Nobody should approach me if they
want a fair, balanced and informed opinion of Rock Hill, South Carolina. Most
of what I discovered about the city was well after the Crystal Passion tour and
what we saw was probably unrepresentative and, to be honest, not especially
attractive. It was a town very much in the shadow of the somewhat larger city
of Charlotte, 25 miles away and mostly only glimpsed at as we drove by on the
relatively new Interstate 485 which also took us past Charlotte Douglas Airport
from which we’d later fly home.
Mostly what we saw
of Rock Hill were derelict mills and warehouses. We didn’t visit the York
County Museum, the White Home or the Botanical Gardens. The best that could be
said about the hotel we were staying at was that it had once been much grander in
the past, but nobody could mistake the Paradise Hotel for what it had been named.
The plumbing was dreadful. Every single tap dripped, especially the ones servicing
the chipped enamel baths. And, other than malfunctioning air-conditioners,
out-of-order escalators and sticky red carpets, the hotel’s prime attraction
was a huge lounge bar with a juke box so loud that it could be heard from every
bedroom and which only played records by the Marshall Tucker Band, Lynyrd
Skynyrd, Johnny Cash and the Eagles. But even those in our band who enjoyed
this kind of Rock and Country music (which definitely didn’t include me) wouldn’t
feel welcome in a bar where the women clientele were mostly there for business.
“Let’s hope our
gig doesn’t get pulled after that drive,” Andrea remarked when we collected the
keys to our bedrooms.
“There are two
gigs,” said Crystal. “There’s one tomorrow night and another on Friday. A
cancellation would be very expensive.
I’ll check out the situation as soon as we’ve eaten.” It was early evening and
we’d not rested once on our long drive from the Virginia side of the North
Carolina State Border where we’d stayed the night at a shabby motel on the Old
Pipers Gap Road.
“Do we have any
gigs after Rock Hill?” Olivia wondered.
“Not for over a
week,” Crystal answered. “There’s one in Baltimore, Maryland, and then another in
New York again. Brooklyn this time. And that’ll be our last concert!”
“About fucking time!”
snorted Jane. “This tour’s been a nightmare from beginning to end.”
“It’s certainly
not been the success I’d hoped for,” Crystal conceded.
Judy, Tomiko
and I all volunteered to bundle into the Chevy with Crystal and make a
preliminary visit to the Penitence Club where we’d been booked to play. With a
name like that the club could have been anything. Judy speculated that it was a
BDSM fetish club with dungeons and chains, while I couldn’t help wondering
whether it wasn’t somehow associated with a denomination of Evangelical
Christians.
“It used to be
called the Repentance,” Crystal said, which didn’t resolve our speculation at
all.
But as it was,
Judy’s conjecture was the most accurate, although thankfully if it was being
used as a fetish club it wasn’t on the nights we were due to play.
“Am I thrilled
to see you guys!” said the club’s proprietor who was waiting for us in the
Penitence Club’s bar. He introduced himself as Skull, which was an appropriate
name for such a painfully gaunt man whose cheeks were sunk to the bone and whose
crooked teeth were too big for his mouth. He was clad in leather and denim with
long lank hair and spikey stubble on his chin and cheeks. I couldn’t tell how old
Skull was, but despite his many tattoos and piercings he was probably in his
forties or even older. “I was dreading you wouldn’t make it.”
“Why would you
think that?” said Crystal in her sweetest voice. “We wouldn’t dream of letting you
down.”
“Well, you
can’t have missed all the shit going round about you and your band, girls,”
Skull said. “It’s fucking everywhere. It was even in The Herald, not to mention the fucking Rush Limbaugh Show and all the
other asshole fascist radio talk shows. From all what they say, I can’t wait to
see you guys perform. Is it true you chicks have sex on stage together?”
“Not on stage
so much,” said Tomiko in the spirit of clarification.
