ALL AMERICAN GIRLS (1982)
The film opens with their hostess, Caroline
(Gina Gianetti), a well-endowed sexy blonde, getting prepared. She's in the
bath attended by her maid. The pretty maid played by Laura Lazare, dries her,
caresses her, and then does a little muff diving, exciting her mistress just enough
so that she wishes out loud that she had man. The maid points out that there is
a man in the house -- the dim-witted handyman, Karl, who often services the
household staff.
The women go off to find Karl, who is
childishly pleased to receive the attention of these two beautiful women. They
go down on him together, and Caroline, still in nothing but her negligee, gets
to ride his rampant rod to get her rocks off. Hurriedly, she leaves to finish
dressing, while the maid and Karl continue their dalliance, even as the guests
are arriving.
An elegant Rolls noses up the sweeping
driveway to pull up to the main entrance. The doors open and six pretty girls
spill out. After a brief joyful reunion, they start off exploring the big
house. One of them, a thoughtful tall redhead named Diana (Jacqueline Lorans)
hears music and follows the sound to find a young man playing a guitar. His
name is Charles and he's Caroline's brother. Diana explains that she was drawn
to the music because she also is a musician. They agree to meet later to
practice together.
In the meantime, the other girls are
excitedly pouring over a rare collection of expensive art, admiring a Degas.
They ask Danielle's opinion, since she spent the year after graduation studying
art at the Sourbonne. The painting triggers memories of those days and
Caroline, reminding her guests of their promise, and urges Danielle (Jillian
Nichols) to tell her story.
Danielle, dressed as an art student, her
small compact body, molded by a violet bodyshirt of slick nylon, is wandering
around Paris sketching what she finds. Two Frenchmen spot her, and she notes
their obvious interest. They turn and she follows them up into a loft. One of
them takes off his shirt and she proceeds to sketch him. Soon food is shared,
then kisses. And in a while the friendly young brunette is stripping off her
bodyshirt, slipping out of her panties, raising her chemise, to join the two
(now naked) boys for a happy three-way romp on the blankets in the loft.
Now the scene shifts to an upper bedroom
where the girls are dressing for dinner. We are treated to the sight of six
gorgeous women getting undressed. The camera lovingly pauses to dwell on each
luscious feminine body, roaming from one to another, drawn to each piece, in
turn -- like a kid looking through the candy store window. The tall redhead
skims down her jeans, pulls off her sweater, and unfastens her hair, letting
her thick mane tumble down with a shake of the head. A dark-haired girl peels
off her chemise, and nonchalantly removes her bra, baring a pair of firm,
luscious breasts. A slim blonde casually steps out of a pair of fallen
underpants, revealing a darkly furred pussy. A feminine hand lovingly follows
the contours of an elegantly curved leg. There's a little light fondling as cold
cream is rubbed on to newly bared tits and naked bottoms; perfume applied to
intimate crevices. As they're getting dressed, their attention is drawn to a
diamond necklace one of them now produces. It's obviously quite expensive, and
the girls sense that there must be a story behind it.
It seems that Maria (Brandy O'Shea), a curvy
brunette with thick raven black hair, has been employed as a companion to
Leslie Worthington (Star Wood), a rich decadent woman who loves to gamble. It
was on their last trip to Las Vegas when they met up with a most unusual
situation. It was in a casino where Mrs. Worthington, after winning at 21, and
at craps, was feeling lucky enough to try roulette. There they meet Suzanne
(Lynx Cannon), a vivacious blonde who is down on her luck. Now the women begin
to loose, big time.
Mrs. Worthington asks the manager (Ken
Starbuck) and his assistant for credit, but she's refused. She wonders if he'd
accept some collateral -- Maria! She quickly promises the startled girl, she'll
give her the diamond necklace if she'll go along with it. But the suave manger
has a counter offer. He wants all three women! They accept, betting their all
on a turn of the wheel-- and they lose.
