she walks. Once the rose is secured in place, Anne is allowed to lower her skirt, and the three continue their walk in the garden.

As their tour continues, Anne quietly expresses the need to find a bathroom. Claire ignores her, till she finds a deserted place off the beaten path. This will do, Claire announces. Anne is forced to gather up her skirts, drop down and squat before her mistress. The attractive girl assumes the embarrassing position, looking up at Claire from under fallen blond tresses, her wide eyes hold a silent appeal that she be allowed to forgo this further humiliation. But her pleading eyes are met with a steely gaze, and she is sternly ordered to piss. Obediently, the submissive blonde leans forward, takes a breath, and does as she is told, releasing a stream of water onto the dry leaves, under their watchful eyes.

A few days later Jean comes across Anne at the bookstalls along the Seine. Anne is abrupt with him, and decidedly cool. He shrugs it off, but later he finds he's becoming obsessed with the two women. After a few days of brooding, he arranges to run into Claire, who offers to let him see some very private photographs that she's taken of Anne.

The scene shifts to Claire's apartment where Claire meets Jean at the door. She is dressed in all in leather, her straight, lithe body clad in a pair of leather shorts, worn with a long fitted vest that leaves her supple arms bare. Sleek thigh-high boots, with wicked high heels complete her exotic outfit.

She brings out the erotic photographs she had taken of Anne. Some show the girl facing the camera wearing nothing but stockings and a disheveled black slip. Other are nudes, carefully posed, each new one more exciting and evocative than the last. There are shots of the submissive blonde on her knees, blindfolded, and of Anne in chains, bound hand and foot. In others her naked buttocks show the criss-crossed traces left by the kiss of the thin supple whip that has been methodically used on her vulnerable behind. Putting away the photos, Claire asks about his encounter with Anne at the bookstalls. She understands that Anne showed a lack of respect, and declares that the girl must be punished.

As they wait, seated in two armchairs, Anne is summoned to appear. The blond girl, neatly dressed in her full white skirt and soft blue blouse, comes in to stand before them, presenting herself as required, hands at her sides, eyes lowered demurely. Claire scolds her for being rude to Jean, and brusquely orders her to get undressed. Without a word, Anne falls to her knees. Obviously following a familiar ritual, she begins to remove her blouse and skirt, and since she wears nothing underneath, she's soon kneeling before them naked, but for garter belt and stockings. The statuesque blonde kneels erect, with thighs widely parted and hands stretched high over her head; and she holds this pose, silently inviting them to contemplate her beautiful exposed body. Now Claire teases the girl, playing with Anne's taut voluptuous nipples, fingering her splayed crotch mercilessly as Anne gasps and struggles to maintain the mandated position even as she's becoming aroused. Forcing her to keep her eyes on Jean, Claire whips the kneeling girl till she collapses to the floor.

Jean suggests that it might be best if she were tied up, and Anne is promptly sent off to fetch the chains. She is made to crawl to Jean and offer her wrists to be tied to the arms of his chair. She unzips, and presents his penis to the kneeling girl. Clamping her head he brings it down over him, forcing her to accept his swollen cock into her warm, receptive mouth. As she's going down on him, Claire takes up the whip and begins whapping the girl's jutting rearcheeks till the inevitable climax is achieved.

After this, Anne is "given" to Jean, to be used as he sees fit. A series of erotic encounters follow, such as one memorable scene in a posh restaurant. Sandwiched between Claire and Jean, the elegantly made up blond girl sits erect and serenely composed, while Jean's hand is active under the table, fondling her pantiless sex. He whispers his instructions in her ear, and she obediently opens her thighs as his hand slips up between her legs. Anne stiffens under his touch as Jean's fingers explore between her parted stocking-clad legs, and find her blond-furred vulva, heating her up while she is forced to maintain her composure under the eyes of the unsuspecting waiter. On another occasion, he takes Anne to buy lingerie, and amuses himself by using the nearly naked Anne to seduce the salesgirl in the fitting room while he watches.

Eventually, Jean is invited to witness a scene in the "Gothic Chamber", the photo studio Claire has had constructed in her apartment. Anne is meticulously prepared, bathed, and brushed and carefully groomed by her loving mistress. Then, blindfolded, she is placed on her knees and ordered to play with herself. This time, as she nears climax, it is Jean who wields the whip, repeating slapping her till they are both so aroused that he falls on her and fucks her on the floor. Jean's actions seem to have shaken the relationship between Claire and Anne, and afterwards, Anne announces she in leaving.

Several days later, there's a knock on Jean's door, and he opens it to find Claire. She is dressed in the outfit Anne wore, the same white pleated skirt and simple blouse. Jean senses that she wants something from him, and he orders her to get undressed. Claire falls to her knees and begins to strip, following the familiar ritual used with Anne,. Naked she rises her hands and offers herself to him, to do with has he will; and he savagely takes her on the carpeted stairs of his apartment.

Comments : Radley Metzger's magnificently filmed version of Jean de Berg's erotic masterpiece-- L'Image, is in a class by itself. Unlike so many filmed versions of novels, this one remains true to the original in both in its story, characters, tone, and perhaps most important, the strongly erotic feel of the original. The B&D scene has never been portrayed with more feeling than in Metzger's loving tribute to this classic of modern erotica.


Copyright 1997, Hollis Compton. All Rights Reserved.

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