“But you take
your kit off, don’t you? That’s what The
Herald says. We should be pulling in punters from Charlotte now your record
got played on WRDX FM. And there was some shit about you chicks in The News & Observer. You guys have triggered
a fucking storm. It’s gonna be fucking amazing tomorrow. There’ll be a line
round the block to see you: sex or no sex.”
“Definitely no
sex,” said Crystal.
“Don’t let me
stop you if you change your mind, girls,” Skull continued. “You wanna see the
posters I got made for you? They’re fucking awesome!”
“Yes, why not?”
said Judy, speaking up for a visibly apprehensive Crystal.
Skull unfolded a
poster on a beer-stained table. I could see that even Crystal struggled to
maintain her conciliatory smile while I was just too horrified to comment. The
best that could be said for the poster is that it might have once been
fashionable in the early days of punk rock.
“It’s
definitely something,” said Judy Dildo, who was the only one who might have a partiality
for the mock Gothic font in which most words were printed. The only other font
used was ugly and angular as if someone had scratched the words on a concrete
wall with a chisel and this was used to display the band’s name as Cristal & the Passion. Under all
this was a smudgy sepia image of a few nearly naked women wielding electric
guitars and posturing with their mouths open and their tongues hanging out.
“Good, ain’t
it!” said Skull. “I got my mate Piles from the tattoo studio to put it
together. We’ve plastered these posters all round Rock Hill. That and all the
free publicity you chicks have got will really draw ’em in tomorrow.”
“I dare say it
will,” said Crystal half-heartedly.
Not that Skull
would have noticed a lack of enthusiasm. He was far too intent on admiring the
poster laid out in front of us. “Fuck knows who these chicks are,” he said,
indicating the grainy images with the discreetly obscured nipples and crotch.
“Fucking lookers, ain’t they? I can’t fucking wait to see you chicks strut your
stuff.”
“Not all of us
take our clothes off,” I remarked.
“Well, there’s
always one spoilsport, ain’t there,” Skull smirked. “But as long as there’s
something for the guys to look at, we’ll be OK. You dig?”
“Yes, we
understand,” said Crystal. “We know exactly what you want.”
“Damned right
you do, girls,” said Skull, proudly reviewing his poster which heralded in
hard-to-read Gothic font that ‘Teusday
Nite was Girls Nite!!!’ and that we would be responsible for ‘the Very Best
Butt Naked Rock & Roll in Both the Carolinas’.
“Shall we just
call off the gig?” I asked Crystal as soon as we’d left Skull behind and in the
street outside the Penitence Club
“Call it off?”
Crystal wondered, clearly taken aback. “Do you really think we should?”
“You saw the
poster,” I said. “We’ve met Skull. What the fuck does he think we are? The Sex
Pistols?”
“Maybe…”
Crystal said warily.
“For fuck sake,
Crystal,” I said, pressing home the argument. “The poster makes us look like a
third-rate Punk Revival band. They couldn’t even get the band’s name right. And
if you think I’m gonna get ‘butt naked’ for a crowd of grungy pervs… It’s
fucking insane! Let’s just cut our losses and call it a day here and now.”
“I dunno,
Pebbles,” cautioned Judy. “Come on, Crystal. What’s the gig worth? How fucked
are we if we don’t do it?”
“Our funds
aren’t in the best state,” Crystal admitted.
“Fuck,
Crystal,” I exclaimed. “Are you serious? We made a mess of things in Detroit
and look at the shit that got thrown at us at the Sisterhood Festival. Are we
going to erase the very last trace of our credibility in Hicksville, South
Carolina?”
“What’s the
bottom line, Crystal?” chipped in Judy. “Do we have a choice?”
“We always have
a choice,” Crystal said cryptically.
“Fuck it!” Judy
exclaimed. “I need a drink. Let’s go to that bar over there and chat about it
over a Budweiser or whatever other piss-poor beer they sell.”
“I could do
with a drink, too,” chimed in Tomiko who was still stoned after having sampled
Judy’s Tijuana Hash.