It's after hours, and time to collect. In the
closed casino, the women perform a striptease for their male audience of two.
Maria with the thick black tresses and curvaceous body, lowers her slip and
opens her bra to release her ample breasts, her feminine curves contrasting
nicely with the slender stately lines of Leslie Worthington, whose long
straight hair falls in even light brown sheets down her back. Beside them, the
sparkling, fun-loving blonde, bends over to ride her panties down to her
ankles.
Soon they are paying off their debts with
increasing enthusiasm. Mrs. Worthington is on her knees, sucking the manager's
cock, only to have him turn around in fair play to return her oral favors.
Meanwhile his assistant takes the sexy blond bombshell, fucking her from behind
over a gaming table in fast and furious action. Maria gets in on the action,
while the manager score with Mrs. Worthington.
It is at dinner that night that the other
girls get to tell their tales. Shannon (Copper Penny) had shared her adventure
with Rebecca (K.C. Valentine). They had been staying at Shannon's parents' home
in New York and found themselves subjected to a long violin recital. They find
a hidden place in the hallway to watch the performance, and they're impishly
flirting with one of the male guests, who turns around just as the delightfully
wicked Rebecca flashes him an outrageous beaver shot. Intrigued, he eases out
of the concert to join the two sexy girls, who fall on him for a steamy session
of love on the stairs. The helpless guy is stripped and worked over mercilessly
as the heavenly Rebecca goes down on him while he is busy fondling Shannon's
breasts. All sorts of three-way combinations are tried out; the action gets
more frenzied as the happy trio race with the music toward what can only be
called a climax. , Just in the nick of time, the dazed and disheveled guy is
able to pull himself together enough to slip back to his place in the crowd,
his absence unnoticed.
Angel's (Johanna Storm) story is next. She is
stewardess who often flys to foreign places. After a wild night celebrating the
Chinese New Year in Hong Kong, she takes some time for quiet recuperation in a
meditation garden outside the city. There she is picked up by Jade Ling (Jade
Lineer) and her boyfriend, an Australian airman. Jade Ling helps Angel to get
out of her clothes, and soon all three are engaged in some spirited love play.
Jade slips off her white lacy panties and climbs aboard, leaving her slim tawny
body in nothing but garter belt and nylons. Together, these two foxy ladies
send the naked airman into orbit.
Back at the dinner table, the last tale
belongs to their host, Caroline. She reveals a surprise involving one of their
professors -- the young and handsome professor Stanton. It seems that Caroline,
her schoolwork in trouble, visited the Professor in his office to see if
something couldn't be done about her grades. She invites him to lunch to
discuss the problem further, and he accepts. They meet the next day at a
seaside restaurant.
Caroline coyly asks for a second chance at
her final exam and crawls under the table to give him a blow job. Soon the prof
has lost all control and they are fucking on the table to the appreciative
applause of the crowd in the restaurant.
Now, as they adjourn to the library for
cognac, the girls prod the silent Diana for her story. Shyly, she admits that
she has had no exciting adventures like the other girls. She drifts off by
herself, wandering through the mansion until she comes upon Charles. She tells
him her tale of woe, and finds a sympathetic ear. The romantic music that
swells up now, tells us that these two have fallen in love. He declares his
love in the film's most tender moment, and the two of them come together in a
fitting climax. Tossing her luxuriant mass of russet hair in wild abandon,
Diana joyfully rides his rod, bouncing and gyrating as she driven to sexual
ecstacy.
Comments:
A very traditional
story, well told, with good acting and superior production values, this is an
all-around, solid film. But its most endearing quality is the bevy of pretty
girls performing in some hot sex scenes. Unlike the directors of most adult
films who have their performers clothed in one frame, stark naked in the next,
Bill Eagle understands the seductive allure of slowly undraping a gorgeous
body, and he uses the striptease most effectively in this sparkling gem.
Copyright 1996, Hollis Compton. All Rights Reserved.