Fortunately,
there was an empty bench on the Mockingbird Bar terrace by the roadside so we
didn’t have to venture inside what was the kind of low-down disreputable bar
that often gets featured in American films where the hero gets drunk and beaten
up in a brawl. Judy Dildo wasn’t fazed at all and happily strode inside, ignored
the unsubtle stares and bought three beers and a mineral water. Maybe the men leaning
on the counter thought Judy was a biker chick and that they’d better keep their
distance in case there were also some male bikers around.
“I don’t think
doing the two gigs at the Penitence will harm our reputation any worse than it
already is,” said Judy as she handed out the drinks. “We need the cash just to
afford to fly home. Let’s face it, this tour’s been a fucking disaster and we
need every last dime we can get.”
“Is that true?”
I asked Crystal.
She nodded.
“We’re not in a good place, Pebbles.”
“We’ll give the
fuckers what they want,” said Judy. “Rock & Roll and naked women. No
pussyfooting this time! The real deal.”
“I’m not taking
my clothes off again like we did in Detroit,” I said.
“I’m not saying
you had to,” said Judy.
“I never joined
Crystal’s band to play fucking Rock Music,” I continued. “I hate Rock. I hate
Heavy Metal. I hate all that shit.”
“I know you do,
Pebbles,” said Judy. “But it’s just the one gig and you can program your synths
to make whatever kind of sound you want. Think of it as us being like the
Prodigy or the Chemical Brothers…”
“Anyone who
doesn’t want to perform at the Penitence doesn’t have to, Pebbles,” said Crystal
diplomatically. “We can arrange the songs so we don’t need keyboards. You don’t
have to come on stage with us.”
“Fuck!” I
exclaimed, knowing that I’d already lost the argument. I turned my head towards
Tomiko. “Have you got any of that Tijuana shit on you?”
“Not out in the
open, Pebbles,” said Judy prudently. “Look me and Tomiko, we’ll go to the
loo—what they call the bathroom over here—and skin up a big one. But then we’ll
have to be fucking discreet when we smoke it.”
“Yeah,” I
agreed, looking forward to the opportunity to be left alone with just Crystal.
“Sounds like a plan.”
However, I
barely passed even two words with Crystal before we were interrupted, this time
by two long-haired young men puffing on Marlboros and dressed in jeans and tee-shirts.
“Hey, gals,
mind if we join you for a beer?” asked the one with blond hair.
“Well, as a
matter of fact…” I began, fully intending to tell them to fuck off.
“Of course we
don’t mind,” said Crystal sweetly. “We haven’t had the chance to chat with the locals.”
“Heck no,
girls,” said the other man. “You ain’t from these parts, are you? I reckon I know
your accents. You English or summat?”
“Yes, of
course. My name’s Crystal and this is my friend Pebbles.”
“Like the
fucking Flintstones,” the blond-haired man exclaimed. “I’m Des and this here’s
Gus. We sound like some fucking TV Show too. Des and Gus!”
Crystal laughed
good-humouredly and in the chat that followed, she mostly asked questions of
the two men while I sullenly and silently puffed away on the Marlboro cigarette
that Des offered me.
“We’ve just
come out the pen,” admitted Des in answer to Crystal’s question. “Thievery and
Burglary that’s what we’ve done time for. Not for the first time neither.”
“Those bastards
have got it in for us,” said Gus. “I’m out just ten days and I get sent back to
York County before I can earn a single day’s honest pay.”
“Shit, Gus,”
said Des. “You ain’t done an honest day’s work in your entire life. If it ain’t
thieving, it’s dealing meth, cracking joints or aggravated assault…”
“You ain’t no
saint, Des. You got caught fair and square. You lifted a whole bunch of shit
from that house on West White Street…”
“I was
desperate. I was gonna be evicted and all. I had to do somethin’ to pay the
rent. My missis was relying on me…”
“And now she’s
done gone left you, Des. Fine load of fucking good it did you. You’re in as
much shit as me now.”
“What are you
going to do now, Gus?” Crystal asked.
“Fuck knows.
Rob a bank, I s’pose,” said Gus. “You girls don’t know what it’s like being on
the wrong side of society…”
“I don’t know
about that,” said Crystal ruefully.
“Even if you
did get in the shit,” Gus continued, “you’d climb out of it OK. You got an
education, I can tell from the highfalutin’ way you speak; those long educated
words I don’t rightly know.”
“That ain’t the
point, Gus,” said Des. “This here girl’s no criminal. She’s like a fucking
angel, ’scuse my French, ma’am. But you are
a crook, Gus. You’re one mean motherfucker. Me, I’ve done my time. I’m gonna go
straight. I’m gonna get a job and get my missis and my boy back. I done wrong.
I know that. And I’m truly sorry for what I did and the distress I caused those
good folks on West White Street.”
“I’m sure
things will work out for you if you’re sincere,” said Crystal, who was spared
the need to elaborate by the return of Judy and Tomiko who’d already smoked
rather more than their fair share while in the lavatory. But Tomiko once again
demonstrated her fantastical ability to roll the perfect joint, however stoned
she was.
“Hey guys,”
said Tomiko in a voice whose poshness was well above and beyond any scale that
Des and Gus had encountered before as she proffered them a lit spliff. “We`ve
got plenty to go round.”
“Not now,” said
Judy guardedly, knowing only too well how undiscriminating Tomiko could be with
regards to sexual liaisons. “There are other things we’ve got to do this
evening.”
“Like what,
sweetheart?” challenged Gus.
“Wouldn’t you
like to know, lover boy?” said Judy in an assertive voice that effectively killed
the likelihood of anything between them resembling romance. “Just enjoy a World
Class Tijuana toke while it’s going free and don’t fucking Bogart the joint,
boys.”
It was as apparent
to me then as it has been subsequently to Polly Tarantella that the preparation
for the Penitence Club gig was much more in Judy’s control than it was
Crystal’s. On this occasion, Judy Dildo was effectively band leader while
Crystal was relegated to chief song-writer and lead vocalist. She didn’t have
the spirit to resist Judy’s coup d’état. In any case, Crystal had no
alternative to offer. And this seizure of authority, more than any other, is
what most riles Polly about Judy. She even speculates that had matters turned
out differently, Crystal Passion would have been side-lined from her own band and
that it would in effect become the Judy Dildo band. But bizarrely enough, Polly
is about the only person who might have liked the Rock & Roll direction Judy
might have taken the band. Nobody else in the band would have agreed to such a
change, especially not me who, along with Jane and Jacquie, still dreamed of a
future cutting white label twelves and DJing at Pacha and the Café del Mar. My
sister, Andrea, had already said she was unhappy with the non-acoustic element
of the Crystal Passion band and that she preferred it when Crystal had been a
solo performer.
Crystal’s
biggest achievement was that she’d managed to hold together a band of so many
disparate elements, a band that could include Andrea and me, Judy Dildo and the
Harlot, and Olivia and Thelma. Such bands are very rare and don’t normally last
for long.
It was Judy who
took the wheel of the Chevrolet on the drive back to the hotel (again
displaying her legendary ability to never get wrecked however much dope she’d
smoked), while in the back seat, next to Tomiko, Crystal sat silently with her
face pressed against the window.
“Hey guys, look
at that shit!” said Tomiko leaning a pointed finger over my shoulder and towards
the wall of a dilapidated factory where one of Skull’s posters was pasted. What
made even Tomiko agitated wasn’t so much the defaced poster, which looked no
better in situ than it did in the Penitence Club’s bar, but the nature of its
defacement.
In England, when
a poster is pasted up which shows something a little bit risqué any later defacement
makes it rather more obscene than it was before. A picture of naked or
semi-clad woman are embellished with crude sketches of erect penises and scrawled
over with juvenile obscenities. But this defacement was of quite a different
order. Across the poster and obscuring all trace of nudity was a strip of white
paper of the type that normally announces a change to the planned event on
which was printed in sans serif (rather than Gothic): ‘Ban Indecency in Rock
Hill’.
Another poster
a few yards further along was pasted over with a similar strip of white paper
with the same message but also with a spray-painted message probably not written
by the original defacers. And this read quite simply: ‘Kill All Dike Punks’.
And another poster was similarly obscured by a white strip with the printed
message: ‘God Hates Lesbians’.
“Fuck!”
exclaimed Judy Dildo, clearly impressed. “There’s obviously someone here who
doesn’t like us.”
“Or even women
in general,” Crystal commented.
Our growing
fears about how we’d be received were further heightened when we later drove from
the hotel to the Penitence Club. As was our usual routine, we arrived a few
hours early to set up the equipment, do a sound check and familiarise ourselves
with the venue. With so many of us and so much equipment, we had to travel in
both the Chevrolet and the Volkswagen Camper, expecting just to park outside the
Penitence, unload the equipment and park the car nearby. However, as the club had
no car park, we had to park our vehicles a block or so away in the nearest
available lot. There was no way the Camper Van could be described as discreet
or unobtrusive adorned as it was in psychedelic colours and celebrating
long-gone rock bands such as the Grateful Dead and the Doors. Although it would
be eye-catching wherever it was parked, on this occasion the fading grandeur of
Volkswagen’s hippy icon was an unwelcome beacon to our presence in Rock Hill’s
streets
that, however well lit by the bright sun,
were manifestly squalid and grimy.
“Is it safe to
leave the van here?” Andrea wondered, as she lifted out her violin case.
“It’s no less
safe than parking it at the Paradise Hotel,” said Judy with a dismissive sniff.
“It’s best the
van is parked nearby if we need to make a swift getaway,” remarked the more
practically minded Bertha. “Not that it wouldn’t be better if we were parked a
lot nearer.”
So, we all had
to share the burden of Jane’s drums, Tomiko’s sound desk, my keyboards and
Olivia’s assortment of bongos, cymbals, tambourines and tympani along with whatever
we would normally carry. As we walked across the near empty lot from the psychedelic
Camper Van along Rock Hill’s least celebrated streets, these instruments
(especially my own) had never before seemed more heavy. And although we arrived
earlier than we normally would, there were early signs of what would later be a
somewhat larger crowd. There was already a straggle of young Americans hanging
around the front entrance to the Penitence Club attired in the Grunge scruffiness
now fashionable in the States nearly twenty years after it had been so in the
UK. There was no surprise here, as our audiences were mostly much the same
wherever we’d played, though in this case there was a marked lack of women.
Clearly ‘Girl’s Nite’ at the Penitence didn’t mean that there’d be a greater
presence of female fans.
What we weren’t
used to seeing—had never seen before—was a small group of exactly the sort of
person you’d never associate with a Crystal Passion gig gathered together on
the other side of the road from the venue behind placards that read ‘God Hates
Lesbians’ and ‘Rock Hill Says: Cristal & the Passions Go Home!’ At this
stage there were twice as many people camped opposite the venue as there were young
men waiting to go inside. I wasn’t in much of a position to get a close look at
the protestors, but they looked no different to the great majority of people
we’d seen so far in South Caroline or, indeed, anywhere else in America. Blue
jeans, check shirts and mostly overweight. If they differed at all, it was that
the men were more whiskered and that some of the women sported plaits and
head-scarves. You certainly wouldn’t guess they were radical Christian
fundamentalists unless you happened to see them with a group of like-minded
people.
As soon as the
demonstrators spotted us they began yelling and shouting in our direction. There
could be no doubt that we were the infamous coven of Godless English Lesbian Punk
Rockers that they imagined us to be. In any setting, there was no way a group
of more than a dozen young women could blend into the background especially
given our relatively eccentric dress. And in South Carolina, there was the
added cause for prejudice in that two of us were black and one Japanese. And
that we were all either exclusively lesbian or openly bisexual. But nowhere
before had I heard the kind of bizarre and oddly archaic taunts thrown at us. Words
like “Dykes”, “Atheists” and “Jezebels” would have been considered terms of
praise at the Sisterhood Festival. Expressions like “Whores”, “Blasphemers” and
“Satanists” were equally irrelevant insults. And there was little potency in
less monosyllabic taunts such as “May God Forgive Your Sins!”, “God Hates
Lesbians!” and “Thou Hast Committed an Abomination and Art Cursed in the Eyes
of the Lord!”
The actual
words yelled at us was irrelevant. It was obvious that by accident rather than
design we were now the object of intense hatred for this small gathering of
protestors. And nobody was more upset about this than Crystal. Throughout her
whole life she’d endeavoured only to understand and love other people.
Actually getting
into the Penitence wasn’t as simple as we’d hoped. First of all we had to locate
the artists’ entrance at the side of the venue. It was out of sight of those waiting
to see us perform but well within sight and earshot of the demonstrators. After
many repeated attempts to attract attention by ringing the doorbell and
increasingly panicked by the emboldened yells from across the road, we hammered
on the stage door and yelled as loud as we could to try and get attention.
“Yeah. Yeah,”
said Skull as he opened the side door with bleary red eyes and the hair on one
side of his head visibly flattened. “I heard you guys the first time.”
“Just fucking
let us in,” said Judy Dildo, who was in no mood for chitchat. “Just get us away
from the fucking Bible Bashers before they lynch us.”
“OK! OK” said
Skull who stood on one side of the door while we filed past him into the club’s
relative safety. He glanced across the road at the small gathering who on
noticing him launched into cries of “Shame on You!” and “Shut Down the
Penitence!” As he closed the doors behind him and padlocked the security bar
into place, he was chuckling to himself. “Well done, guys!” he said. “You
chicks have got yourself the best fucking welcome committee you could hope
for.”
“Some fucking
welcome!” exclaimed Jacquie.
“Even better,”
said Skull with a huge grin as he regarded Jane and Jacquie for the first time.
“Hey. Wow! Not just fucking nudist dykes, you’ve got nig…African American
chicks in the group too. The more ruckus caused by them Fundies, the more
tickets we sell for the gig. I reckon we’ll do good business tonight. I even asked
Golly to do an extra shift at the bar.”
At this stage,
it was usually Crystal who’d pay attention to practical matters such as locating
the dressing room and stage, but she just wasn’t in a fit state to do that. Her
face was etched in tears and her mouth was gasping like a freshly hooked fish.
She was more upset by the hostile reception outside than anyone else. Clearly,
things had got too much for her.
While Andrea
and Philippa tried comforting Crystal, it was up to Judy to get things
organised.
“Whatever,
Skull,” she said. “Just show us where we do the sound check.”
“Sound check?”
said Skull. “Oh yeah, of course. You’re real pros, ain’tcha? And I don’t mean
that in the vulgar sense either, girls. What I mean is that you’ve got a
professional attitude…”
“And we need to
see the dressing room, too,” said Olivia.
“Dressing
room?” said Skull. “You serious? I s’pose you must be if you’re gonna change
out of your dresses. I got a room at the back you could use but it ain’t got no
make-up mirrors or any of that shit. In fact, I dunno if there’s even space to
get all of you in there at one time…”
“Shall we just
see what’s on offer, Skull?” said Judy who like me was already seeing her
already low expectations of the facilities offered by the Penitence drop yet further.
“We’ll just make do with whatever you’ve got.”
I can’t claim
that our gig at the Penitence was one of the Crystal Passion band’s finest.
From my point of view, at least, it was one that in different circumstances I’d
much prefer to be able to forget. Crystal was still very unhappy during the
rehearsals and into the concert itself. She was hardly able to restrain her tears
and it was a great effort for her to stand on stage and sing and play the
guitar. It was almost as if she’d decided to simply go through the motions:
something I could never accuse her of before. If anything characterised Crystal
Passion as a musician it was that she put her heart and soul into every
performance. When you saw her on stage, you were witnessing someone who’d
somehow bypassed the limitations of communication and was literally speaking
from deep inside her very being.
Not tonight,
however. This was Judy Dildo’s gig and, given the circumstances, nobody was going
to object to this at all.
Was this the
way it would be from now on? I wasn’t at ease even during the sound check where
only Crystal took off her clothes (to Skull’s obvious delight). Until that
night, we’d never played our music so fast, so furious and so ferociously. The
songs, the lyrics and the melodies were all Crystal’s. She’d composed them and
she retained authorial copyright. But on this gig the electric guitar was
pushed right to the front and played louder and faster and more forcefully than
it had ever been before. Tomiko mixed the percussion, the drums, the bass and
even my keyboards to emphasise the hardness of the beats and to pump up the
lower register as a counterweight to the energy and propulsion of Judy’s
electric guitar. The mid-range represented by Andrea, Philippa, Thelma and the
Harlot could barely be heard at all except as an accompaniment to the lower and
higher registers. And Crystal was almost inaudible. Her acoustic guitar was
overshadowed by Judy’s electric guitar and her vocals were mostly heard only in
harmony with Judy Dildo, Thelma and the Harlot. On this occasion, it was Judy’s
abrasive singing voice which was most prominent.
So, on this gig
at least, I was now the keyboard player in a Rock & Roll Band. This was
something that my sister and I, not to mention Jane and Jacquie, had sworn never
to do when we first met Crystal. This wasn’t the music I wanted to play. But
Judy Dildo was well in her element. She was effectively the band’s leader,
overshadowing everyone including Crystal.
And bad though
it had been for me in the rehearsal where, with Crystal’s tacit approval, Judy encouraged
us to rock like an all-girl Metallica or Napalm Death, it was much worse at the
actual gig. I’d never been more grateful for the lines of coke and sulphate
that Judy laid on for us all before we hit the stage. That, with the Tijuana
shit and the Carolina Bourbon shots that Skull so thoughtfully supplied, got us
into something that approximated to the right mood for the evening ahead. But this
was a gig where Andrea and Philippa fought to get as far into the already
crowded rear of the stage where Olivia, Jane, Jacquie and I were playing.
It was at the
front of the stage where the action was taking place. Thelma and the Harlot had
joined in the spirit urged on by Skull’s expectations (and those of
Conservative America and its Syndicated Media) to follow the example usually set
only by Crystal and, less regularly, Judy Dildo. And that, of course, was to
bare their flesh. Only the Harlot bared as much as Crystal. For the first time she
appeared on stage totally nude and somehow seemed much more naked, in a raw and
physical sense, than Crystal had ever done. Her shaved crotch, nipple rings and
tattoos promised with great frankness exactly what the Harlot had to offer any
of her lovers, which was many times more than what anyone in the audience was ever
likely to have experienced before. The Harlot wasn’t the only one onstage
nudist. Thelma flaunted all but her neatly trimmed crotch, which was obscured
by a flimsy bikini bottom. Judy Dildo had forsaken even the black nipple
plasters that was normally her only pretence of modesty given that her vagina was
obscured by the much more obscene and fully erect representation of male
genitalia after which she was named and which was strapped on to her crotch.
I can only
imagine what the almost exclusively male audience made of the huge black
plastic dildo Judy flaunted and which she thrust towards the rowdy young men to
the percussive rhythm supplied by Jane and Jacquie and massively pumped up by a
shadowy Tomiko in the sound booth (who didn’t need to take any of her clothes
off to arouse the libidos of at least a subsection of the male audience).
In the sense
that we earned an encore and that the audience were obviously excited and
enthralled by the Crystal Passion band, this gig might be pronounced a success.
But it was obvious to most of us that this hadn’t been Crystal’s show at all.
And this was proven by how she burst into tears as soon as we’d finished and
were out of sight of our fans. Only Judy Dildo, Thelma and the Harlot seemed to
have enjoyed the gig, perhaps because this was the concert where they were most
in charge.
“That was
fucking great, girls!” said Skull who came to see us backstage and was clearly
disappointed that the lead singers had managed to get dressed before he made
his presence known. “I can’t fucking wait till Friday’s gig. We should have
double the crowd. We’ll either have to cram them in like sardines or turn ’em
away.”
Only Judy Dildo
chatted to Skull while the rest of us gathered our gear together, with Bertha
and Jenny Alpha as fast and efficient as ever. Olivia and Philippa shared the
duty of selling copies of our CDs to the audience as they filed out. Not
surprisingly, the record that sold the most copies was Passing Passion: the only record sleeve to feature Crystal in the
nude. I couldn’t help wondering how disappointed our audience would be when they
came to play the album (or even the wholly acoustic Triad) to find that it was about as unlike a Punk Rock album as you
could imagine. They weren’t to know that a couple of decades later, their
purchases would now dramatically soar in value thanks to Polly Tarantella’s efforts
(and even more so, if they bought the then significantly less expensive vinyl edition).
“I just want to
go to the airport now and fly home!” Andrea declared as we walked back to the
Camper Van. “I’ve just about had enough of this tour.”
“It’s been one
fucking humiliation after another,” said Jacquie. “At least that perv Skull
didn’t try to get us all to strip
off.”
“It wasn’t that bad,” said Thelma. “You heard how
they called for an encore. That was better than anything we got in Boston.”
Crystal said
nothing. She was weeping softly and walked along with her head facing the
ground and her shoulders hunched. Judy also said nothing, but although she had
a comforting arm around Crystal’s shoulders it was clear that she wasn’t upset. And this, as far as
Polly Tarantella is concerned, is just one more piece of evidence of Judy’s
treachery and scheming. How dare Judy Dildo allow Crystal Passion to be so
humiliated!
Crystal’s
misery for the evening didn’t end just with the shame of being overshadowed by
her lead guitarist (though only Polly is as upset by that as much as I was).
When we were in sight of the Camper Van, we could now see our folly in having
parked such a conspicuously psychedelic vehicle in Rock Hill’s streets.
“Fuck!”
exclaimed Penny Alpha. “It’s a fucking write-off.”
“I hope the
insurance will cover this,” said the more practical Olivia.
“More’s the
point,” said Bertha who was weighed down by the heaviest equipment (mostly mine
and Tomiko’s). “How the fuck do we get back to the hotel?”
Thankfully, the
Chevy had been totally untouched by whoever it had been who’d vandalised the
Camper Van, but it had never been intended for use as a shuttle service to the
hotel for the band and our equipment while Judy and Crystal hunted for a nearby
phone booth to make the necessary calls to local garages to take care of the
Volkswagen Camper Van, to Kai Pharrel to determine our liability and to car
hire firms to get a replacement vehicle for our subsequent gigs. And at the
time, of course, we had no idea how pointless this last concern would be.
Although I have
my own ideas as to who smashed up the Volkswagen Camper Van and Polly
Tarantella has no shortage of hypotheses, the culprits were never found and, to
be honest, nobody expected they ever would be. But it was clear that those who’d
attacked the van weren’t just opportunist car wreckers. The tyres had been
slashed, the windows smashed and the doors prised open. That was sort of what you’d
expect. What self-respecting vandal would leave such obvious targets untouched?
There was little inside the van of any value, but what there was had been
knifed open, pulled apart and strewn across the parking lot.
But the way the
vandals distinguished themselves (although it could never be used as evidence in
a court of law) was by the nature of the graffiti sprayed over the psychedelic
celebrations of the Grateful Dead, Jimi Hendrix and Spirit.
‘Rock Hill
Hates Dykes’.
‘Cristal Sucks
Dick’.
‘Jesus Dont
Forgive Your Sins’.
‘Cristal, Whore
of Punk’.
‘Go Home Punk Dikes’.
Crystal sniffed
as she brushed aside a tear from the corner of her eye. “They really don’t like
me, do they?” she said.
“It’s not you
they don’t like,” I said. “It’s what you represent.”
“It comes to
exactly the same thing, believe you me.”